Paper

Student Artwork Guide

Artillery Train

Name Class Date

kerr eby, Artillery Train (1919). Public domain.

The facts

Artist
kerr eby artsdot.com/en/artists/kerr-eby/
Artist’s dates
1889 – 1946
Painted
1919
Original size
13 x 34 cm

In context

Artillery Train — kerr eby

How big is it?

The original measures 13 × 34 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940

Shaded: the lifetime of kerr eby (1889–1946) ▲ this work, 1919

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/kerr-eby-artillery-train-AQTFU5-en/

Colours

Measured from the image

    Main colour

    Quinacridone Magenta #6f5e47

    Catalogued palette

    • #6F5E47
    • #DDD0B4
    • #AE9E82
    • #33271C
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Quinacridone Magenta
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Artillery Train — kerr eby

    The world of art is replete with masterpieces that not only reflect the skill of the artist but also capture the essence of a moment in time. One such piece is Artillery Train by Kerr Eby, an etching that embodies the dynamism and energy of war. Created in 1919, this artwork is a testament to Eby's ability to convey complex scenes with simplicity and elegance.

    The Artist's Vision

    Kerr Eby was an American artist known for his etchings and prints, which often depicted scenes of war and everyday life. In Artillery Train, he masterfully captures the movement and tension of a military procession. The etching shows a group of men on horseback, accompanied by artillery, moving along a riverbank. The scene is full of energy, with the horses and men depicted in various states of motion.

    Technique and Style

    The technique used by Eby in Artillery Train is noteworthy. The etching is characterized by bold lines and expressive shading, which give the scene a sense of depth and dimensionality. The use of chiaroscuro adds to the dramatic effect, highlighting the contrasts between light and dark. This style is reminiscent of other works by Eby, such as The Nomads and Little Knob, which can be found on AllPaintingsStore.com and AllPaintingsStore.com, respectively.

    Museum Collections

    Artillery Train is part of the collection at the Smithsonian American Art Museum, a prestigious institution dedicated to American art. The museum's collection includes a wide range of artworks, from colonial period paintings to contemporary installations. To learn more about Kerr Eby and his works, visit Wikipedia.

    Medium: Etching on paper

    Date: 1919

    Museum: Smithsonian American Art Museum

    Oil Painting Replica of Artillery Train can be found on AllPaintingsStore.com, offering art lovers the opportunity to own a handmade reproduction of this masterpiece.

    The artistic brilliance of Kerr Eby is undeniable, and Artillery Train stands as a testament to his skill and vision. This etching continues to captivate audiences with its dynamic portrayal of war and movement, making it a significant piece in the world of American art.

    Artist and museum

    Artist

    kerr eby

    Kerr Eby: A Chronicle of War and Witness

    Born in the bustling metropolis of Tokyo in 1889, Kerr Eby’s artistic journey began far from the familiar landscapes of his Canadian heritage. His parents, devout Methodist missionaries, instilled within him a deep appreciation for observation and a keen eye for detail – qualities that would prove instrumental in shaping his distinctive style. Early life in Canada provided a grounding in traditional art training, but it was his relocation to New York City in 1907 that truly ignited his artistic ambitions. He enrolled at Pratt Institute and later honed his skills at the prestigious Art Students League, immersing himself in the vibrant artistic community of the city.

    Eby’s formative years were marked by a fascination with printmaking, an art form he mastered through apprenticeships and hands-on experience. He secured a position at the American Lithographic Company, gaining invaluable insight into the technical intricacies of etching and lithography – skills that would later become central to his artistic practice. Crucially, he benefited from the influence of his uncle, Frederick Keppel Sr., a prominent art dealer who championed the recognition of prints as a legitimate form of fine art within America. This support, combined with his own dedication, allowed Eby to develop a remarkable technical proficiency and a unique visual language.

    The Crucible of War: Illustrations from the Front

    World War I marked a pivotal moment in Kerr Eby’s career, transforming him from a promising artist into a chronicler of war. Enlisting in the U.S. Army in 1917, he initially served as an ambulance driver and later as a camoufleur – a vital role that demanded both artistic skill and an intimate understanding of military strategy. It was during this period that Eby began to document the realities of combat through sketches and drawings, capturing not just the grand sweep of battles but also the quiet moments of human experience amidst the chaos. Unlike many official war artists who focused on heroic depictions, Eby sought to portray the war with unflinching honesty, revealing both its brutality and its profound impact on the lives of ordinary soldiers.

    His early sketches, initially intended for personal records, were eventually compiled into a powerful collection titled War, published in 1936. This book, a testament to Eby’s artistic vision and his commitment to bearing witness, became an immediate sensation, capturing the attention of critics and collectors alike. It established him as one of the foremost illustrators of the war, alongside figures like Harvey Dunn, and cemented his reputation for portraying the horrors and humanity of conflict with remarkable sensitivity.

    A Shift in Focus: Landscapes and Equestrian Portraits

    Following the First World War, Eby experienced a period of reflection and artistic evolution. While he continued to occasionally revisit themes related to war, he increasingly turned his attention to landscapes and equestrian portraits – subjects that offered a respite from the grim realities of combat. His landscape paintings, characterized by their luminous quality and evocative atmosphere, drew inspiration from the Luminist movement, emphasizing light, color, and the beauty of nature. Simultaneously, he returned to his earlier passion for portraiture, producing stunning depictions of horses and riders – works that showcased his exceptional technical skill and his ability to capture the essence of his subjects.

    This shift in focus did not diminish Eby’s artistic integrity; rather, it allowed him to explore new avenues of expression while retaining the core values that had defined his work throughout his career. His equestrian portraits, for example, often carried a subtle undercurrent of melancholy, reflecting his experiences during the war and his deep understanding of human suffering.

    Legacy and Historical Significance

    Kerr Eby’s life was tragically cut short in 1946, succumbing to complications from a tropical disease contracted while documenting the fighting in Bougainville. Despite his untimely death, his artistic legacy endures as a powerful testament to the role of art in bearing witness to historical events. His illustrations from World War I and II remain invaluable documents, offering a rare glimpse into the experiences of soldiers on the front lines. His work is held in numerous museums across America, including the Smithsonian American Art Museum, a testament to its enduring artistic merit and historical significance.

    Eby’s ability to capture both the physical realities of war and the emotional toll it exacted on individuals has cemented his place as one of the most important illustrators of the 20th century. His art serves not only as a record of history but also as a poignant reminder of the human cost of conflict – a message that remains profoundly relevant today.

    Where to read more

    • The artist kerr eby artsdot.com/en/artists/kerr-eby/
    • Similar works More works to compare artsdot.com/en/art/similar/kerr-eby-artillery-train-AQTFU5-en/

    Find this online

    QR code linking to the download page for Artillery Train

    artsdot.com/en/art/download/kerr-eby-artillery-train-AQTFU5-en/

    Cite this artwork

    MLA
    eby, kerr. Artillery Train. 1919, https://artsdot.com/en/art/kerr-eby-artillery-train-AQTFU5-en/
    APA
    eby, kerr (1919). Artillery Train [Painting]. https://artsdot.com/en/art/kerr-eby-artillery-train-AQTFU5-en/
    Chicago
    kerr eby. Artillery Train. 1919. https://artsdot.com/en/art/kerr-eby-artillery-train-AQTFU5-en/
    Harvard
    eby, kerr (1919) Artillery Train. Available at: https://artsdot.com/en/art/kerr-eby-artillery-train-AQTFU5-en/

    Look closely

    Artillery Train — kerr eby

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Shadows (1936), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. kerr eby was about 30 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.