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Student Artwork Guide

Fortune Teller

Name Class Date

Jan Cossiers, Fortune Teller (1640), Hermitage Museum. Public domain.

The facts

Artist
Jan Cossiers artsdot.com/en/artists/jan-cossiers/
Artist’s dates
1600 – 1671
Painted
1640
Medium
Oil On Canvas
Original size
132 x 155 cm
Movement
Baroque Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action.
Held at
Hermitage Museum artsdot.com/en/museums/hermitage-museum-saint-petersburg/
Artistic style
Psychologically nuanced
Influences
Caravaggio
Notable elements or techniques
Chiaroscuro
Subject or theme
Portraiture

In context

Fortune Teller — Jan Cossiers

How big is it?

The original measures 132 × 155 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1600
  2. 1610
  3. 1620
  4. 1630
  5. 1640
  6. 1650
  7. 1660
  8. 1670

Shaded: the lifetime of Jan Cossiers (1600–1671) ▲ this work, 1640

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/jan-cossiers-fortune-teller-8Y357P-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #1c1919

    Catalogued palette

    • #1C1919
    • #493524
    • #C9AE77
    • #89653A
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Fortune Teller — Jan Cossiers

    Fortune Teller

    Jan Cossiers’ “Fortune Teller” stands as a testament to the Antwerp School's masterful blend of Caravaggio’s dramatic chiaroscuro and humanist observation, capturing a moment of quiet contemplation amidst an opulent setting. Painted in 1640 during the height of Rubensian influence, this portrait delves into psychological depth rarely achieved by its contemporaries.

    The painting depicts a man dressed in a scarlet jacket adorned with intricate embroidery—a bold choice reflecting the fashion trends of the era—seated beside a woman who exudes an aura of prophetic wisdom. Her gaze is fixed upward, suggesting introspection and perhaps divination, while her hand rests delicately upon a handkerchief embroidered with floral motifs – symbols commonly associated with femininity and grace. The scene unfolds within a richly decorated room bathed in diffused light, highlighting the textures of velvet drapery and gilded ornamentation. This deliberate use of illumination underscores Cossiers’ commitment to Caravaggio's technique, creating an atmosphere of palpable drama despite the stillness of the figures.

    Cossiers skillfully employs oil paint on canvas, layering translucent glazes to achieve remarkable luminosity and capturing subtle nuances of skin tone and fabric texture. The artist’s meticulous attention to detail—evident in the rendering of folds in clothing and the delicate embroidery—demonstrates a profound understanding of artistic craftsmanship. Furthermore, Cossiers incorporates elements of symbolism into his composition. The scarlet jacket represents ambition and prestige, while the floral handkerchief speaks to themes of fertility and renewal. These visual cues invite viewers to contemplate the complexities of human experience and the pursuit of knowledge.

    The painting’s emotional impact is palpable—a sense of serene contemplation mingled with an underlying current of mystery. Cossiers succeeds in conveying not merely a likeness but also a psychological portrait, capturing the inner life of his subject and inviting us to ponder questions of fate and destiny. “Fortune Teller” remains a captivating masterpiece, embodying the Antwerp School’s legacy as pioneers of expressive realism and humanist artistry.

    Artist: Jan Cossiers

    Birth Year: 1600

    Death Year: 1671

    Birth City: Antwerp

    Birth Country: Belgium

    Biography: Jan Cossiers: A Flemish Baroque Pioneer

    Additional Research

    The artwork "Fortune Teller" by Jan Cossiers is featured prominently in the Hermitage Museum’s Alte Galerie, showcasing its significance as a cornerstone of Antwerp Baroque painting. Its vibrant color palette and masterful execution exemplify the stylistic innovations championed by Rubens and his successors. The painting's detailed depiction of human emotion and psychological complexity distinguishes it from many other portraits of the period.

    Furthermore, “Fortune Teller” exemplifies the influence of Caravaggio’s chiaroscuro technique—a dramatic interplay of light and shadow—which Cossiers skillfully employs to heighten the emotional impact of the scene. This stylistic choice underscores the artist's commitment to capturing not just visual appearance but also inner feeling. The painting’s enduring appeal lies in its ability to evoke contemplation and invite viewers to consider profound questions about human nature.

    The WGA5413 image file, hosted on Wikimedia Commons, provides a high-resolution reproduction of Cossiers’ masterpiece—a valuable resource for scholars and enthusiasts alike. Its accessibility ensures that this iconic artwork continues to inspire generations of artists and audiences worldwide. The painting's meticulous detail and luminous color palette underscore the Antwerp School’s dedication to artistic excellence.

    File Usage

    This artwork is displayed on WahooArt.com, a curated online gallery specializing in fine art reproductions—a testament to Cossiers’ enduring influence and the continued appreciation for Baroque artistry. Its inclusion within WahooArt.com underscores its importance as a cultural landmark and contributes to its visibility among collectors and interior designers globally.

    Artist and museum

    Artist

    Jan Cossiers

    Born in Antwerp, Belgium

    The Radiant Shadow: The Life and Legacy of Jan Cossiers

    In the heart of the 17th-century Antwerp art scene, few names resonate with as much stylistic versatility as Jan Cossiers. Born on July 15, 1600, in the vibrant Flemish city of Antwerp, Cossiers was destined for a life immersed in the brushstrokes of greatness. He descended from an artistic lineage, being the son of the watercolorist Antoine Cossiers, a fact that provided him with an early and intimate understanding of color and form. His formative years were shaped by the rigorous training of Cornelius de Vos, whose mastery of portraiture laid the groundwork for Cossiers’ ability to capture the human essence. However, it was his restless spirit and pursuit of the avant-garde that would truly define his trajectory, leading him away from the familiar comforts of Flanders toward the sun-drenched landscapes of France and the dramatic shadows of Italy.

    The evolution of Cossiers’ style is a captivating journey through the shifting tides of the Baroque era. His travels to Aix-en-Provence in 1623 allowed him to absorb the dynamic energy of Dutch influences, but it was his pilgrimage to Rome in 1624 that fundamentally altered his artistic DNA. There, he encountered the revolutionary tenebrism of Caravaggio—a technique defined by an intense, theatrical interplay between profound darkness and piercing light. This encounter breathed a new, dramatic life into his work. His early repertoire was characterized by Caravaggesque genre scenes, often depicting "low life" subjects with a gritty, unvarnistic realism. These works, such as the evocative Fortune Teller (1640), utilized masterful chiaroscuro to transform mundane moments of contemplation or social interaction into profound psychological studies.

    From Genre Scenes to Grand Narratives

    As his career matured, Cossiers transitioned from the intimate, often earthy depictions of everyday life toward the more prestigious realms of history and religious painting. This shift was not merely a change in subject matter but an expansion of his emotional and technical vocabulary. His connection to the legendary Peter Paul Rubens played a pivotal role in this ascension; by working within Rubens’ esteemed workshop, Cossiers refined his ability to handle large-scale compositions and complex, multi-figure narratives. The influence of Rubens is evident in the increased dynamism and opulent detail found in his later works, where the stark shadows of his youth began to mingle with a more sophisticated use of color and movement.

    His religious canvases stand as testaments to his ability to convey spiritual fervor through physical drama. In masterpieces such as The Martyrdom of Saint Catherine (1647) and Jesus appears to Mary Magdalene, Cossiers utilizes the dramatic tension learned in Rome to evoke deep piety and suffering. His work Saint Nicholas Delivrant des Captifs further demonstrates his command over the Baroque epic, blending intense emotion with a dynamic composition that guides the viewer's eye through a sea of biblical struggle. Even in his more quiet moments, such as his meticulous Self Portrait, one can sense the dignity and technical precision that earned him high standing within the Antwerp artistic community.

    A Pillar of the Antwerp School

    Beyond the canvas, Jan Cossiers was a central figure in the institutional fabric of Flemish art. His ascent to the position of Dean of Saint Luke's Guild in 1640 signifies not only his technical mastery but also his profound respect among his peers. He lived through a period of immense cultural transition, acting as a bridge between the raw, dramatic energy of early Caravaggism and the more refined, classical sensibilities that would follow. His life was a tapestry of professional triumph and personal complexity, marked by significant connections to intellectuals like Nicolas Claude Fabri de Peiresc and the prestigious circles of the Antwerp elite.

    The historical significance of Jan Cossiers lies in his ability to synthesize diverse influences into a singular, recognizable voice. He took the shadows of Italy, the dynamism of the Netherlands, and the grandeur of Rubens' Flanders to create an oeuvre that was both deeply personal and broadly representative of the Baroque spirit. Today, he is remembered not just as a follower of great masters, but as a pioneer who helped shape the visual language of the 17th century, leaving behind a legacy of light, shadow, and enduring human emotion.

    Museum

    Hermitage Museum

    On show in Saint Petersburg, Russia

    A Frozen Palace: Unveiling the Treasures of the Hermitage

    The State Hermitage Museum in Saint Petersburg isn’t merely a repository of art; it's an immersive journey through time, a testament to Russia’s imperial ambitions and its enduring artistic legacy. Nestled within the opulent Winter Palace – once the very heart of Tsarist power – the museum unfolds like a meticulously crafted narrative, revealing layers of history, culture, and breathtaking beauty. Founded by Catherine the Great in 1764 with a single painting as its nucleus, it has blossomed into one of the world’s largest and most comprehensive museums, housing over three million objects spanning millennia and continents. More than just a collection, the Hermitage is an architectural marvel, a series of interconnected historic buildings – including the Winter Palace itself, the Small Hermitage, the Old Hermitage, the New Hermitage, and the General Staff Building – each contributing uniquely to its grand story.

    From Tsarist Dreams to Artistic Legacy

    Catherine’s initial acquisition, a modest collection of Western European paintings, laid the foundation for what would become an unparalleled artistic treasure. This early focus on European art reflected her enlightened ideals and desire to expose Russia to the best of continental culture. The Winter Palace's origins trace back to Peter the Great’s vision for a grand, western-style capital city. Initially conceived as a residence, its transformation into the museum’s central hall speaks volumes about Russia’s evolving relationship with Europe and its embrace of artistic innovation. The Hermitage's story is inextricably linked to Russian history, adapting and reflecting the changing tastes and ambitions of successive rulers – a layered narrative palpable as you wander through its galleries. From Napoleon’s invasion to the Soviet era, the museum has endured, safeguarding Russia’s artistic heritage for generations.

    Renaissance Reveries and Dutch Delights: Cornerstones of Artistic Brilliance

    Stepping into the Renaissance galleries is akin to entering a world reborn – a period defined by a renewed interest in classical antiquity and an embrace of human potential. Immediately captivating is Nicolas Poussin’s

    The Holy Family with St. Elizabeth and John the Baptist

    , a serene depiction of familial piety and spiritual contemplation. Notice how Poussin masterfully blends technical precision with humanist ideals; observe the subtle ripple of drapery folds mirroring Saint George's grace as he confronts the dragon—a potent symbol of triumph over evil. The painting’s balance and clarity reflect the Renaissance’s fascination with proportion and order, while its subject matter speaks to the era’s burgeoning interest in virtue and heroism. Scholars have analyzed Poussin’s use of perspective and chiaroscuro – dramatic lighting – demonstrating a profound understanding of artistic principles that would influence generations of artists to come. Alongside Poussin, explore works by Raphael, Titian, and Veronese, each offering a unique window into the Renaissance spirit. These artists skillfully employed techniques like sfumato—a hazy blending of colors—to create atmospheric depth and evoke emotion.

    Transitioning into the Dutch Golden Age collection is an exercise in sensory delight. The masterful use of light and shadow –

    chiaroscuro

    – dominates this section, transforming ordinary scenes into moments of profound emotional resonance. Rembrandt’s

    The Return of the Prodigal Son

    stands as a cornerstone of this artistic achievement, its dramatic composition conveying tenderness and forgiveness through the father’s expressive face. Beyond Rembrandt’s monumental works, canvases by Vermeer, Frans Hals, and Jan Steen reveal the remarkable skill with which these artists captured scenes from daily existence. Vermeer's

    Girl with a Pearl Earring

    is particularly arresting – a quiet moment of contemplation rendered with exquisite detail; the subject’s gaze directed outwards, conveying both vulnerability and intelligence. The meticulous layering of paint – a technique known as glazing – contributes to the luminous quality of Vermeer’s paintings, highlighting his unparalleled ability to capture fleeting expressions and subtle nuances of emotion. Consider also the vibrant portraits by Hals, brimming with life and character. These artists prioritized capturing psychological realism, striving to portray their subjects with remarkable accuracy and sensitivity.

    A Global Tapestry: Beyond Europe's Shores

    The Hermitage’s story extends far beyond the Renaissance and Dutch Golden Age, revealing a truly global collection. Ancient artifacts—shimmering gold artifacts and intricately crafted jade sculptures recovered from Scythian burial mounds—offer a tangible connection to the vibrant trade networks of the Silk Road, demonstrating that artistic expression transcends temporal boundaries and reveals the sophistication of nomadic cultures. Medieval Christian art radiates spiritual power, including Byzantine icons brimming with symbolism – their vibrant colors and stylized figures conveying profound theological narratives. The museum’s curators have painstakingly reconstructed these artifacts, allowing for an immersive journey through human history, from the grandeur of imperial Rome to the solemn beauty of Orthodox faith. Recent expeditions to Siberia have unearthed remarkable discoveries – including mammoth ivory carvings and exquisitely decorated shamanic masks – enriching the Hermitage's understanding of Eurasian artistic traditions. Explore collections showcasing ancient Egyptian treasures, Greek sculptures, and Asian ceramics, each telling a unique story of human ingenuity and cultural exchange.

    A Living Legacy: Exhibitions and Future Horizons

    The Hermitage isn’t a static monument; it’s a living institution constantly evolving with new discoveries and exhibitions. While its permanent collection remains breathtaking in scope – encompassing over three million objects—temporary displays offer fresh perspectives on familiar works and introduce visitors to lesser-known artists and cultures. Don’t miss opportunities to engage with interactive exhibits designed for all ages, offering deeper insights into the artworks and their historical context. Visiting the Hermitage is not simply about observing masterpieces; it's about engaging with a legacy—a testament to human creativity, intellectual inquiry, and the enduring power of art to inspire and transform. The museum’s commitment to preservation and research ensures that this extraordinary collection will continue to captivate and educate generations to come. The Hermitage also maintains a strong focus on digital engagement, offering virtual tours and online resources for visitors worldwide.

    Where to read more

    Find this online

    QR code linking to the download page for Fortune Teller

    artsdot.com/en/art/download/jan-cossiers-fortune-teller-8Y357P-en/

    Cite this artwork

    MLA
    Cossiers, Jan. Fortune Teller. 1640, Hermitage Museum. https://artsdot.com/en/art/jan-cossiers-fortune-teller-8Y357P-en/
    APA
    Cossiers, Jan (1640). Fortune Teller [Painting]. Hermitage Museum. https://artsdot.com/en/art/jan-cossiers-fortune-teller-8Y357P-en/
    Chicago
    Jan Cossiers. Fortune Teller. 1640. Hermitage Museum. https://artsdot.com/en/art/jan-cossiers-fortune-teller-8Y357P-en/
    Harvard
    Cossiers, Jan (1640) Fortune Teller. Hermitage Museum. Available at: https://artsdot.com/en/art/jan-cossiers-fortune-teller-8Y357P-en/

    Look closely

    Fortune Teller — Jan Cossiers

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: fortune teller, portraiture, renaissance. Do you agree? What would you add, or take away?
    4. Look back at ECCE HOMO ou PILATE PRESENTANT LE CHRIST AU PEUPLE, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Baroque: Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.