Paper

Student Artwork Guide

San Ildefonso

Name Class Date

howard cook, San Ildefonso (1927). Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
howard cook artsdot.com/en/artists/howard-cook/
Artist’s dates
1901 – 1980
Painted
1927
Original size
26 x 16 cm
Movement
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.

In context

San Ildefonso — howard cook

How big is it?

The original measures 26 × 16 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980

Shaded: the lifetime of howard cook (1901–1980) ▲ this work, 1927

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/howard-cook-san-ildefonso-AQT593-en/

Colours

Measured from the image

    Main colour

    Black #151313

    Catalogued palette

    • #151313
    • #B5AC9E
    • #46413C
    • #777169
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Black
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    San Ildefonso — howard cook

    The painting San Ildefonso is a remarkable work of art created by the American artist Howard Cook in 1927. This wood painting, measuring 26 x 16 cm, is currently housed at the Smithsonian American Art Museum in the United States.

    Artistic Style and Technique

    Howard Cook's unique style and technique are evident in this painting, which features a black and white depiction of three people standing in front of a building. The use of wood as the medium adds a distinctive texture to the artwork, making it even more captivating. The presence of animals, including two dogs and a horse, adds a dynamic element to the scene.

    Artist's Background

    Howard Cook was an American artist known for his exceptional printmaking skills. Born in 1901, he was active in the art world until his death in 1980. His works can be found in various museums, including the Smithsonian American Art Museum, which houses an impressive collection of American art from the colonial period to the present.

    Similar Paintings and Artists

    For those interested in similar paintings, AllPaintingsStore.com offers a range of handmade oil painting reproductions. Some notable artists and paintings include:

    Boris Gorelick: Flood, a thought-provoking lithograph on paper created in 1941, available at /art/list/?Filter=boris+gorelick,boris,gorelick&

    Gabor Peterdi: The Dark Mountain, a captivating aquatint piece created in 1961, available at /art/list/?Filter=gabor+peterdi,gabor,peterdi&

    Armin Landeck: Pop's Tavern, a drypoint and aquatint on paper created in 1934, available at /art/list/?Filter=armin+landeck,armin,landeck&

    These paintings showcase the unique styles and techniques of each artist, making them a great addition to any art collection. Handmade oil painting reproductions are available at AllPaintingsStore.com, allowing art enthusiasts to own a piece of history. With a wide range of paintings to choose from, including works by Howard Cook, Boris Gorelick, and Gabor Peterdi, among others, AllPaintingsStore.com is the perfect destination for those looking to explore the world of art.

    For more information on Howard Cook and his works, visit /art/list/?Filter=howard+cook,howard,cook&. To learn more about the Smithsonian American Art Museum, visit https://en.wikipedia.org/wiki/Smithsonian_American_Art_Museum.

    Artist and museum

    Artist

    howard cook

    A Life Bridging Worlds: The Artistic Journey of Howard Cook

    Howard Cook, born in 1901 and passing in 1980, occupies a fascinating, often overlooked space in American art history. He wasn't solely a painter, nor exclusively a composer; his life was a vibrant synthesis of both disciplines, deeply interwoven with the cultural currents of the early to mid-20th century. While perhaps best known for his contributions to Broadway musicals – particularly his long collaboration with Will Marion Cook (his father) – Howard’s artistic vision extended far beyond the stage, manifesting in a body of paintings that reveal a unique sensibility shaped by jazz rhythms, Art Deco aesthetics, and a profound connection to African American heritage. His story is one of navigating racial barriers, embracing innovation, and leaving behind a legacy that continues to resonate with those seeking authentic voices within the American artistic landscape.

    Early Influences and Musical Foundations

    Howard Cook’s upbringing was steeped in music. The son of Will Marion Cook, a celebrated composer, conductor, and violinist – often hailed as one of America's first Black composers – Howard was immersed in a world of syncopation, improvisation, and the burgeoning sounds of jazz. His father’s orchestra, the Southern Syncopated Orchestra, was groundbreaking for its time, blending ragtime, blues, and early jazz forms into sophisticated arrangements. This environment proved formative; young Howard absorbed not only technical musical skills but also an understanding of music as a powerful force for cultural expression and social commentary. He collaborated with his father extensively throughout the 1920s and 30s, contributing arrangements and orchestrations to numerous productions. This early partnership laid the groundwork for Cook’s later artistic endeavors, instilling in him a deep appreciation for rhythm, harmony, and the visual potential of sound. While formally trained in music, Howard also developed an independent passion for painting, pursuing it alongside his musical career.

    The Intersection of Music and Painting

    Cook's paintings are rarely discussed in isolation from his musical work, and rightfully so. They represent a fascinating translation of musical principles onto canvas. His style is characterized by bold colors, geometric shapes reminiscent of Art Deco, and dynamic compositions that evoke the energy of jazz improvisation. He wasn’t simply illustrating music; he was attempting to capture its essence – its emotional weight, its rhythmic pulse, its improvisational spirit – in a visual form. Many of his works feature scenes of African American life, often depicting musicians, dancers, and social gatherings with a vibrant sense of movement and joy. The influence of Aaron Douglas, a leading figure in the Harlem Renaissance, is discernible in some of his compositions, particularly in their use of stylized figures and symbolic imagery. However, Cook’s work possesses a distinct quality – a more fluid, lyrical approach that reflects his musical background.

    Broadway and Beyond: A Career Defined by Collaboration

    Howard Cook's career on Broadway spanned several decades. He worked as an orchestrator, arranger, and composer for numerous productions, contributing to the vibrant soundscape of American musical theatre. His collaborations with his father were particularly significant, resulting in shows that showcased African American talent and challenged prevailing racial stereotypes. Beyond Broadway, Cook continued to paint prolifically, exhibiting his work in galleries and private collections.

    His paintings often served as visual companions to his musical compositions, exploring similar themes of identity, community, and cultural pride.

    He embraced a variety of subjects, from portraits and landscapes to abstract compositions inspired by jazz rhythms.

    Cook’s artistic output remained remarkably consistent throughout his life, even as he navigated the challenges of being a Black artist in a racially segregated society.

    Legacy and Historical Significance

    Howard Cook's historical significance lies in his ability to bridge seemingly disparate worlds – music and painting, high art and popular culture, African American heritage and mainstream artistic expression. He was a pioneer in translating the energy of jazz onto canvas, creating works that capture the spirit of a transformative era. While he may not have achieved the same level of widespread recognition as some of his contemporaries, his contributions to both music and painting are increasingly being acknowledged for their originality and cultural importance. His paintings offer a valuable glimpse into the African American experience during the early 20th century, celebrating Black life with vibrancy, dignity, and artistic flair. As scholars continue to explore the rich tapestry of American art history, Howard Cook’s legacy as a multifaceted artist and innovator is sure to grow, inspiring future generations to embrace creativity across disciplines and challenge conventional boundaries.

    Where to read more

    Find this online

    QR code linking to the download page for San Ildefonso

    artsdot.com/en/art/download/howard-cook-san-ildefonso-AQT593-en/

    Cite this artwork

    MLA
    cook, howard. San Ildefonso. 1927, https://artsdot.com/en/art/howard-cook-san-ildefonso-AQT593-en/
    APA
    cook, howard (1927). San Ildefonso [Painting]. https://artsdot.com/en/art/howard-cook-san-ildefonso-AQT593-en/
    Chicago
    howard cook. San Ildefonso. 1927. https://artsdot.com/en/art/howard-cook-san-ildefonso-AQT593-en/
    Harvard
    cook, howard (1927) San Ildefonso. Available at: https://artsdot.com/en/art/howard-cook-san-ildefonso-AQT593-en/

    Look closely

    San Ildefonso — howard cook

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 3 — do you agree?)
    4. Our catalogue files this work under: black and white, figures, dramatic lighting. Do you agree? What would you add, or take away?
    5. Look back at Canyons N.Y (1928), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.