Paper
Name Class Date

Jean-Baptiste Oudry, Men Attacking Wolves. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Jean-Baptiste Oudry artsdot.com/en/artists/jean-baptiste-oudry/
Artist’s dates
1686 – 1755
Movement
Baroque Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action.

In context

Men Attacking Wolves — Jean-Baptiste Oudry

When might this have been painted?

  1. 1680
  2. 1690
  3. 1700
  4. 1710
  5. 1720
  6. 1730
  7. 1740
  8. 1750

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 69 at death.

Shaded: the lifetime of Jean-Baptiste Oudry (1686–1755) every dated painting, decade by decade

First works: up to 1722 Main working years: 1722–1734 Late works: from 1734

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/jean-baptiste-oudry-men-attacking-wolves-8LJ6HM-en/

Colours

Measured from the image

    Main colour

    Sea Green #3e546a

    Catalogued palette

    • #3E546A
    • #293541
    • #B2BBC8
    • #7D848E

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Sea Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Jean-Baptiste Oudry over the last twelve months — 9 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 84.5%
    2. 2 United States of America 5.2%
    3. 3 France 3.2%
    4. 4 Hong Kong 1.9%
    5. 5 Singapore 1.9%
    6. 6 Serbia 1.3%
    7. 7 Bulgaria 0.6%
    8. 8 Ethiopia 0.6%
    9. 9 Croatia 0.6%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Jean-Baptiste Oudry

    1. 1 Still life with the bust of America, 1722 7.2%
    2. 2 Two Perched Birds 4.2%
    3. 3 Standing Bird Looking Upward and Behind 3.6%
    4. 4 Henri Camille, Chevalier de Beringhen, 1722 3.0%
    5. 5 Farmhouse, 1750 2.4%
    6. 6 Still-Life with Fruit, 1721 1.8%
    7. 7 Hound with Gun and Dead Game, 1740 1.8%
    8. 8 The Lion and the Spider 1.8%
    9. 9 Squirrel Eating Cherries and Bird with Wings Extended 1.8%
    10. 10 Landscape with a Stairway and Balustrade 1.8%
    11. 11 Two Parrots Perched on a Branch 1.8%
    12. 12 Two Ducks in the Water, One Taking Flight 1.8%
    13. 13 The Crayfish and her Daughter 1.8%
    14. 14 Dog Pointing a Partridge, 1725 1.2%
    15. 15 Belphagore, 1734 1.2%
    16. 16 Dead Roe, 1721 1.2%
    17. 17 The Watchful Doe 1.2%
    18. 18 Wild boar hunting 1.2%
    19. 19 Still life with fruits 1.2%
    20. — Men Attacking Wolves this painting 0.0%

    Together these works take 42.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 175 works by this artist, of which 99 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Jean-Baptiste Oudry

    Born in Paris, France

    Jean-Baptiste Oudry: A Life in Art

    Early Life and Training

    Born: March 17, 1686, in Paris, France.

    Oudry came from an artistic family; his father, Jacques Oudry, was a painter and art dealer. His mother, Nicole Papillon, was related to the engraver Jean-Baptiste-Michel Papillon.

    He began his training at the Académie de Saint-Luc, studying under Nicolas de Largillière from 1707 to 1712. This foundational period shaped his early skills in portraiture and observation.

    He quickly progressed, becoming an assistant professor at the Académie de Saint-Luc in 1714 and a full professor by 1717.

    Artistic Development and Style

    Initially focused on portraiture, Oudry gradually expanded his repertoire to include still lifes, particularly of fruits and animals, as well as religious subjects.

    His style evolved towards the Rococo, characterized by elegance, naturalism, and a playful depiction of aristocratic life and leisure.

    Oudry’s meticulous attention to detail and his ability to capture the textures and characteristics of animals became hallmarks of his work.

    He demonstrated mastery in both painting and design, seamlessly transitioning between canvas and tapestry creation.

    Major Achievements and Notable Works

    The Pastoral Amusements (Les Amusements Champêtres): A series of tapestries designed for the Royal Beauvais Tapestry Manufactory, showcasing idyllic scenes of rural life and hunting.

    Louis XV Hunting a Deer in the Forest of Saint-Germain (1730): This painting solidified Oudry’s reputation as the official painter of the royal hunt. It exemplifies his skill in depicting both the grandeur of the hunt and the natural environment.

    Royal Hunts of Louis XV (Chasses Royales Gobelins): A series of tapestry designs for the Gobelins Manufactory, further establishing Oudry’s prominence as a tapestry designer.

    Numerous portraits of dead game commissioned by King Louis XV, demonstrating his expertise in animal anatomy and still life composition.

    Influences and Legacy

    Influenced By: Nicolas de Largillière played a crucial role in Oudry’s early artistic development, providing foundational training in portraiture and technique.

    Oudry's work influenced subsequent generations of animal painters and tapestry designers. His naturalistic style and attention to detail set a new standard for depicting wildlife.

    He contributed significantly to the decorative arts of the French court, creating luxurious tapestries that adorned royal residences.

    Historical Significance

    Oudry’s work provides valuable insights into 18th-century aristocratic life and the importance of hunting as a pastime for the French nobility.

    His tapestries are considered masterpieces of French decorative art, showcasing the technical skill and artistic creativity of the period.

    He was appointed to prestigious positions within the Académie Royale de Peinture et de Sculpture, demonstrating his recognition as a leading artist of his time.

    Died: April 30, 1755, leaving behind a legacy of exquisite paintings and tapestries that continue to be admired today.

    Where to read more

    Find this online

    QR code linking to the download page for Men Attacking Wolves

    artsdot.com/en/art/download/jean-baptiste-oudry-men-attacking-wolves-8LJ6HM-en/

    Cite this artwork

    MLA
    Oudry, Jean-Baptiste. Men Attacking Wolves. n.d., https://artsdot.com/en/art/jean-baptiste-oudry-men-attacking-wolves-8LJ6HM-en/
    APA
    Oudry, Jean-Baptiste (n.d.). Men Attacking Wolves [Painting]. https://artsdot.com/en/art/jean-baptiste-oudry-men-attacking-wolves-8LJ6HM-en/
    Chicago
    Jean-Baptiste Oudry. Men Attacking Wolves. n.d. https://artsdot.com/en/art/jean-baptiste-oudry-men-attacking-wolves-8LJ6HM-en/
    Harvard
    Oudry, Jean-Baptiste (n.d.) Men Attacking Wolves. Available at: https://artsdot.com/en/art/jean-baptiste-oudry-men-attacking-wolves-8LJ6HM-en/

    Look closely

    Men Attacking Wolves — Jean-Baptiste Oudry

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 2 — do you agree?)
    4. Our catalogue files this work under: hunting, wolves, hunters. Do you agree? What would you add, or take away?
    5. Look back at Henri Camille, Chevalier de Beringhen (1722), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What underlying hue runs through "Men Attacking Wolves" by Jean-Baptiste Oudry?

    "Men Attacking Wolves" leans toward a green to violet spectrum tone.

    How do I preview a reproduction of "Men Attacking Wolves" by Jean-Baptiste Oudry?

    The Preview page of "Men Attacking Wolves" lets you preview the artwork before ordering.

    From which country does the Baroque work "Men Attacking Wolves" come?

    "Men Attacking Wolves" connects the Baroque movement with France through its creator's birthplace.