Paper

Student Artwork Guide

None

Name Class Date

Jules Chéret (1917), National WWI Museum and Memorial. Public domain.

The facts

Artist
Jules Chéret artsdot.com/en/artists/jules-cheret/
Artist’s dates
1836 – 1932
Painted
1917
Medium
Acrylic On Canvas
Movement
Belle Époque Aesthetic
Held at
National WWI Museum and Memorial artsdot.com/en/museums/national-wwi-museum-and-memorial-kansas-city/
Artistic style
Modern Poster Art
Influences
Lithography
Notable elements or techniques
Colorful design; Red, white & blue hues
Subject or theme
Warrior/Leader; France WWI

In context

None — Jules Chéret

When was this painted?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890
  8. 1900
  9. 1910
  10. 1920
  11. 1930

Shaded: the lifetime of Jules Chéret (1836–1932) ▲ this work, 1917

Compare with

  • None, 1918 artsdot.com/en/art/jules-cheret-untitled-D66UHH-en/
  • None, 1918 artsdot.com/en/art/jules-cheret-untitled-D66UHQ-en/
  • None, 1918 artsdot.com/en/art/jules-cheret-untitled-D66UM2-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/jules-cheret-untitled-D66UMA-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #b2a178

    Catalogued palette

    • #B2A178
    • #4D4C43
    • #776855
    • #98926F
    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    None — Jules Chéret

    A Vision of Courage Amidst Conflict: Examining Jules Chéret’s “Soldiers on Hill”

    The Parisian Belle Époque – an era defined by optimism, artistic experimentation, and burgeoning technological advancements – witnessed the emergence of a singular visual voice: Jules Chéret. His poster for the Société Générale Française de Crédit Agricole, titled “Soldiers on Hill,” transcends mere advertising; it’s a poignant emblem of French resilience during World War I, skillfully crafted with innovative lithographic techniques and imbued with layers of symbolic meaning that continue to resonate today.

    Subject Matter: The image depicts a solitary figure – presumably representing France – standing atop a hilltop, arms outstretched in defiance against an unseen adversary. This posture embodies courage, determination, and unwavering faith in victory, mirroring the spirit of the French people facing immense hardship during the war years.

    Style & Technique: Chéret’s approach distinguishes itself from prevailing academic styles of the time. He embraced a bold simplification of form—a hallmark of Art Nouveau—characterized by flowing lines and stylized figures. Lithography, rather than etching or engraving, was employed to produce the poster's vibrant hues and intricate details. This technique allowed for mass production while maintaining exceptional color fidelity, reflecting the growing importance of visual communication in disseminating propaganda and bolstering morale.

    Historical Context: Created in 1917, “Soldiers on Hill” arrived during the height of the First World War’s devastation. The Société Générale Française de Crédit Agricole commissioned Chéret to bolster public confidence amidst anxieties about the war effort. Posters like this served as crucial instruments for mobilizing citizens and bolstering morale—a deliberate strategy aimed at countering despair and fostering unity.

    Symbolism: The hilltop itself symbolizes France’s unwavering resolve, representing stability and strength against turbulent forces. The outstretched arms signify defiance and aspiration – a plea for victory and a testament to the enduring spirit of the nation. Furthermore, the color palette—primarily red, white, and blue—is deeply rooted in French national symbolism, reinforcing the poster's message of patriotism and solidarity.

    Emotional Impact: “Soldiers on Hill” succeeds in capturing the emotional core of its era. It evokes feelings of hope amidst despair, courage in the face of adversity, and unwavering faith in a brighter future. The poster’s dynamic composition and expressive use of color contribute to its enduring power as an image of national pride and resilience—a timeless reminder that even in times of darkness, beauty and determination can prevail.

    This masterful piece of graphic art isn't merely a promotional tool; it’s a cultural artifact that encapsulates the anxieties and aspirations of a nation grappling with unprecedented challenges. Its enduring appeal lies in its ability to communicate profound emotions through deceptively simple visual elements—a testament to Chéret’s genius as both an artist and a communicator, cementing his legacy as “the father of the modern poster” and ensuring "Soldiers on Hill" continues to inspire generations of art lovers and collectors alike.

    Artist and museum

    Artist

    Jules Chéret

    Born in Paris, France

    The Dawn of the Belle Époque: Jules Chéret and the Art of the Modern Poster

    Jules Chéret, a name synonymous with the vibrant spirit of Paris during the Belle Époque, wasn’t merely an artist; he was a revolutionary. Born in 1836 to a family of artisans, his journey from humble beginnings to becoming “the father of the modern poster” is a testament to his innovative spirit and artistic vision. Unlike many artists constrained by formal academic training, Chéret's early education was practical – an apprenticeship with a lithographer at the age of thirteen ignited a passion that would redefine commercial art. This initial exposure wasn’t simply about learning a trade; it was an immersion into the possibilities of mass communication and visual persuasion. He honed his skills further with studies at the École Nationale de Dessin, absorbing the artistic currents of Paris, but it was his six years in London, from 1859 to 1866, that proved pivotal. There, he encountered a British poster aesthetic focused on clarity and impact, techniques he would later synthesize with his own uniquely French sensibility.

    From Cabarets to Cosmetics: A Flourishing Career

    Upon returning to France, Chéret didn’t seek patronage from the established art world; instead, he turned to the burgeoning entertainment industry. Paris was transforming—a city of dazzling cabarets, grand music halls, and increasingly sophisticated theaters. Chéret became their visual voice. He created posters for iconic venues like the Eldorado, Olympia, Folies Bergère, Moulin Rouge, and Théâtre de l'Opéra, each advertisement a burst of color and energy designed to lure audiences into a world of spectacle. But his talent wasn’t limited to entertainment; he soon found demand from diverse businesses – beverages, perfumes, soaps, cosmetics, even railroads – recognizing the power of his art to elevate their brands. This expansion wasn't accidental. Chéret understood that advertising didn’t have to be purely functional; it could be beautiful, engaging, and a reflection of the era’s optimism. He skillfully blended artistic finesse with commercial needs, creating images that were both eye-catching and evocative. His style drew heavily from the playful, frivolous scenes favored by Rococo masters like Fragonard and Watteau, injecting a sense of elegance and lightheartedness into the urban landscape.

    The ‘Cherettes’ and a Changing Society

    Central to Chéret's success were his depictions of women – the now-iconic “cherettes.” These weren’t the idealized goddesses or demure Victorian ladies prevalent in earlier art; they were vibrant, independent figures radiating joy and confidence. They embodied a new spirit of freedom and modernity, challenging societal norms and reflecting a changing role for women in Parisian society. Before Chéret, representations of women tended towards extremes – either saintly purity or blatant sexuality. The cherettes occupied a space in between, suggesting a playful sensuality without being overtly provocative. They were fashionable, active, and engaged with the world around them, enjoying activities previously considered off-limits to respectable women. This portrayal wasn’t merely artistic license; it resonated deeply with a public eager for change, contributing to a more open atmosphere where women could express themselves and participate in public life with greater autonomy. The cherettes became symbols of the era, influencing fashion trends and challenging conventional attitudes towards femininity.

    A Lasting Legacy: Innovation and Influence

    Chéret’s impact extended far beyond his individual posters. In 1895, he launched Maîtres de l'Affiche, a groundbreaking publication featuring reproductions of works by ninety-seven Parisian artists – a deliberate effort to elevate the status of poster art and recognize its creators. This initiative not only showcased the diversity of talent within the field but also helped establish collecting posters as a legitimate pursuit. He inspired a new generation of artists, including Charles Gesmar and Henri de Toulouse-Lautrec, with Georges de Feure being one of his direct students. His technical innovations in lithography – particularly his ability to achieve vibrant colors using a limited number of stones – revolutionized the printing process and made high-quality posters more accessible. Recognized for his contributions with the Légion d'honneur in 1890, Chéret continued to work prolifically until his death in 1932 at the remarkable age of ninety-six. A posthumous exhibition at the Salon d'Automne in Paris in 1933 cemented his legacy, and his posters quickly became highly sought after by collectors worldwide – a testament to the enduring power of an art form he single-handedly transformed from commercial necessity into a celebrated artistic expression. He didn’t just create advertisements; he created a visual language for a new era, capturing the energy, optimism, and evolving social landscape of la belle époque for generations to come.

    Museum

    National WWI Museum and Memorial

    On show in Kansas City, United States of America

    A Monument of Memory: The National WWI Museum and Memorial

    In the heart of Kansas City, a singular beacon of historical preservation and artistic contemplation rises against the skyline, serving as both a solemn tribute and a profound architectural masterpiece. The National World War I Museum and Memorial is not merely a repository of artifacts but a living testament to the human spirit's capacity for remembrance. Established in 1926 as the Liberty Memorial, the institution was born from an extraordinary outpouring of public generosity, reflecting a collective yearning to grapple with the profound human cost of the Great War. To walk through its gates is to enter a space where the echoes of global conflict converge with an enduring pursuit of peace, making it an essential pilgrimage for those who find beauty in the intersection of history and art.

    The architecture of the memorial itself serves as a powerful allegory for the journey from innocence to experience. Conceived by the renowned landscape architect George Kessler and shaped by the hand of Harold Van Buren Magonigle, the structure masterfully blends the grandeur of Beaux-Arts classicism with the evocative weight of Egyptian Revival influences. This deliberate juxtaposition speaks to the universality of human suffering across millennia while simultaneously conveying an aspiration for renewal. One of the most breathtaking experiences for any visitor is the crossing of the monumental glass bridge. Suspended above the vibrant Poppy Field—a sea of 9,000 red poppies representing 1,000 lives lost—this architectural feat creates a literal and symbolic passage, transitioning the observer from the modern world into a space irrevocably marked by the shadows of history.

    Within its walls, the museum’s collection offers a staggering global narrative, meticulously assembled to capture the intimate and the epic. For the collector of stories and the lover of tangible history, the holdings are unparalleled. Visitors encounter the poignant reality of the trenches through uniforms worn on battlefields spanning Europe and beyond, creating a visceral connection to soldiers from Britain, France, Germany, Russia, Italy, and Austria-Hungary. Yet, the true soul of the collection lies in its smaller, more intimate treasures: a soldier's weathered shaving kit, a nurse's medical bag, or letters penned amidst unimaginable hardship. These objects, paired with evocative photography, transform historical data into a deeply human experience, allowing the viewer to feel the pulse of an era defined by both technological advancement and profound loss.

    The museum’s commitment to cultural dialogue is further realized through its rotating exhibitions, which frequently explore the complex ripples of war on art, literature, and society. By examining themes such as the role of women in wartime service or the emergence of radical artistic movements like

    Dadaism

    and

    Surrealism

    , the institution demonstrates how global trauma can reshape the very fabric of human expression. This dedication to exploring the enduring legacy of the Great War ensures that the museum remains a dynamic, breathing entity. For interior designers seeking inspiration in themes of resilience and for art enthusiasts drawn to the weight of historical truth, the National WWI Museum and Memorial stands as an incomparable sanctuary of reflection and profound aesthetic power.

    Where to read more

    Find this online

    QR code linking to the download page for None

    artsdot.com/en/art/download/jules-cheret-untitled-D66UMA-en/

    Cite this artwork

    MLA
    Chéret, Jules. None. 1917, National WWI Museum and Memorial. https://artsdot.com/en/art/jules-cheret-untitled-D66UMA-en/
    APA
    Chéret, Jules (1917). None [Painting]. National WWI Museum and Memorial. https://artsdot.com/en/art/jules-cheret-untitled-D66UMA-en/
    Chicago
    Jules Chéret. None. 1917. National WWI Museum and Memorial. https://artsdot.com/en/art/jules-cheret-untitled-D66UMA-en/
    Harvard
    Chéret, Jules (1917) None. National WWI Museum and Memorial. Available at: https://artsdot.com/en/art/jules-cheret-untitled-D66UMA-en/

    Look closely

    None — Jules Chéret

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: french poster, world war i, military symbolism. Do you agree? What would you add, or take away?
    4. Look back at None (1918), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Jules Chéret was about 81 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    None — Jules Chéret

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary subject matter depicted in this painting?

      • A A serene landscape scene.
      • B A portrait of a noble family.
      • C A depiction of a French soldier standing atop a hill.
    2. 2. The painting utilizes a distinctive color palette characterized by:

      • A Primarily muted greens and browns.
      • B Dominantly pastel shades of pink and lavender.
      • C Bold hues of red, white, and blue.
    3. 3. In what historical period was this artwork created?

      • A The Renaissance.
      • B Ancient Egypt.
      • C World War I.
    4. 4. What artistic movement is most closely associated with Jules Chéret's style?

      • A Romanticism.
      • B Impressionism.
      • C Cubism.
    5. 5. The image description highlights the presence of other figures in the background, suggesting what broader narrative?

      • A A celebration of Parisian social life.
      • B An exploration of psychological themes.
      • C A commentary on the impact of war.

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2C · 3C · 4B · 5C