Paper

Student Artwork Guide

Y yut mat

Name Class Date

Joseph Henry Sharp, Y yut mat (1900). Public domain.

The facts

Artist
Joseph Henry Sharp artsdot.com/en/artists/joseph-henry-sharp/
Artist’s dates
1859 – 1953
Painted
1900
Original size
35 x 24 cm

In context

Y yut mat — Joseph Henry Sharp

How big is it?

The original measures 35 × 24 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920
  9. 1930
  10. 1940
  11. 1950

Shaded: the lifetime of Joseph Henry Sharp (1859–1953) ▲ this work, 1900

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/joseph-henry-sharp-y-yut-mat-AQRM6D-en/

Colours

Measured from the image

    Main colour

    Sap Green #6f5f46

    Catalogued palette

    • #6F5F46
    • #281814
    • #D2C599
    • #56291D
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Sap Green
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Y yut mat — Joseph Henry Sharp

    The painting Y yut mat by Joseph Henry Sharp is a stunning example of the artist's skill and technique. Created in 1900, this oil on paperboard painting is a beautiful representation of a Native American man with long hair and a red bandana on his head. The subject's facial features are prominent, including his eyes, nose, mouth, and chin.

    The Artist's Style

    Joseph Henry Sharp was an American painter known for his portraits of Native Americans. He was born in Bridgeport, Ohio, and studied art in Europe before returning to the United States. Sharp's style is characterized by his use of bold colors and detailed brushstrokes, which are evident in Y yut mat. The painting is now part of the collection at the Smithsonian American Art Museum in Washington, D.C. Key Features of the Painting:

    The subject's traditional clothing and adornments are meticulously depicted

    The use of color and light creates a sense of depth and dimensionality

    The painting's composition is well-balanced, with the subject placed centrally

    The Smithsonian American Art Museum has an extensive collection of Joseph Henry Sharp's work, including Y yut mat. Visitors can view the painting in person or explore the museum's online collection, which includes works by other notable artists such as Henry Ossawa Tanner and Alice Pike Barney. For those interested in learning more about Joseph Henry Sharp and his work, https://AllPaintingsStore.com offers a range of resources, including information on the artist's life and style, as well as reproductions of his paintings. The website also features a collection of paintings by other artists, including Joseph Henry Sharp: Y yut mat and Henry Ossawa Tanner's Salome.

    The painting Y yut mat is a significant work by Joseph Henry Sharp, showcasing his skill and technique as a portrait painter. Its inclusion in the collection at the Smithsonian American Art Museum is a testament to its importance and beauty.

    Artist and museum

    Artist

    Joseph Henry Sharp

    Born in Bridgeport, United States of America

    Early Life and Background

    Born: September 27, 1859, Bridgeport, Ohio

    Died: August 29, 1953

    Parents: Irish immigrant parents; father was a merchant.

    Early Fascination: Developed a strong interest in American Indians from a young age.

    Hearing Loss: Nearly drowned as a boy, resulting in permanent hearing loss which significantly impacted his education and communication. He learned to read lips and carried a writing pad.

    Early Work: Worked in a nail factory at the age of 12 to support his family after his father's death.

    Education and Artistic Training

    McMicken School of Design, Cincinnati: Briefly attended before financial constraints forced him to leave school.

    European Studies (1881-1886): Traveled to Europe where he studied at the Royal Academy of Fine Arts in Antwerp, Belgium.

    Return to Cincinnati & Mentorship: Returned to Cincinnati and worked alongside Henry Farny, though Farny discouraged painting Native Americans.

    Royal Academy of Munich: Studied at the Royal Academy of Fine Arts (Munich) and later with Frank Duveneck in Italy.

    Académie Julian, Paris: Furthered his studies at the Académie Julian in Paris, influenced by Barbizon painters and Impressionists.

    Artistic Style and Subject Matter

    Realism & Portraiture: Known for realistic portrayals of American Indians, focusing on their cultural life and individual characteristics.

    Influences: Influenced by the Barbizon school and Impressionism, evident in his use of light and shadow and broad brushstrokes.

    Key Subjects: Primarily painted portraits of Native American warriors, chiefs, and everyday people, as well as Western landscapes.

    Commissioned Work: Received a significant commission from President Theodore Roosevelt to paint 200 portraits of Native American warriors who survived the Battle of Little Bighorn.

    Absarokee Hut: Built a cabin (Absarokee Hut) on Crow Agency land in Montana, allowing him extended time to study and depict Native American life.

    Major Achievements and Recognition

    Taos Society of Artists Founding Member: A founding member of the Taos Society of Artists, considered its "spiritual father."

    Smithsonian Institution Acquisition: The Smithsonian Institution purchased eleven of his portraits in 1901.

    Phoebe Hearst Patronage: Received significant support from Phoebe Hearst, who acquired over 150 of his works.

    Thomas Gilcrease Collection: A large portion of his work and personal collection were purchased by Thomas Gilcrease, now housed at the Gilcrease Institute.

    Recognition for Ethnographic Value: Recognized by curator W.H. Holmes for the accuracy with which he portrayed Native American physiognomy and costumes.

    Historical Significance

    Documenting Native American Culture: Sharp's work provides valuable documentation of Native American life during a period of significant cultural change and displacement.

    Early Western Artist in Taos: One of the earliest European-American artists to establish a presence in Taos, New Mexico, contributing to its artistic development.

    Influence on Southwestern Art: His focus on Native American subjects helped shape the direction of Southwestern art and influenced subsequent generations of artists.

    Preservation of Portraiture: Created a significant body of portraiture that captures the likenesses and dignity of individuals from various Native American tribes, preserving their memory for posterity.

    Where to read more

    Find this online

    QR code linking to the download page for Y yut mat

    artsdot.com/en/art/download/joseph-henry-sharp-y-yut-mat-AQRM6D-en/

    Cite this artwork

    MLA
    Sharp, Joseph Henry. Y yut mat. 1900, https://artsdot.com/en/art/joseph-henry-sharp-y-yut-mat-AQRM6D-en/
    APA
    Sharp, Joseph Henry (1900). Y yut mat [Painting]. https://artsdot.com/en/art/joseph-henry-sharp-y-yut-mat-AQRM6D-en/
    Chicago
    Joseph Henry Sharp. Y yut mat. 1900. https://artsdot.com/en/art/joseph-henry-sharp-y-yut-mat-AQRM6D-en/
    Harvard
    Sharp, Joseph Henry (1900) Y yut mat. Available at: https://artsdot.com/en/art/joseph-henry-sharp-y-yut-mat-AQRM6D-en/

    Look closely

    Y yut mat — Joseph Henry Sharp

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Wolf Ear (1900), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Joseph Henry Sharp was about 41 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.