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Student Artwork Guide

Self Portrait

Name Class Date

John King, Self Portrait (1839). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
John King artsdot.com/en/artists/john-king/
Artist’s dates
1929 – 2014
Painted
1839
Original size
61 x 51 cm

In context

Self Portrait — John King

How big is it?

The original measures 61 × 51 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1820
  2. 1840
  3. 1860
  4. 1880
  5. 1900
  6. 1920
  7. 1940
  8. 1960
  9. 1980
  10. 2000

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 85 at death.

Shaded: the lifetime of John King (1929–2014) ▲ this work, 1839 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/john-king-self-portrait-AQU6RN-en/

Colours

Measured from the image

    Main colour

    Espresso #3c2e20

    Catalogued palette

    • #3C2E20
    • #1B1916
    • #B5825D
    • #81553C

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by John King over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 3 most looked-at works by John King

    1. 1 Sir John Bowring, 1826 50.0%
    2. 2 Raja Ram Roy, Son of Raja Ram Mohan Roy, 1833 50.0%
    3. — Self Portrait, 1839 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 11 works by this artist, of which 2 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Self Portrait — John King

    The Self Portrait by John King is a captivating oil on canvas painting that has left art enthusiasts and critics alike in awe. Created in 1839, this masterpiece is currently housed at the Brixham Heritage Museum in the United Kingdom. Measuring 61 x 51 cm, the painting is a remarkable example of 19th-century art, showcasing the artist's exceptional skill and attention to detail.

    Delving into the Artist's Background

    While information about John King is limited, his work speaks volumes about his talent and dedication to his craft. The Self Portrait is a testament to his ability to capture the essence of his subject, in this case, himself. The painting features the artist with brown hair and a beard, dressed in a black suit and tie, holding a brush in his hand as he gazes directly at the viewer.

    The use of oil on canvas allows for a depth and richness that is characteristic of this medium.

    The artist's attention to detail is evident in the intricate folds of his clothing and the subtle expression on his face.

    The overall effect is one of quiet contemplation, inviting the viewer to reflect on the artist's inner world.

    Discover more about the artworks at /art/list/?Filter=A@D3C9GK-Discovering-the-Artworks-of-University-of-Chichester-Chichester-United-King.. View John King's painting at /art/list/?Filter=AQU6RN-John-King-Self-Portrait. Other notable self-portraits can be found at https://AllPaintingsStore.com, including works by Johannes Daniël Susan and John Kelso Hunter.

    The Self Portrait by John King is a significant addition to the world of art, offering a glimpse into the life and mind of a talented artist. As we continue to appreciate and learn from this masterpiece, we are reminded of the power of art to transcend time and touch our lives in profound ways.

    Artist and museum

    Artist

    John King

    John King: A Sporting Legacy Forged in Observation

    Born on April 16, 1929, in West Tytherley, Hampshire, John Gregory King’s artistic journey was deeply intertwined with the rhythms of rural life and a profound appreciation for the equestrian world. His early training at Cranford and Salisbury School of Art laid the foundation for his distinctive style – one characterized by meticulous detail, vibrant colors, and an almost palpable sense of movement captured within each canvas. From a young age, King’s passion lay in depicting the grace and power of horses, a fascination that would define his career and cement his place as a leading British sporting artist.

    King's artistic development was significantly influenced by Lionel Edwards, a contemporary sporting artist whose dynamic compositions and keen observation served as a crucial model. Edwards’ ability to capture the spirit of the hunt – the anticipation, the pursuit, the camaraderie – resonated deeply with King, shaping his own approach to portraying these exhilarating scenes. He wasn't merely rendering horses; he was conveying their essence, their relationship with humans, and the very soul of the sporting tradition.

    The Rise of a Sporting Master

    King’s career truly blossomed in the mid-20th century, coinciding with a resurgence of interest in traditional British sports. He quickly gained recognition for his watercolor and oil paintings, initially focusing on hunting scenes – fox hunts, deer hunts, and steeplechases – but expanding his repertoire to include racing, polo, and even military subjects reflecting the era’s social fabric. His work appeared regularly in prestigious publications like Horse & Hound, reaching a vast audience of enthusiasts and solidifying his reputation.

    A pivotal moment arrived with a monumental commission in 2013: The Queen’s Horses. This expansive painting, measuring an impressive size, depicted the British Royal Family engaged in equestrian pursuits – Princess Elizabeth riding with George VI at Sandringham, the Queen seated side-saddle on her favorite trooping horse, Burmese, and scenes of royal processions. The sheer scale of the work demonstrated King's technical prowess and his ability to capture a significant historical moment with remarkable detail and emotional resonance. The painting’s creation involved logistical challenges – transporting the canvas to Dubai for a special exhibition – highlighting King’s dedication and professionalism.

    Technique and Style: A Painterly Approach

    King's artistic technique was characterized by a meticulous attention to detail, achieved through numerous layers of thin washes and careful blending. He employed a vibrant palette, often utilizing rich blues, greens, and reds to capture the intensity of light and shadow within his scenes. His compositions were typically dynamic, incorporating elements of movement and perspective to create a sense of immediacy and excitement. Unlike some sporting artists who relied on simplified forms, King’s figures – both human and equine – possessed a remarkable degree of realism, reflecting his deep understanding of anatomy and behavior.

    He was known for his ability to capture the subtle nuances of horse movement—the flick of an ear, the shift in weight, the powerful stride. This wasn't simply about depicting a horse; it was about conveying its spirit, its energy, and its connection to its rider. His work is often described as “painterly,” emphasizing the texture and quality of the paint itself, rather than striving for photographic realism.

    Legacy and Influence

    John King’s influence extends far beyond his own paintings. He played a significant role in establishing The Society of Equestrian Artists, fostering a community dedicated to celebrating the art of sporting subjects. His work continues to be exhibited and collected worldwide, demonstrating enduring appeal among both equestrian enthusiasts and art collectors. King's legacy lies not only in his stunning visual representations of the sporting world but also in his commitment to preserving and promoting this rich tradition.

    He passed away on September 8, 2014, leaving behind a substantial body of work that stands as a testament to his skill, dedication, and profound appreciation for the beauty and excitement of equestrian life. His paintings offer a captivating glimpse into a bygone era, reminding us of the enduring connection between humans and horses – a bond celebrated by John King through his masterful artistry.

    Where to read more

    • The artist John King artsdot.com/en/artists/john-king/
    • Similar works More works to compare artsdot.com/en/art/similar/john-king-self-portrait-AQU6RN-en/

    Find this online

    QR code linking to the download page for Self Portrait

    artsdot.com/en/art/download/john-king-self-portrait-AQU6RN-en/

    Cite this artwork

    MLA
    King, John. Self Portrait. 1839, https://artsdot.com/en/art/john-king-self-portrait-AQU6RN-en/
    APA
    King, John (1839). Self Portrait [Painting]. https://artsdot.com/en/art/john-king-self-portrait-AQU6RN-en/
    Chicago
    John King. Self Portrait. 1839. https://artsdot.com/en/art/john-king-self-portrait-AQU6RN-en/
    Harvard
    King, John (1839) Self Portrait. Available at: https://artsdot.com/en/art/john-king-self-portrait-AQU6RN-en/

    Look closely

    Self Portrait — John King

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Dr Henry Beeke (1834), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What is the dominant color of "Self Portrait" by John King?

    The dominant color of "Self Portrait" by John King is espresso (#3c2e20).

    Can I see "Self Portrait" by John King under different lights?

    The X-Ray view of "Self Portrait" by John King is on the artwork's X-Ray page: an interactive examination of the image through eleven optical layers.

    What color saturation does "Self Portrait" by John King have?

    "Self Portrait" by John King is recorded with a muted saturation.