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Student Artwork Guide

Trogon _Queue Blanche

Name Class Date

John Gould, Trogon _Queue Blanche. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
John Gould artsdot.com/en/artists/john-gould/
Artist’s dates
1804 – 1881

In context

Trogon _Queue Blanche — John Gould

When might this have been painted?

  1. 1800
  2. 1810
  3. 1820
  4. 1830
  5. 1840
  6. 1850
  7. 1860
  8. 1870
  9. 1880

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 77 at death.

Shaded: the lifetime of John Gould (1804–1881) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/john-gould-trogon-queue-blanche-9GEQG5-en/

Colours

Measured from the image

    Main colour

    White #fbf9ef

    Catalogued palette

    • #FBF9EF
    • #DAC57A
    • #493B27
    • #917D47

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    White
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by John Gould over the last twelve months — 5 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 75.0%
    2. 2 United States of America 10.0%
    3. 3 Hong Kong 5.0%
    4. 4 Croatia 5.0%
    5. 5 Singapore 5.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by John Gould

    1. 1 Jardinier _Nuque Rose 8.3%
    2. 2 western quoll 8.3%
    3. 3 bridled nail - tail wallaby 8.3%
    4. 4 crescent nail - tail wallaby 8.3%
    5. 5 long tailed hopping mouse 8.3%
    6. 6 Pteroglossus Torquatus, from A Monograph of Ramphastidae or Family of Toucans 4.2%
    7. 7 Martin P_cheur _Dos Blanc 4.2%
    8. 8 numbat 4.2%
    9. 9 The Birds Of Asia 4.2%
    10. 10 Br_ve de Gurney 4.2%
    11. 11 pig - footed bandicoot 4.2%
    12. 12 orange horseshoe bat 4.2%
    13. 13 rufous hare - wallaby 4.2%
    14. 14 banded hare - wallaby 4.2%
    15. 15 tantale indien 4.2%
    16. 16 Colibri Porte epee 4.2%
    17. 17 thylacine 4.2%
    18. 18 greater stick nest rat 4.2%
    19. 19 Diamant de Gould 4.2%
    20. — Trogon _Queue Blanche this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 84 works by this artist, of which 19 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    John Gould

    Born in Lyme Regis, United Kingdom

    John Gould: A Life Dedicated to Ornithology

    Born: Lyme Regis, United Kingdom (1804)

    Died: 1881

    John Gould FR.S. (1804-1881) stands as a monumental figure in the history of ornithology and bird art. His prolific output, characterized by meticulously detailed illustrations and groundbreaking scientific observations, significantly advanced our understanding of avian life, particularly within Australia. He is often hailed as the "father of bird study" in Australia, an honor reflected in the naming of the Gould League after him.

    Early Life and Career

    Humble Beginnings: Born in Lyme Regis, Gould's early life was marked by modest circumstances. His father was a gardener, and young John received limited formal education.

    Apprenticeship & Taxidermy: He served as a gardener under his father at Windsor Castle from 1818 to 1824, gaining valuable experience in horticulture. This period also fostered his burgeoning interest in natural history. Gould developed exceptional skills in taxidermy, which would become instrumental in his later career.

    Zoological Society of London: In 1827, Gould secured a pivotal role as the first curator and preserver at the museum of the Zoological Society of London. This position provided him with unparalleled access to new bird specimens from around the world, fueling his passion for ornithological research.

    Major Works and Scientific Contributions

    Early Publications: Gould's career took off with publications like A Century of Birds from the Himalaya Mountains (1830-1832), illustrated by his wife, Elizabeth Gould, and other artists. These works established his reputation for detailed observation and artistic representation.

    Collaboration with Artists: He frequently collaborated with talented artists such as Edward Lear, Henry Constantine Richter, Joseph Wolf, and William Matthew Hart to produce the stunning lithographic plates that accompanied his monographs.

    Birds of Australia: His most significant achievement was The Birds of Australia (1840-1848), a monumental seven-volume work documenting the diverse avian fauna of the continent. This project, undertaken with his wife and collector John Gilbert, revolutionized ornithological knowledge of Australia.

    Darwin's Finches: Gould’s crucial identification of what became known as "Darwin's finches" during the examination of specimens collected by Charles Darwin on the HMS Beagle played a pivotal role in the development of Darwin's theory of evolution by natural selection. He recognized these birds as a unique group, demonstrating their adaptation to different ecological niches on the Galapagos Islands.

    Influence and Legacy

    Impact on Evolutionary Theory: Gould’s work provided critical evidence supporting Darwin’s ideas about natural selection and species diversification. His observations of the finches' variations highlighted the power of environmental pressures in shaping evolutionary change.

    Father of Australian Bird Study: He is widely regarded as the "father of bird study" in Australia, inspiring generations of ornithologists and conservationists. The Gould League, a prominent organization dedicated to bird education and conservation, stands as a testament to his enduring legacy.

    Artistic Significance: Beyond his scientific contributions, Gould’s meticulously illustrated books remain valuable works of art, showcasing the beauty and diversity of avian life with remarkable accuracy and detail. His use of lithography and innovative techniques like gold leaf application set new standards for ornithological illustration.

    Later Years and Death

    Return to England: After a productive period in Australia, Gould returned to England in 1840. Sadly, his wife Elizabeth died in 1841.

    Continued Publication: Despite personal loss, Gould continued publishing extensively, producing numerous monographs and contributing significantly to the field of ornithology until his death on February 3, 1881, in London. He left behind a vast body of work that continues to inspire and inform scientists and artists today.

    Where to read more

    Find this online

    QR code linking to the download page for Trogon _Queue Blanche

    artsdot.com/en/art/download/john-gould-trogon-queue-blanche-9GEQG5-en/

    Cite this artwork

    MLA
    Gould, John. Trogon _Queue Blanche. n.d., https://artsdot.com/en/art/john-gould-trogon-queue-blanche-9GEQG5-en/
    APA
    Gould, John (n.d.). Trogon _Queue Blanche [Painting]. https://artsdot.com/en/art/john-gould-trogon-queue-blanche-9GEQG5-en/
    Chicago
    John Gould. Trogon _Queue Blanche. n.d. https://artsdot.com/en/art/john-gould-trogon-queue-blanche-9GEQG5-en/
    Harvard
    Gould, John (n.d.) Trogon _Queue Blanche. Available at: https://artsdot.com/en/art/john-gould-trogon-queue-blanche-9GEQG5-en/

    Look closely

    Trogon _Queue Blanche — John Gould

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 2 — do you agree?)
    4. Our catalogue files this work under: birds, trogon, pinecone. Do you agree? What would you add, or take away?
    5. Look back at Pteroglossus Torquatus, from A Monograph of Ramphastidae or Family of Toucans, earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How saturated is the palette of "Trogon _Queue Blanche"?

    The colors of "Trogon _Queue Blanche" by John Gould have a balanced soft saturation. Saturation describes how vivid or muted the colors are.

    What does "Trogon _Queue Blanche" by John Gould depict?

    "Trogon _Queue Blanche" by John Gould depicts: birds, trogon, pinecone, nature, wildlife, illustration, botanical, ornithology.

    What style does "Trogon _Queue Blanche" belong to?

    "Trogon _Queue Blanche" by John Gould belongs to the Naturalistic Illustration movement. This movement provides the stylistic context of the work.