Paper

Student Artwork Guide

Rhinoceros

Name Class Date

jacques charles oudry, Rhinoceros (1749). Public domain.

The facts

Artist
jacques charles oudry artsdot.com/en/artists/jacques-charles-oudry/
Artist’s dates
1720 – 1778
Painted
1749

In context

Rhinoceros — jacques charles oudry

When was this painted?

  1. 1720
  2. 1730
  3. 1740
  4. 1750
  5. 1760
  6. 1770

Shaded: the lifetime of jacques charles oudry (1720–1778) ▲ this work, 1749

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/jacques-charles-oudry-rhinoceros-D4QDYP-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #322717

    Catalogued palette

    • #322717
    • #6C6648
    • #9A9B6F
    • #4A3D20
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    jacques charles oudry

    The Aristocratic Eye: Jacques-Charles Oudry and the Rococo Celebration of Nature

    Jacques-Charles Oudry, born in Paris in 1720 and passing away in 1778, stands as a pivotal figure bridging the traditions of Flemish animal painting with the refined elegance of the French Rococo. While often categorized solely as an animalier, this designation scarcely captures the breadth of his talent or the significant role he played within the artistic circles of Louis XV’s court. Oudry wasn't merely depicting creatures; he was crafting narratives, embodying aristocratic leisure, and elevating a genre previously considered secondary to the status of history painting. His life unfolded during a period of shifting aesthetic values, where lightness, grace, and an appreciation for the natural world began to eclipse the more somber tones of the Baroque era.

    Early Training and the Influence of Flemish Masters

    Oudry’s artistic journey commenced under the tutelage of his father, Jacques Oudry I, a respected painter specializing in still life and animal subjects. This familial grounding proved crucial, instilling within him a meticulous attention to detail and an early mastery of technique. However, it was his apprenticeship with Jean-Baptiste Pater – himself influenced by Flemish masters like Frans Snyders and Paul de Vos – that truly shaped his artistic direction. Pater’s vibrant compositions featuring playful animals in idyllic landscapes resonated deeply with the burgeoning Rococo sensibility. Oudry absorbed this influence, developing a similar facility for capturing movement, texture, and the inherent charm of the animal kingdom. He initially worked extensively as a copyist, honing his skills by reproducing works from the royal collections, particularly those of the Flemish painters. This rigorous training provided him with an unparalleled understanding of anatomy, color theory, and composition – foundations that would later distinguish his own unique style.

    Royal Commissions and the Height of His Career

    Oudry’s talent soon attracted the attention of the court. In 1743, he was accepted into the Académie Royale de Peinture et Sculpture, a testament to his growing reputation. However, it was his appointment as peintre ordinaire du roi (official painter to the king) in 1752 that propelled him to prominence. This position afforded him access to the royal menagerie at Versailles and numerous commissions depicting scenes of hunting, falconry, and domestic animals. These weren’t simply records of sporting activities; they were carefully constructed allegories celebrating the pleasures of aristocratic life. His paintings for the Cabinet des Singuliers at Versailles, a series showcasing exotic birds and mammals, exemplify this approach. Each animal is rendered with astonishing realism, yet presented within an idealized setting that speaks to wealth, power, and refined taste. The meticulous detail extended beyond mere representation; Oudry’s understanding of animal behavior was remarkable, lending authenticity and vitality to his compositions. He also undertook significant tapestry designs for the Gobelins Manufactory, further disseminating his style and imagery throughout France's elite circles.

    Beyond Hunting Scenes: A Broader Artistic Scope

    While Oudry is most celebrated for his hunting scenes, limiting him to this genre overlooks the diversity of his artistic output. He also produced portraits – often incorporating animals as symbolic elements – still lifes demonstrating a keen eye for texture and light, and even mythological paintings where animals played prominent roles. His portraiture, though less numerous than his animal studies, reveals a sensitivity to character and an ability to capture the nuances of human expression. Furthermore, his work wasn’t solely confined to canvas; Oudry was also a skilled engraver, producing prints that further popularized his designs among a wider audience. He even ventured into stage design, creating elaborate backdrops for courtly performances. This versatility underscores his position as a truly multi-faceted artist capable of excelling in various mediums and genres.

    Legacy and Historical Significance

    Jacques-Charles Oudry’s influence extended far beyond the confines of 18th-century France. His naturalistic depictions of animals, combined with his Rococo sensibility, profoundly impacted subsequent generations of artists. He helped elevate animal painting to a new level of respectability, paving the way for later animaliers like Jean-Léon Gérôme and Rosa Bonheur. More broadly, Oudry’s work embodies the spirit of the Rococo – its celebration of pleasure, elegance, and an idealized vision of nature. His paintings offer a fascinating glimpse into the aristocratic world of pre-revolutionary France, capturing not only the beauty of the animal kingdom but also the values and aspirations of the elite who commissioned them. He remains a significant figure in art history, celebrated for his technical mastery, artistic versatility, and enduring contribution to the Rococo aesthetic.

    Where to read more

    Find this online

    QR code linking to the download page for Rhinoceros

    artsdot.com/en/art/download/jacques-charles-oudry-rhinoceros-D4QDYP-en/

    Cite this artwork

    MLA
    oudry, jacques charles. Rhinoceros. 1749, https://artsdot.com/en/art/jacques-charles-oudry-rhinoceros-D4QDYP-en/
    APA
    oudry, jacques charles (1749). Rhinoceros [Painting]. https://artsdot.com/en/art/jacques-charles-oudry-rhinoceros-D4QDYP-en/
    Chicago
    jacques charles oudry. Rhinoceros. 1749. https://artsdot.com/en/art/jacques-charles-oudry-rhinoceros-D4QDYP-en/
    Harvard
    oudry, jacques charles (1749) Rhinoceros. Available at: https://artsdot.com/en/art/jacques-charles-oudry-rhinoceros-D4QDYP-en/

    Look closely

    Rhinoceros — jacques charles oudry

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Hawk Attacking Wild Duck (1737), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. jacques charles oudry was about 29 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.