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Student Artwork Guide

Cement Eclipses

Name Class Date

Isaac Cordal, Cement Eclipses (2015), Nuart Festival. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Isaac Cordal artsdot.com/en/artists/isaac-cordal/
Artist’s dates
1974 – ?
Painted
2015
Movement
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Held at
Nuart Festival artsdot.com/en/museums/nuart-festival-stavanger/

In context

Cement Eclipses — Isaac Cordal

When was this painted?

  1. 1970
  2. 1980
  3. 1990
  4. 2000
  5. 2010

Shaded: the lifetime of Isaac Cordal (1974–?) ▲ this work, 2015

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/isaac-cordal-cement-eclipses-D7RGLK-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #b6ad9c

    Catalogued palette

    • #B6AD9C
    • #978E7E
    • #2C2822
    • #746B5D
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Cement Eclipses — Isaac Cordal

    Spanish Galician artist Isaac Cordal has been creating small humanoid sculptures and placing them around cities since 2006 in his Cement Eclipses project, alongside his larger body of work which also includes photography. Found in cracks in the wall, gutters in the streets, and other unlikely and often overlooked spaces, Cordal’s miniatures sit at just 25 centimetres tall. His tiny figures mimic us, playing out a diorama that critically exposes our profound alienation in urban environments.

    Artist and museum

    Artist

    Isaac Cordal

    Born in Pontevedra, Spain

    The Concrete Echoes of Urban Alienation

    Born in the coastal landscape of Pontevedra, Spain, in 1974, Isaac Cordal has emerged as a profound voice in contemporary sculpture and photography. His artistic journey is one defined by a deep, contemplative engagement with the spaces we inhabit and the psychological weight of modern existence. Through his meticulous craftsmanship, Cordal explores the delicate tension between the individual and the overwhelming architecture of the city, creating a visual language that speaks to the universal experience of isolation.

    Cordal’s formal education provided him with a robust foundation in both classical and contemporary methodologies. His studies at the University of Vigo instilled in him a mastery of sculptural form, while his time at the Camberwell College of Arts in London expanded his conceptual horizons. This duality—the ability to execute precise, physical forms while maintaining a sharp, critical eye on sociological themes—is what allows his work to transcend mere decoration and enter the realm of poignant social commentary.

    The Surrealism of 'Cement Eclipses'

    At the heart of Cordal’s most celebrated contributions is the series known as ‘Cement Eclipses.’ This project serves as a haunting window into the psyche of the modern worker. The series features miniature figures, approximately 15 cm in height, cast from cold, grey concrete. These figures are not mere trinkets; they are stylized representations of a middle-aged man, often clad in a suit and carrying a briefcase, trapped in a state of perpetual, weary transit.

    The brilliance of Cordal’s technique lies in his use of scale and setting. By placing these heavy, concrete protagonists within the vast, indifferent landscapes of urban environments—abandoned buildings, desolate pavements, or starkly lit city corners—he creates a jarring juxtaposition. The viewer witnesses:

    A businessman slumped against a cold wall, embodying the exhaustion of late-stage capitalism.

    Figures attempting to navigate insurmountable urban obstacles, symbolizing the struggle for agency in an automated world.

    The silent, unmoving presence of the concrete man against the fleeting shadows of the city.

    This interplay between the miniature and the monumental forces a reconsideration of our own vulnerability. The use of concrete is particularly symbolic; it is a material that is both foundational to our cities and inherently lifeless, mirroring the emotional numbness Cordal seeks to critique.

    A Photographic Lens on Desolation

    Cordal’s artistic vision extends beyond the physical sculpture into the realm of photographic exploration. He utilizes photography not merely as a way to document his sculptures, but as an essential medium to intensify the atmosphere of urban alienation. His photographic series often feature these same concrete figures placed within starkly lit, desolate cityscapes, where the lighting and composition emphasize the emptiness of the surrounding environment.

    In these works, the camera acts as a witness to the disappearance of the human spirit within the machine of the metropolis. The shadows cast by his miniature subjects become characters in their own right, stretching across empty plazas to suggest a presence that is both there and not there. This seamless blend of sculpture and photography allows Cordal to build entire worlds of quiet despair and surreal beauty, inviting the observer to find meaning in the cracks of the pavement and the silence of the streets.

    Through his ongoing dedication to exploring the intersection of the mundane and the surreal, Isaac Cordal has secured a significant place in the contemporary art dialogue. His work remains a vital, unsettling mirror held up to modern society, reminding us of the fragile threads that connect—or fail to connect—us within the concrete labyrinth of the 21st century.

    Museum

    Nuart Festival

    On show in Stavanger, Norway

    Nuart Festival: A Living Canvas of Urban Expression

    Nestled within the vibrant coastal city of Stavanger, Norway, lies a phenomenon that has irrevocably altered the landscape – both physical and artistic – of this Nordic gem: the Nuart Festival. More than simply an art exhibition, it’s a dynamic, ever-evolving celebration of contemporary urban art, a testament to the power of street art as a legitimate and profoundly impactful form of expression. Founded in 2001 with a bold vision to legitimize this often-marginalized medium, Nuart has blossomed into one of the world's foremost platforms for showcasing cutting-edge murals, stencil work, and a breathtaking spectrum of urban artistic techniques. The festival isn’t confined to galleries or pristine white walls; it explodes onto the streets, transforming Stavanger into an open-air museum where art breathes alongside daily life.

    At its core, Nuart is driven by a commitment to supporting artists who push the boundaries of their craft. The festival consistently attracts globally recognized street artists – from established masters to emerging talents – each invited to create site-specific artworks that engage with their environment in unique and often thought-provoking ways. These aren’t fleeting tags or temporary installations; they are carefully considered pieces designed to spark dialogue, challenge perspectives, and contribute meaningfully to the urban fabric. A key element of Nuart's success is its dedication to “site-specificity,” ensuring that each artwork is intrinsically linked to its location, responding to architectural details, social contexts, and the very spirit of Stavanger.

    The Ever-Changing Collection

    Unlike traditional museums with fixed collections, Nuart’s ‘collection’ exists in a perpetual state of becoming. Each September, as the festival unfolds, Stavanger is adorned with a new constellation of murals, stencils, and installations – a living testament to the creativity and dynamism of contemporary urban art. These artworks aren't simply painted onto walls; they are integrated into the city’s architecture, often utilizing building facades as canvases for intricate designs and powerful messages. The festival also incorporates indoor exhibitions, workshops, talks, and film screenings, expanding its reach far beyond the streets and offering a comprehensive experience that delves deeper into the world of street art.

    The history of Nuart is intertwined with Stavanger’s own transformation. Initially met with skepticism, the festival quickly gained momentum, attracting both artists and visitors alike. Over the years, it has played a significant role in shaping the city's cultural identity, fostering a sense of community pride and establishing Stavanger as a global hub for contemporary art. The influence extends beyond Norway’s borders, inspiring similar initiatives in cities around the world – a testament to Nuart’s pioneering spirit.

    A Community-Driven Experience

    What truly distinguishes Nuart from other festivals is its unwavering commitment to accessibility and community engagement. Art isn't confined to viewing rooms; it’s brought directly to the public, free of charge, making it available to everyone – regardless of background or circumstance. The festival actively involves local residents in the creative process through workshops, collaborative projects, and open-door events, fostering a sense of ownership and connection with the artwork. Furthermore, Nuart serves as a vital platform for dialogue about urban spaces, social issues, and the role of art in shaping our society – prompting reflection on themes ranging from environmental sustainability to social justice.

    Exploring Stavanger Through Nuart

    Visiting Nuart Festival is an immersive experience. The festival’s footprint extends across Stavanger, Utsira, and even reaches into Oslo, creating a sprawling network of artistic interventions. Beyond the stunning murals, visitors can delve deeper through guided walking tours, artist talks, and workshops that offer insights into the creative process and the stories behind each piece. Don't miss the opportunity to explore Nuart’s Google Arts & Culture project, which provides a virtual journey through the festival’s history and highlights some of its most iconic artworks. For more information on upcoming festivals, artists, and events, please visit

    the official website

    .

    Beyond the Streets: Nuart's Legacy

    Nuart’s impact extends beyond its annual festival run. The organization has fostered a thriving street art scene in Stavanger, encouraging local artists and promoting public art initiatives throughout the city. The “Vlek” project, for example, utilizes stickers to create temporary interventions on public spaces, sparking conversations about urban design and community engagement. Nuart’s commitment to supporting emerging talent and fostering a vibrant artistic ecosystem ensures that its legacy will continue to shape Stavanger's cultural landscape for years to come.

    Where to read more

    Find this online

    QR code linking to the download page for Cement Eclipses

    artsdot.com/en/art/download/isaac-cordal-cement-eclipses-D7RGLK-en/

    Cite this artwork

    MLA
    Cordal, Isaac. Cement Eclipses. 2015, Nuart Festival. https://artsdot.com/en/art/isaac-cordal-cement-eclipses-D7RGLK-en/
    APA
    Cordal, Isaac (2015). Cement Eclipses [Painting]. Nuart Festival. https://artsdot.com/en/art/isaac-cordal-cement-eclipses-D7RGLK-en/
    Chicago
    Isaac Cordal. Cement Eclipses. 2015. Nuart Festival. https://artsdot.com/en/art/isaac-cordal-cement-eclipses-D7RGLK-en/
    Harvard
    Cordal, Isaac (2015) Cement Eclipses. Nuart Festival. Available at: https://artsdot.com/en/art/isaac-cordal-cement-eclipses-D7RGLK-en/

    Look closely

    Cement Eclipses — Isaac Cordal

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: urban isolation, miniature figures, concrete landscape. Do you agree? What would you add, or take away?
    5. Look back at Cement Eclipses (2015), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.