Paper

Student Artwork Guide

Visual Gravity -2

Name Class Date

Kaloust Guedel, Visual Gravity -2 (2017). Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Kaloust Guedel artsdot.com/en/artists/kaloust-guedel/
Artist’s dates
1956 – ?
Painted
2017
Original size
635 x 213 cm
Movement
Light And Space

In context

Visual Gravity -2 — Kaloust Guedel

How big is it?

The original measures 635 × 213 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000
  7. 2010

Shaded: the lifetime of Kaloust Guedel (1956–?) ▲ this work, 2017

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/kaloust-guedel-visual-gravity-2-D2N6LW-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #9d8d8c

    Catalogued palette

    • #9D8D8C
    • #5E3A1F
    • #606871
    • #BFBCBE
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Kaloust Guedel

    Born in Nicosia, Cyprus

    A Life Forged in Cultural Crossroads

    Kaloust Guedel’s artistic journey is one deeply rooted in displacement and cultural synthesis, a narrative that began on the island of Cyprus in 1956. Born into an Armenian family, his early life was marked by a geographical and emotional shift when his family relocated to Armenia within the Soviet Union in 1962. This formative period instilled in him a profound awareness of identity, belonging, and the weight of history – themes that would become central to his artistic explorations. Further travels through neighboring republics and Lebanon before finally settling in Los Angeles in 1975 only deepened this sense of being an observer, a translator between worlds. Guedel’s self-directed education as an artist was not confined to formal institutions; rather, it blossomed from philosophical inquiry at the Philosophical Research Society in the early 1980s and a relentless engagement with the complexities of contemporary life. He didn't seek instruction so much as he sought understanding—understanding of the human condition, societal structures, and the power of visual language to dissect them.

    The Genesis of Excessivism: A Response to Consumption

    Guedel is perhaps best known as the founder of Excessivism, a movement born from a critical response to the perceived excesses of consumer culture and societal norms. Emerging in the 21st century, Excessivism isn’t merely an aesthetic style but a philosophical stance—a confrontation with the overwhelming abundance and often superficial values that characterize modern existence. Guedel's work consistently challenges viewers to confront uncomfortable truths about materialism, power dynamics, and the darker aspects of human experience. He doesn’t shy away from difficult subjects like genocide, war, and abuse, instead choosing to address them head-on with a minimalist aesthetic that amplifies their emotional impact. This deliberate restraint isn’t an avoidance of complexity but rather a strategic choice—a way to distill potent ideas into their purest form. His artistic path has been characterized by experimentation across painting, sculpture, and conceptual installations, always prioritizing the message over adherence to any single stylistic convention.

    Innovation in Materiality: Vinyl as Canvas

    Guedel’s commitment to pushing boundaries extends beyond thematic concerns into the realm of materials. He is recognized as a pioneer for his groundbreaking use of vinyl as a primary medium in painting, challenging traditional notions of what constitutes art and expanding the possibilities of artistic expression. This wasn't simply about adopting a new material; it was about questioning the very foundations of painting itself—its history, its conventions, and its limitations. The choice of vinyl, often associated with mass production and disposability, is inherently provocative, aligning perfectly with the critical ethos of Excessivism. Works like “Unauthorized Stage of Tension,” “Alternative Cloud,” “Black Magic Romance”, “Coronation Of Vagina” and “Red White Blue Etcetera” demonstrate his mastery of this unconventional medium, transforming it into a vehicle for profound conceptual exploration. He doesn’t merely paint on vinyl; he manipulates it, deconstructs it, and imbues it with new meaning.

    A Legacy of Provocation and Dialogue

    Kaloust Guedel's impact on the contemporary art landscape is undeniable. His work has garnered recognition in publications like Masters of Today, solidifying his position as a significant voice within the artistic community. More than just an artist, he’s a cultural commentator—a provocateur who dares to challenge conventional thinking and spark dialogue about pressing social and political issues. The founding of Excessivism provides a framework for understanding contemporary anxieties, offering a lens through which to examine the complexities of modern life. His innovative use of materials continues to inspire artists today, encouraging them to question established norms and explore new avenues of creative expression. Guedel’s legacy lies not only in his individual artworks but also in his unwavering commitment to intellectual rigor, emotional honesty, and the power of art to effect change. He represents a generation of artists unafraid to confront difficult truths and leave an indelible mark on the world through their vision.

    Where to read more

    Find this online

    QR code linking to the download page for Visual Gravity -2

    artsdot.com/en/art/download/kaloust-guedel-visual-gravity-2-D2N6LW-en/

    Cite this artwork

    MLA
    Guedel, Kaloust. Visual Gravity -2. 2017, https://artsdot.com/en/art/kaloust-guedel-visual-gravity-2-D2N6LW-en/
    APA
    Guedel, Kaloust (2017). Visual Gravity -2 [Painting]. https://artsdot.com/en/art/kaloust-guedel-visual-gravity-2-D2N6LW-en/
    Chicago
    Kaloust Guedel. Visual Gravity -2. 2017. https://artsdot.com/en/art/kaloust-guedel-visual-gravity-2-D2N6LW-en/
    Harvard
    Guedel, Kaloust (2017) Visual Gravity -2. Available at: https://artsdot.com/en/art/kaloust-guedel-visual-gravity-2-D2N6LW-en/

    Look closely

    Visual Gravity -2 — Kaloust Guedel

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Stage 3 (2012), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Kaloust Guedel was about 61 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.