Paper

Student Artwork Guide

Name Class Date

Jules Chéret (1917), National WWI Museum and Memorial. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Jules Chéret artsdot.com/en/artists/jules-cheret/
Artist’s dates
1836 – 1932
Painted
1917
Medium
Giclée Print A modern high-quality inkjet print, usually made from a digital scan of an original work.
Period
19th Century
Held at
National WWI Museum and Memorial artsdot.com/en/museums/national-wwi-museum-and-memorial-kansas-city/
Artistic style
Vintage, illustrative
Influences
Posters, WWI
Notable elements
Soldier, tanks, poster
Subject or theme
War, remembrance

In context

None — Jules Chéret

When was this painted?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890
  8. 1900
  9. 1910
  10. 1920
  11. 1930

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 96 at death.

Painted when the artist was 81. The artist lived to 96. 0 of the 10 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Jules Chéret (1836–1932) ▲ this work, 1917 every dated painting, decade by decade

Compare with

  • None, 1918 artsdot.com/en/art/jules-cheret-untitled-D66UHH-en/
  • None, 1918 artsdot.com/en/art/jules-cheret-untitled-D66UHQ-en/
  • None, 1918 artsdot.com/en/art/jules-cheret-untitled-D66UM2-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/jules-cheret-untitled-D66UGH-en/

Colours

Measured from the image

    Main colour

    Gray #93978d

    Catalogued palette

    • #93978D
    • #63675F
    • #E4CEB4
    • #363C39

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Jules Chéret over the last twelve months — 6 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 56.5%
    2. 2 United States of America 26.1%
    3. 3 Czechia 4.3%
    4. 4 France 4.3%
    5. 5 Sweden 4.3%
    6. 6 Singapore 4.3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Jules Chéret

    1. 1 Reproduction Of A Poster Advertising 14.3%
    2. 2 Reproduction Of A Poster Advertising 'ambassadeurs' 10.7%
    3. 3 Poster Advertising 'danseuses Espagnoles' 7.1%
    4. 4 , 1918 3.6%
    5. 5 , 1918 3.6%
    6. 6 , 1917 3.6%
    7. 7 , 1918 3.6%
    8. 8 , 1918 3.6%
    9. 9 , 1917 this painting 3.6%
    10. 10 Reproduction Of A Poster For A Pantomime 3.6%
    11. 11 Reproduction of a Poster Advertising 'Loie Fuller' 3.6%
    12. 12 Pierrot et Colombine 3.6%
    13. 13 Reproduction Of A Poster Advertising 'la Gomme' 3.6%
    14. 14 'the French Standard' 3.6%
    15. 15 Poster Advertising 'mariani Wine' 3.6%
    16. 16 Advertising For 'humber Cycles' 3.6%
    17. 17 Poster for El Dorado 3.6%
    18. 18 Poster Advertising The Novel 'la Gomme' 3.6%
    19. 19 La Danse Du Feu, France 3.6%
    20. 20 Poster Advertising The 'theatrophone' 3.6%

    Together these works take 93.3% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 73 works by this artist, of which 22 were looked at at least once. This painting ranks 9 of them, with 3.6% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    None — Jules Chéret

    A Glimpse into the Belle Époque: Unpacking Jules Chéret's "Remember the Bond"

    Jules Chéret, a name now inextricably linked with the vibrant energy of Paris’s Belle Époque, wasn’t simply a poster artist; he was a pioneer. Born in 1836 to a family steeped in artisan traditions, his artistic journey began not within the hallowed halls of formal academies but amidst the practical realities of a lithographic workshop at the tender age of thirteen. This early immersion into the mechanics of image reproduction ignited a lifelong fascination with visual communication and its potential for mass appeal – a concept radically different from the prevailing artistic norms of the time. His formative years were spent absorbing the techniques and aesthetics of Parisian workshops, but it was his sojourn in London (1859-1866) that truly shaped his distinctive style and approach to commercial art. There, amidst the bustling streets and burgeoning print culture of Victorian England, Chéret encountered a new visual language – one characterized by bold lines, simplified forms, and an emphasis on directness, elements he would later seamlessly integrate into his own work.

    “Remember the Bond,” painted in 1917, stands as a potent testament to this evolving artistic sensibility. The image depicts a resolute soldier, clad in the uniform of a bygone era, raising his hand in a gesture both defiant and poignant. Above him, the words “Remember the Bond” are emblazoned in a clear, sans-serif typeface – a deliberate choice that speaks volumes about the painting’s intended message. The composition is strikingly economical; Chéret eschews elaborate detail, relying instead on carefully considered lines and a limited palette of earthy tones to convey a sense of urgency and solemn remembrance.

    Decoding Symbolism: The Language of Remembrance

    The central figure immediately commands attention. His posture exudes unwavering determination, suggesting not just military prowess but also an inner strength forged in the crucible of war. The raised hand is a universal symbol of warning, solidarity, and remembrance – a direct echo of recruitment posters from earlier conflicts. However, Chéret subtly subverts traditional heroic imagery. The soldier isn’t depicted as a glorious warrior; he appears weary, almost vulnerable, highlighting the human cost of conflict. The background, populated with indistinct figures representing other soldiers and hinting at the presence of tanks – symbols of modern warfare – reinforces this sense of shared sacrifice.

    The phrase “Remember the Bond” is particularly significant. “Bond” in this context refers to the intricate network of alliances forged during World War I, primarily between Britain, France, and Russia. It’s a call to action, urging viewers to recall the sacrifices made by those who upheld these bonds and to honor their memory. The simplicity of the text contrasts sharply with the complex geopolitical realities of the time, emphasizing the enduring importance of unity and resilience in the face of adversity.

    Technique and Style: A Masterclass in Commercial Art

    Line Work: Chéret’s signature style is immediately recognizable through his masterful use of bold, confident lines. These lines aren't merely outlines; they possess a dynamic energy that guides the viewer’s eye and imbues the image with movement.

    Color Palette: The muted earth tones – browns, ochres, and grays – create a somber atmosphere, reflecting the gravity of the subject matter. The limited color range focuses attention on the figure and text, maximizing their impact.

    Typography: Chéret’s innovative use of typography is crucial to the painting's effectiveness. The clear, legible typeface ensures that the message “Remember the Bond” is instantly understood, while its placement above the central figure creates a powerful visual hierarchy.

    A Legacy of Visual Persuasion

    “Remember the Bond” exemplifies Chéret’s pioneering role in shaping the modern poster. He demonstrated that commercial art could be both aesthetically pleasing and powerfully persuasive, effectively utilizing visual language to convey complex ideas and mobilize public opinion. This painting serves as a poignant reminder of the horrors of war and the enduring importance of remembrance – a message that resonates deeply even today. Reproductions of this iconic artwork offer a captivating glimpse into a pivotal moment in history, capturing not only the spirit of the Belle Époque but also the profound human cost of conflict.

    Artist and museum

    Artist

    Jules Chéret

    Born in Paris, France

    The Dawn of the Belle Époque: Jules Chéret and the Art of the Modern Poster

    Jules Chéret, a name synonymous with the vibrant spirit of Paris during the Belle Époque, wasn’t merely an artist; he was a revolutionary. Born in 1836 to a family of artisans, his journey from humble beginnings to becoming “the father of the modern poster” is a testament to his innovative spirit and artistic vision. Unlike many artists constrained by formal academic training, Chéret's early education was practical – an apprenticeship with a lithographer at the age of thirteen ignited a passion that would redefine commercial art. This initial exposure wasn’t simply about learning a trade; it was an immersion into the possibilities of mass communication and visual persuasion. He honed his skills further with studies at the École Nationale de Dessin, absorbing the artistic currents of Paris, but it was his six years in London, from 1859 to 1866, that proved pivotal. There, he encountered a British poster aesthetic focused on clarity and impact, techniques he would later synthesize with his own uniquely French sensibility.

    From Cabarets to Cosmetics: A Flourishing Career

    Upon returning to France, Chéret didn’t seek patronage from the established art world; instead, he turned to the burgeoning entertainment industry. Paris was transforming—a city of dazzling cabarets, grand music halls, and increasingly sophisticated theaters. Chéret became their visual voice. He created posters for iconic venues like the Eldorado, Olympia, Folies Bergère, Moulin Rouge, and Théâtre de l'Opéra, each advertisement a burst of color and energy designed to lure audiences into a world of spectacle. But his talent wasn’t limited to entertainment; he soon found demand from diverse businesses – beverages, perfumes, soaps, cosmetics, even railroads – recognizing the power of his art to elevate their brands. This expansion wasn't accidental. Chéret understood that advertising didn’t have to be purely functional; it could be beautiful, engaging, and a reflection of the era’s optimism. He skillfully blended artistic finesse with commercial needs, creating images that were both eye-catching and evocative. His style drew heavily from the playful, frivolous scenes favored by Rococo masters like Fragonard and Watteau, injecting a sense of elegance and lightheartedness into the urban landscape.

    The ‘Cherettes’ and a Changing Society

    Central to Chéret's success were his depictions of women – the now-iconic “cherettes.” These weren’t the idealized goddesses or demure Victorian ladies prevalent in earlier art; they were vibrant, independent figures radiating joy and confidence. They embodied a new spirit of freedom and modernity, challenging societal norms and reflecting a changing role for women in Parisian society. Before Chéret, representations of women tended towards extremes – either saintly purity or blatant sexuality. The cherettes occupied a space in between, suggesting a playful sensuality without being overtly provocative. They were fashionable, active, and engaged with the world around them, enjoying activities previously considered off-limits to respectable women. This portrayal wasn’t merely artistic license; it resonated deeply with a public eager for change, contributing to a more open atmosphere where women could express themselves and participate in public life with greater autonomy. The cherettes became symbols of the era, influencing fashion trends and challenging conventional attitudes towards femininity.

    A Lasting Legacy: Innovation and Influence

    Chéret’s impact extended far beyond his individual posters. In 1895, he launched Maîtres de l'Affiche, a groundbreaking publication featuring reproductions of works by ninety-seven Parisian artists – a deliberate effort to elevate the status of poster art and recognize its creators. This initiative not only showcased the diversity of talent within the field but also helped establish collecting posters as a legitimate pursuit. He inspired a new generation of artists, including Charles Gesmar and Henri de Toulouse-Lautrec, with Georges de Feure being one of his direct students. His technical innovations in lithography – particularly his ability to achieve vibrant colors using a limited number of stones – revolutionized the printing process and made high-quality posters more accessible. Recognized for his contributions with the Légion d'honneur in 1890, Chéret continued to work prolifically until his death in 1932 at the remarkable age of ninety-six. A posthumous exhibition at the Salon d'Automne in Paris in 1933 cemented his legacy, and his posters quickly became highly sought after by collectors worldwide – a testament to the enduring power of an art form he single-handedly transformed from commercial necessity into a celebrated artistic expression. He didn’t just create advertisements; he created a visual language for a new era, capturing the energy, optimism, and evolving social landscape of la belle époque for generations to come.

    Museum

    National WWI Museum and Memorial

    On show in Kansas City, United States of America

    A Monument of Memory and Architectural Grandeur

    In the heart of Kansas City, a singular beacon of historical preservation and artistic contemplation rises against the skyline, serving as both a solemn tribute and a profound architectural masterpiece. The

    National WWI Museum and Memorial

    is not merely a repository of artifacts but a living testament to the human spirit's capacity for remembrance. Established in 1926 as the Liberty Memorial, the institution was born from an extraordinary outpouring of public generosity, reflecting a collective yearning to grapple with the profound human cost of the Great War. To walk through its gates is to enter a space where the echoes of global conflict converge with an enduring pursuit of peace, making it an essential pilgrimage for those who find beauty in the intersection of history and art.

    The architecture of the memorial itself serves as a powerful allegory for the journey from innocence to experience. Conceived by the renowned landscape architect

    George Kessler

    and shaped by the hand of

    Harold Van Buren Magonigle

    , the structure masterfully blends the grandeur of

    Beaux-Arts classicism

    with the evocative weight of

    Egyptian Revival

    influences. This deliberate juxtaposition speaks to the universality of human suffering across millennia while simultaneously conveying an aspiration for renewal. One of the most breathtaking experiences for any visitor is the crossing of the monumental glass bridge. Suspended above the vibrant Poppy Field—a sea of 9,000 red poppies representing 1,000 lives lost—this architectural feat creates a literal and symbolic passage, transitioning the observer from the modern world into a space irrevocably marked by the shadows of history.

    The Intimate Soul of a Global Narrative

    Within its walls, the museum’s collection offers a staggering global narrative, meticulously assembled to capture both the intimate and the epic. For the collector of stories and the lover of tangible history, the holdings are unparalleled. Visitors encounter the poignant reality of the trenches through uniforms worn on battlefields spanning Europe and beyond, creating a visceral connection to soldiers from Britain, France, Germany, Russia, Italy, and Austria-Hungary. Yet, the true soul of the collection lies in its smaller, more intimate treasures:

    A soldier's weathered shaving kit

    A nurse's medical bag

    Letters penned amidst unimaginable hardship

    These objects, paired with evocative photography, transform historical data into a deeply human experience, allowing the viewer to feel the pulse of an era defined by both technological advancement and profound loss. The museum’s commitment to cultural dialogue is further realized through its rotating exhibitions, which frequently explore the complex ripples of war on art, literature, and society. By examining themes such as the role of women in wartime service or the emergence of radical artistic movements like

    Dadaism

    and

    Surrealism

    , the institution demonstrates how global trauma can reshape the very fabric of human expression. For interior designers seeking inspiration in themes of resilience and for art enthusiasts drawn to the weight of historical truth, the National WWI Museum and Memorial stands as an incomparable sanctuary of reflection and profound aesthetic power.

    Where to read more

    Find this online

    QR code linking to the download page for None

    artsdot.com/en/art/download/jules-cheret-untitled-D66UGH-en/

    Cite this artwork

    MLA
    Chéret, Jules. None. 1917, National WWI Museum and Memorial. https://artsdot.com/en/art/jules-cheret-untitled-D66UGH-en/
    APA
    Chéret, Jules (1917). None [Painting]. National WWI Museum and Memorial. https://artsdot.com/en/art/jules-cheret-untitled-D66UGH-en/
    Chicago
    Jules Chéret. None. 1917. National WWI Museum and Memorial. https://artsdot.com/en/art/jules-cheret-untitled-D66UGH-en/
    Harvard
    Chéret, Jules (1917) None. National WWI Museum and Memorial. Available at: https://artsdot.com/en/art/jules-cheret-untitled-D66UGH-en/

    Look closely

    None — Jules Chéret

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: world war i, soldier, uniform. Do you agree? What would you add, or take away?
    4. Look back at None (1918), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Jules Chéret was about 81 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    None — Jules Chéret

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary subject depicted in the painting?

      • A A group of soldiers celebrating victory.
      • B A man in uniform holding up his hand with the words 'Remember The Bond'.
      • C A landscape scene during World War I.
    2. 2. The painting’s style and imagery are reminiscent of which historical movement?

      • A Impressionism.
      • B Art Nouveau.
      • C World War I Propaganda Posters.
    3. 3. Which artist created the painting described in the text?

      • A Claude Monet
      • B Jules Chéret
      • C Edgar Degas
    4. 4. In what year was the painting likely created, based on the text?

      • A 1900
      • B 1836
      • C 1917
    5. 5. The phrase 'Remember The Bond' suggests a connection to which historical event?

      • A The French Revolution.
      • B World War I and the recruitment efforts for the war.
      • C The Napoleonic Wars.

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2C · 3B · 4C · 5B

    Check any answer against the catalogue record for this painting

    Questions & Answers

    What aliases or alternate names does Jules Chéret have?

    Jules Chéret appears under the alternate names Jules-Alexandre Grün.