Paper

Student Artwork Guide

Frida Kahlo

Name Class Date

Julien Levy, Frida Kahlo (1938), Philadelphia Museum of Art. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Julien Levy artsdot.com/en/artists/julien-levy/
Artist’s dates
1906 – 1981
Painted
1938
Medium
Acrylic On Canvas
Original size
17 x 16 cm
Movement
Surrealism Dream logic painted with waking precision: impossible things shown as if they were ordinary.
Held at
Philadelphia Museum of Art artsdot.com/en/museums/philadelphia-museum-of-art-philadelphia/
Artistic style
Documentary
Influences
Diego Rivera
Notable elements or techniques
Intimate portrait photography
Subject or theme
Self-portraiture

In context

Frida Kahlo — Julien Levy

How big is it?

The original measures 17 × 16 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980

Shaded: the lifetime of Julien Levy (1906–1981) ▲ this work, 1938

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/julien-levy-frida-kahlo-D3VFPJ-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #aea694

    Catalogued palette

    • #AEA694
    • #35342E
    • #756F60
    • #D0CBBB
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Frida Kahlo — Julien Levy

    Frida Kahlo’s Intimate Photographs of Diego Rivera Taken by Julien Levy

    Julien Levy's 1938 portraits of Frida Kahlo represent more than just visual documentation; they encapsulate a pivotal moment in Kahlo’s artistic trajectory and offer a glimpse into the complex relationship between the celebrated muralist and her muse. Captured shortly before Kahlo’s groundbreaking solo exhibition at the Julien Levy Gallery in New York City, these images—particularly those featuring Kahlo draped in a vibrant rebozo shawl—are considered among Levy's most significant achievements and stand as testament to his astute understanding of Kahlo’s artistic vision. The photographs weren’t merely aesthetically pleasing; they were strategically conceived to elevate Kahlo’s profile within the burgeoning Surrealist movement, marking an important step toward establishing her reputation as a singular artist in her own right.

    Subject Matter: Levy's portraits depict Frida Kahlo in candid poses—often semi-nude—revealing a side of Kahlo rarely seen by the public eye. The images capture Kahlo’s gaze directly at the camera, conveying an aura of confidence and defiance that aligns with her artistic persona.

    Style: Levy's approach is characterized by documentary photography, prioritizing authenticity over theatrical presentation. He eschewed elaborate staging or retouching, opting instead for a straightforward depiction of Kahlo as she appeared in real life—a deliberate choice reflecting the Surrealist ethos of capturing spontaneous moments and confronting uncomfortable truths.

    Technique: The photographs were executed using silver gelatin printing, a technique known for its tonal richness and ability to reproduce subtle nuances of light and shadow. Levy’s meticulous attention to detail ensured that every element—from Kahlo's hairstyle to the folds of her shawl—was faithfully rendered, contributing to the overall impression of intimacy and immediacy.

    Symbolism and Context: The Rebozo Shawl and Beyond

    The rebozo shawl featured prominently in several of Levy’s photographs serves as a powerful symbol of Kahlo's identity—both as an artist and as a woman navigating societal expectations. Traditionally worn by Mexican women, the rebozo embodies femininity, grace, and cultural heritage. Its inclusion in Levy’s portraits underscores Kahlo’s embrace of her roots and her refusal to conform to conventional standards of beauty. Furthermore, the photographs capture Kahlo at a moment of artistic triumph—the eve of her debut exhibition—affirming her determination to pursue her creative ambitions despite physical limitations and personal hardships.

    Historical Significance: Levy’s images coincided with the rise of Surrealism in Europe and America, propelling Kahlo into the spotlight as an artist who challenged prevailing notions of femininity and beauty. The photographs were instrumental in securing Kahlo's first solo exhibition in New York City—a landmark event that cemented her place within the avant-garde art scene.

    Emotional Impact: Levy’s portraits convey a palpable sense of intimacy and vulnerability, inviting viewers to contemplate Kahlo’s inner life and artistic motivations. The photographs capture Kahlo's gaze directly at the camera, conveying an aura of confidence and defiance that aligns with her artistic persona—a testament to her resilience in the face of adversity.

    The Legacy of Levy’s Vision: A Reproduction Worth Exploring

    Julien Levy’s photographs of Frida Kahlo continue to inspire artists, collectors, and interior designers alike. They offer a rare glimpse into Kahlo's artistic world—a realm characterized by honesty, vulnerability, and unwavering commitment to self-expression. Reproductions of these images can serve as a beautiful reminder of Kahlo’s enduring legacy—a testament to her pioneering spirit and her profound influence on the art of the 20th century. Consider commissioning a high-quality print from AllPaintingsStore to bring Levy's evocative vision into your home or studio.

    Artist and museum

    Artist

    Julien Levy

    Born in New York City, United States of America

    early life and education

    julien levy, a renowned art dealer and owner of julien levy gallery in new york city, was born on january 22, 1906. he studied museum administration at harvard under the guidance of paul j. sachs but dropped out shortly before graduating.

    career highlights

    levy's association with marcel duchamp led to his introduction to man ray and berenice abbott, resulting in his acquisition of a portion of eugène atget's personal archive. in 1927, he met artist and writer mina loy and married her daughter, joella haweis. after their divorce in 1942, levy married surrealist artist muriel streeter in 1944.

    julien levy gallery: a hub for surrealists and avant-garde artists

    levy's gallery, established in 1931 at 602 madison avenue, played a pivotal role in promoting european and american surrealist artists. notable exhibitions include:

    man ray's first major show (1932)

    surrealism: paintings, drawings, and photographs, featuring pablo picasso, max ernst, joseph cornell, marcel duchamp, and salvador dalí (1932)

    salvador dalí's the persistence of memory (1932)

    frida kahlo's first solo exhibition in the united states (1938)

    legacy and later life

    levy moved to connecticut in 1949, married jean farley mclaughlin in 1958, and taught at sarah lawrence college and state university of new york at purchase. he authored memoir of an art gallery and surrealism. levy passed away on february 10, 1981.

    relevant links from AllPaintingsStore

    julien levy's artist page

    frida kahlo (strip of two contact prints)

    wikipedia: julien levy

    important museums and collections

    philadelphia museum of art (philadelphia, united states)

    weyhe gallery

    discover more about julien levy's life and work on AllPaintingsStore.

    Museum

    Philadelphia Museum of Art

    On show in Philadelphia, United States of America

    A Sanctuary of Artistic Voices: The Philadelphia Museum of Art

    Nestled on the crest of Benjamin Franklin Parkway in the heart of Philadelphia, the Philadelphia Museum of Art is more than just a repository for art; it’s an immersive experience, a testament to centuries of human creativity and a vibrant reflection of American culture. From its humble beginnings as a showcase for the Centennial Exposition to its current status as one of the nation's premier art institutions, the museum has consistently evolved while remaining deeply rooted in its rich history. The iconic steps, immortalized in the film Rocky, beckon visitors not just to admire the building’s grandeur but to participate in a shared cultural narrative—a symbol of perseverance and the enduring power of artistic aspiration. More than simply displaying masterpieces, the museum invites contemplation, sparking dialogue and fostering a profound connection between the viewer and the art itself.

    The story begins with the grand vision of the 1876 Centennial Exposition. Initially conceived as a showcase for applied arts and sciences—a celebration of industry and innovation—it quickly blossomed into a comprehensive institution dedicated to preserving and exhibiting art from across globe. The architectural design, spearheaded by Horace Trumbauer and brought to life through the crucial contributions of Julian Abele—the first African-American graduate of the University of Pennsylvania’s Department of Architecture—is itself a work of art. Constructed from Minnesota dolomite, the building exudes an elegance and grandeur befitting its contents, a physical embodiment of artistic ideals. Abele's meticulous detailing – the delicate carvings, the precisely placed columns, the subtle variations in stone texture – adds a layer of refined beauty that elevates the entire structure beyond mere functionality. It’s a building designed not just to house art, but to celebrate it, a harmonious blend of classical inspiration and modern sensibility.

    Stepping inside is akin to embarking on a journey through time and across continents. The museum's collection boasts over 240,000 objects, encompassing an astonishing range of artistic mediums and historical periods. European paintings dominate the early galleries, offering a sweeping panorama from the Renaissance masters—Botticelli’s ethereal Venus, a study in delicate color and idealized beauty, Rembrandt’s dramatic lighting, capturing both the grandeur and vulnerability of human experience, to the Impressionists—Monet’s shimmering water lilies, evoking the fleeting nature of light and atmosphere, Renoir’s joyful gatherings, brimming with life and the celebration of everyday moments. However, to limit the museum to its European holdings would be a profound disservice. A comprehensive survey of American art unfolds before the visitor’s eyes, tracing the evolution of artistic expression within the United States from colonial times to contemporary explorations. This section provides a rich understanding of how America's unique cultural landscape has shaped its artistic identity, showcasing works by artists like William Michael Harnett, whose “Still Life: Writing Table” exemplifies the mastery of trompe-l’œil realism—a technique so convincing that it appears to leap off the canvas, blurring the line between art and reality, and Nettie Pettway Young, whose iconic Gee’s Bend quilts embody the spirit of African American artistry—each stitch a testament to tradition, resilience, and profound storytelling. Beyond Europe and America, the museum extends its reach across continents with an extensive collection of Asian art—ceramics, bronzes, paintings, and sculptures that offer glimpses into the region's profound artistic heritage, including the exquisite works of Gim Eung-won, a Korean master painter renowned for his intricate depictions of orchids and rocks – capturing both their delicate beauty and the strength of nature.

    A Living Cultural Hub: Exhibitions and Engagement

    The Philadelphia Museum of Art is not merely a place to view art; it’s a space designed to foster engagement and inspire creativity. The museum consistently hosts rotating special exhibitions that bring fresh perspectives and introduce new artists to the public eye, ranging from groundbreaking retrospectives celebrating the legacies of masters like Cézanne – exemplified by his poignant “Seated Peasant,” a study in muted tones and expressive brushstrokes – to thematic explorations of specific artistic movements. These initiatives ensure that the museum remains a dynamic cultural hub, constantly evolving and adapting to the needs of its community. Beyond these temporary displays, the museum offers a wealth of educational programs tailored for audiences of all ages—from family workshops and school tours designed to spark curiosity in young minds, to lectures and artist talks offering insights into the creative process, making art accessible and engaging for everyone.

    Architectural Marvels and Historical Context

    The building itself is an integral part of the museum’s story. The original design by Horace Trumbauer, complemented by Julian Abele's masterful detailing, reflects a commitment to architectural grandeur and artistic harmony. However, the museum’s evolution has continued through significant expansions and renovations. The addition of the Rodin Museum, housing Auguste Rodin’s iconic sculptures including The Thinker, provides a dedicated space for this influential artist’s work – a powerful meditation on contemplation and humanity's inner struggles, and more recently, the Perelman Building, designed by Frank Gehry, opened in 2007, dramatically reshaping the interior and adding new galleries for prints, drawings, photographs, and design objects. This modern addition seamlessly integrates with the historic building, creating a dynamic and visually stunning space – a testament to the museum’s ability to embrace innovation while honoring its past.

    A Legacy of Innovation and Expansion

    Throughout its history, the Philadelphia Museum of Art has demonstrated a commitment to growth and innovation. The museum’s dedication to diversity, equity, inclusion, and accessibility is reflected in ongoing efforts to ensure that all visitors feel welcome and valued. The Core Project, completed in 2021, represents a monumental investment in the museum's future, transforming the interior with new galleries, improved circulation, and enhanced visitor amenities. The addition of stunning views of the city skyline from the renovated spaces further elevates the visitor experience. “Rocky Steps” themselves are more than just a visual landmark; they’re a symbol of determination and achievement, attracting visitors from around globe who come to reenact the iconic scene and connect with the spirit of perseverance. The museum's commitment extends beyond its main building, encompassing the historic colonial-era houses of Mount Pleasant and Cedar Grove in Fairmount Park, adding another layer to its historical significance and offering a glimpse into Philadelphia’s past.

    Where to read more

    Find this online

    QR code linking to the download page for Frida Kahlo

    artsdot.com/en/art/download/julien-levy-frida-kahlo-D3VFPJ-en/

    Cite this artwork

    MLA
    Levy, Julien. Frida Kahlo. 1938, Philadelphia Museum of Art. https://artsdot.com/en/art/julien-levy-frida-kahlo-D3VFPJ-en/
    APA
    Levy, Julien (1938). Frida Kahlo [Painting]. Philadelphia Museum of Art. https://artsdot.com/en/art/julien-levy-frida-kahlo-D3VFPJ-en/
    Chicago
    Julien Levy. Frida Kahlo. 1938. Philadelphia Museum of Art. https://artsdot.com/en/art/julien-levy-frida-kahlo-D3VFPJ-en/
    Harvard
    Levy, Julien (1938) Frida Kahlo. Philadelphia Museum of Art. Available at: https://artsdot.com/en/art/julien-levy-frida-kahlo-D3VFPJ-en/

    Look closely

    Frida Kahlo — Julien Levy

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: frida kahlo, surrealism, mexico. Do you agree? What would you add, or take away?
    5. Look back at Frida Kahlo (1938), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Frida Kahlo — Julien Levy

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is Frida Kahlo primarily known for?

      • A Her abstract expressionist paintings.
      • B Her prolific self-portraits exploring themes of identity and pain.
      • C Her monumental murals celebrating Mexican history.
    2. 2. In what year was Frida Kahlo’s first solo exhibition held in New York City?

      • A 1935
      • B 1938
      • C 1942
    3. 3. Who championed Frida Kahlo's artistic vision and organized her first solo exhibition?

      • A Diego Rivera
      • B Marcel Duchamp
      • C André Breton
    4. 4. What artistic style is most characteristic of Frida Kahlo’s paintings?

      • A Cubism
      • B Impressionism
      • C Naive Folk Art
    5. 5. The photograph depicts Frida Kahlo in a pose that emphasizes her...

      • A Movement and dynamism.
      • B Quiet contemplation.
      • C Direct gaze towards the viewer.

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2C · 3C · 4C · 5C