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Student Artwork Guide

Studio Bed

Name Class Date

Howard Cook, Studio Bed (1930). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Howard Cook artsdot.com/en/artists/howard-cook/
Artist’s dates
1901 – 1980
Painted
1930
Original size
17 x 27 cm

In context

Studio Bed — Howard Cook

How big is it?

The original measures 17 × 27 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 79 at death.

Painted when the artist was 29. The artist lived to 79. 113 of the 232 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Howard Cook (1901–1980) ▲ this work, 1930 every dated painting, decade by decade

First works: up to 1927 Main working years: 1927–1932 Late works: from 1932

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/howard-cook-studio-bed-AQT58B-en/

Colours

Measured from the image

    Main colour

    Espresso #62574e

    Catalogued palette

    • #62574E
    • #D4CDC2
    • #978B7D
    • #2F2824

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Howard Cook over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 93.0%
    2. 2 United States of America 7.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Howard Cook

    1. 1 Harbor Skyline, 1930 3.3%
    2. 2 Hill Town, 1931 3.3%
    3. 3 The Pack, 1947 3.3%
    4. 4 George Washington Bridge, 1931 3.3%
    5. 5 Portrait of a Southern Girl 3.3%
    6. 6 Street in Snow (Houses in Snow) (Illustration for The Checkerboard), 1931 1.6%
    7. 7 Kennebec River (Bank), 1926 1.6%
    8. 8 Taos Pueblo (Smokes) (Taos Pueblo Morning Smokes), 1927 1.6%
    9. 9 Head of an Indian Facing Right, 1950 1.6%
    10. 10 The Lobo, 1927 1.6%
    11. 11 Long Branch Yards, 1926 1.6%
    12. 12 The Village, 1928 1.6%
    13. 13 Desert Tree, 1941 1.6%
    14. 14 Ranchos Buttresses, 1927 1.6%
    15. 15 Taxco Market (Market, Taxco), 1932 1.6%
    16. 16 Southern Pioneers (Pioneers), 1937 1.6%
    17. 17 Lisbon Fisherman, 1925 1.6%
    18. 18 Wind in the Elms, 1926 1.6%
    19. 19 Exodus, 1946 1.6%
    20. — Studio Bed, 1930 this painting 0.0%

    Together these works take 38.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 242 works by this artist, of which 56 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Studio Bed — Howard Cook

    The painting "Studio Bed" by Howard Cook is a thought-provoking artwork that showcases the artist's unique style and technique. Created in 1930, this black and white piece measures 17 x 27 cm and is currently housed at the Smithsonian American Art Museum. The image depicts a woman lying in bed with her child, surrounded by books and a cozy atmosphere.

    Artistic Style and Technique

    Howard Cook's use of black and white in "Studio Bed" creates a sense of intimacy and simplicity, drawing the viewer's attention to the subjects. The artist's technique is characterized by bold lines and expressive brushstrokes, which add depth and emotion to the piece. As seen in other works by Howard Cook, such as those available on AllPaintingsStore.com, the artist's style is marked by a sense of realism and attention to detail.

    Similar Works and Artists

    Other artists, such as Boris Gorelick and Gabor Peterdi, have also explored similar themes and techniques in their work. For example, Boris Gorelick's "Flood" and Gabor Peterdi's "The Dark Mountain" showcase the artists' use of bold lines and expressive brushstrokes to create dynamic and thought-provoking pieces. These works can be found on AllPaintingsStore.com, which offers a wide range of handmade oil painting reproductions.

    View more artworks by Howard Cook on AllPaintingsStore.com

    Learn more about the Smithsonian American Art Museum and its collection

    Discover similar artists and styles, such as Boris Gorelick and Gabor Peterdi, on AllPaintingsStore.com

    Handmade oil painting reproductions of "Studio Bed" and other works by Howard Cook are available on AllPaintingsStore.com, allowing art lovers to own a piece of history and appreciate the beauty of these artworks in their own homes.

    The Smithsonian American Art Museum is one of the many museums that house Howard Cook's works, and its collection can be explored on Wikipedia.

    Artist and museum

    Artist

    Howard Cook

    A Life Bridging Worlds: The Artistic Journey of Howard Cook

    Howard Cook, born in 1901 and passing in 1980, occupies a fascinating, often overlooked space in American art history. He wasn't solely a painter, nor exclusively a composer; his life was a vibrant synthesis of both disciplines, deeply interwoven with the cultural currents of the early to mid-20th century. While perhaps best known for his contributions to Broadway musicals – particularly his long collaboration with Will Marion Cook (his father) – Howard’s artistic vision extended far beyond the stage, manifesting in a body of paintings that reveal a unique sensibility shaped by jazz rhythms, Art Deco aesthetics, and a profound connection to African American heritage. His story is one of navigating racial barriers, embracing innovation, and leaving behind a legacy that continues to resonate with those seeking authentic voices within the American artistic landscape.

    Early Influences and Musical Foundations

    Howard Cook’s upbringing was steeped in music. The son of Will Marion Cook, a celebrated composer, conductor, and violinist – often hailed as one of America's first Black composers – Howard was immersed in a world of syncopation, improvisation, and the burgeoning sounds of jazz. His father’s orchestra, the Southern Syncopated Orchestra, was groundbreaking for its time, blending ragtime, blues, and early jazz forms into sophisticated arrangements. This environment proved formative; young Howard absorbed not only technical musical skills but also an understanding of music as a powerful force for cultural expression and social commentary. He collaborated with his father extensively throughout the 1920s and 30s, contributing arrangements and orchestrations to numerous productions. This early partnership laid the groundwork for Cook’s later artistic endeavors, instilling in him a deep appreciation for rhythm, harmony, and the visual potential of sound. While formally trained in music, Howard also developed an independent passion for painting, pursuing it alongside his musical career.

    The Intersection of Music and Painting

    Cook's paintings are rarely discussed in isolation from his musical work, and rightfully so. They represent a fascinating translation of musical principles onto canvas. His style is characterized by bold colors, geometric shapes reminiscent of Art Deco, and dynamic compositions that evoke the energy of jazz improvisation. He wasn’t simply illustrating music; he was attempting to capture its essence – its emotional weight, its rhythmic pulse, its improvisational spirit – in a visual form. Many of his works feature scenes of African American life, often depicting musicians, dancers, and social gatherings with a vibrant sense of movement and joy. The influence of Aaron Douglas, a leading figure in the Harlem Renaissance, is discernible in some of his compositions, particularly in their use of stylized figures and symbolic imagery. However, Cook’s work possesses a distinct quality – a more fluid, lyrical approach that reflects his musical background.

    Broadway and Beyond: A Career Defined by Collaboration

    Howard Cook's career on Broadway spanned several decades. He worked as an orchestrator, arranger, and composer for numerous productions, contributing to the vibrant soundscape of American musical theatre. His collaborations with his father were particularly significant, resulting in shows that showcased African American talent and challenged prevailing racial stereotypes. Beyond Broadway, Cook continued to paint prolifically, exhibiting his work in galleries and private collections.

    His paintings often served as visual companions to his musical compositions, exploring similar themes of identity, community, and cultural pride.

    He embraced a variety of subjects, from portraits and landscapes to abstract compositions inspired by jazz rhythms.

    Cook’s artistic output remained remarkably consistent throughout his life, even as he navigated the challenges of being a Black artist in a racially segregated society.

    Legacy and Historical Significance

    Howard Cook's historical significance lies in his ability to bridge seemingly disparate worlds – music and painting, high art and popular culture, African American heritage and mainstream artistic expression. He was a pioneer in translating the energy of jazz onto canvas, creating works that capture the spirit of a transformative era. While he may not have achieved the same level of widespread recognition as some of his contemporaries, his contributions to both music and painting are increasingly being acknowledged for their originality and cultural importance. His paintings offer a valuable glimpse into the African American experience during the early 20th century, celebrating Black life with vibrancy, dignity, and artistic flair. As scholars continue to explore the rich tapestry of American art history, Howard Cook’s legacy as a multifaceted artist and innovator is sure to grow, inspiring future generations to embrace creativity across disciplines and challenge conventional boundaries.

    Where to read more

    Find this online

    QR code linking to the download page for Studio Bed

    artsdot.com/en/art/download/howard-cook-studio-bed-AQT58B-en/

    Cite this artwork

    MLA
    Cook, Howard. Studio Bed. 1930, https://artsdot.com/en/art/howard-cook-studio-bed-AQT58B-en/
    APA
    Cook, Howard (1930). Studio Bed [Painting]. https://artsdot.com/en/art/howard-cook-studio-bed-AQT58B-en/
    Chicago
    Howard Cook. Studio Bed. 1930. https://artsdot.com/en/art/howard-cook-studio-bed-AQT58B-en/
    Harvard
    Cook, Howard (1930) Studio Bed. Available at: https://artsdot.com/en/art/howard-cook-studio-bed-AQT58B-en/

    Look closely

    Studio Bed — Howard Cook

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Canyons N.Y (1928), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Howard Cook was about 29 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Who is the artist behind "Studio Bed"?

    "Studio Bed" was created by Howard Cook. The information on this page describes Howard Cook's original work.

    Can the image of "Studio Bed" by Howard Cook be freely reproduced?

    The copyright answer for "Studio Bed" by Howard Cook: the work is still protected by copyright. This determines whether reproductions of the image may be freely made.

    How intense are the colors in "Studio Bed" by Howard Cook?

    The colors in "Studio Bed" by Howard Cook have a monochromatic intensity.