Paper

Student Artwork Guide

Lizard Tail

Name Class Date

Hiromi Tango, Lizard Tail (2017), Singapore Art Museum. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Hiromi Tango artsdot.com/en/artists/hiromi-tango/
Artist’s dates
1976 – ?
Painted
2017
Medium
Painting
Movement
Contemporary Art
Period
Contemporary
Held at
Singapore Art Museum artsdot.com/en/museums/singapore-art-museum-singapore/

In context

Lizard Tail — Hiromi Tango

When was this painted?

  1. 1970
  2. 1980
  3. 1990
  4. 2000
  5. 2010

Shaded: the lifetime of Hiromi Tango (1976–?) ▲ this work, 2017

Colours

Measured from the image

    Main colour

    Driftwood #bd9361

    Catalogued palette

    • #BD9361
    • #773714
    • #CBB59B
    • #B96D24
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Hiromi Tango

    Born in Shikoku, Japan

    Hiromi Tango: Weaving Emotion into Textile Worlds

    Born on the island of Shikoku in Japan in 1976, Hiromi Tango’s artistic journey is a deeply personal one, rooted in both tradition and a profound exploration of human experience. Her work, primarily textile installations and performance art, transcends mere craft; it's an immersive dialogue between memory, emotion, and the tactile world. From her early years immersed in the rich cultural tapestry of her upbringing to her current practice as a leading contemporary artist, Tango’s evolution is marked by a relentless curiosity and a willingness to embrace vulnerability – qualities that are powerfully reflected in her evocative creations.

    Tango's formative years were shaped by a unique confluence of influences. Growing up in Imabari, a town renowned for its exquisite organic cotton textiles and vibrant dyeing techniques—a legacy deeply intertwined with the Tango family’s history—exposed her to the meticulous artistry and enduring traditions of Japanese craftsmanship. Her grandmother’s role as a kimono maker and her mother's background in fashion design instilled within her a profound respect for materials, pattern, and the stories woven into each piece. This heritage isn’t simply inherited; it’s actively engaged with, reinterpreted through a distinctly contemporary lens.

    Following her graduation from the Japan Women’s University in Tokyo, Tango embarked on a journey of artistic discovery, initially working with textiles as sculptural elements for performance art. Early pieces were characterized by bold, often lurid colors—a deliberate choice to imbue her work with intense emotional resonance. She began collecting textiles that held personal significance, both those gifted to her and those she acquired herself, layering them with letters, diaries, and other intimate objects. This process of gathering and weaving wasn’t merely about constructing a physical object; it was about creating a repository for memories, experiences, and unspoken narratives.

    The Language of Color and Texture

    Tango's artistic style is immediately recognizable by its distinctive use of color and texture. She doesn’t shy away from clashing hues or chaotic arrangements—instead, she embraces the dissonance, believing that it mirrors the complexities of human emotion. Her 2014 work, “Dust Storm,” exemplifies this approach, utilizing a vibrant palette to evoke feelings of both exhilaration and unease. She meticulously wraps and weaves threads, string, wool, and cloth, creating dense webs that seem to pulse with energy. This layering technique isn’t simply decorative; it's a deliberate attempt to capture the weight and texture of memory.

    Beyond color, Tango’s work is deeply informed by Japanese artistic traditions, particularly Noh theatre and tea ceremony. The meticulous attention to detail, the emphasis on ritualistic gestures, and the exploration of themes such as impermanence—all hallmarks of these practices—find their way into her installations and performances. She often incorporates elements of traditional Japanese art forms, such as calligraphy and flower arranging, creating a dialogue between the past and the present.

    Community Engagement and Artistic Process

    Tango’s commitment to artistic engagement extends beyond individual creation. Recognizing the power of collaborative practice, she developed “art recipes” in advance of her 2015 exhibition, "Art Magic: Remnant," designed to democratize her creative process. These instructions provided a simplified framework for anyone interested in participating, fostering a sense of shared experience and collective storytelling. This approach reflects a belief that art is not solely the domain of established artists but can be accessible and transformative for all.

    Her 2012 installation, “Pistil,” at the Queensland Art Gallery/Gallery of Modern Art, further exemplifies this commitment to social engagement. “Pistil” challenged conventional notions of artistic authorship by inviting individuals with personal histories to contribute to the creation process, prompting a dialogue about the complexities of identity and belonging. This project underscored Tango’s belief that art can be a catalyst for meaningful connection and understanding.

    Recognition and Continuing Evolution

    Tango's work has garnered significant recognition within both Australia and Japan. She has received numerous awards, including the 2014 Hazelhurst Regional Gallery & Arts Centre Project award and the 2013 Australia-Japan Foundation prize. Her exhibition history is extensive, encompassing over 14 solo exhibitions in Australia, New Zealand, and Belgium, as well as more than 20 group shows, numerous performances, and installations. Notably, her work has been featured in publications such as Art Magazine and has been the subject of critical acclaim for its innovative approach to material and concept.

    Currently, Tango continues to explore themes of healing, memory, and connection through her art. Her recent projects, including “Healing Tree” and “Nature,” demonstrate a deepening engagement with scientific concepts related to emotional wellbeing and the therapeutic potential of artistic practice. Her work remains a powerful testament to the transformative power of creativity—a vibrant tapestry woven from personal experience, cultural heritage, and an unwavering commitment to exploring the depths of human emotion.

    Museum

    Singapore Art Museum

    On show in Singapore, Singapore

    A Beacon of Southeast Asian Art: The Soul of Singapore Art Museum

    In the heart of a bustling metropolis, where modernity meets tradition, the

    Singapore Art Museum

    (SAM) stands as a vibrant testament to the burgeoning artistic landscape of Southeast Asia. It is far more than a mere repository for precious objects; it is a dynamic platform where contemporary voices resonate and cultural narratives unfold with profound depth. Established in 1996, SAM emerged from the National Gallery with a focused mission: to champion modern and contemporary art, particularly that which originates from within the region. For the discerning collector or the passionate art lover, the museum offers an intimate encounter with the pulse of a continent, fostering a dialogue between the historical roots of Southeast Asian identity and the experimental frontiers of global contemporary practice.

    The museum’s physical presence is as compelling and avant-garde as the artworks it houses. Eschewing the sterile confines of traditional gallery settings, SAM embraces unconventional spaces that extend its reach into the very fabric of Singapore itself. The flagship building,

    8Q SAM

    , is a masterpiece of architectural character, housed in a beautifully restored former Catholic school on Bras Basah Road. Its distinctive façade, adorned with colorful cubes, serves as a playful invitation to creativity, while the interior is thoughtfully designed to create an immersive environment that enhances the visitor experience. This spirit of exploration continues at locations like the Tanjong Pagar Distripark, where raw, industrial aesthetics provide a striking, deliberate contrast to the delicate or complex installations on display—a choice intended to challenge perceptions and spark new interpretations in the minds of those who wander its halls.

    To step into SAM is to embark on a journey through layers of regional identity and social commentary. The collection is a rich tapestry spanning painting, sculpture, photography, video, and installation art, each medium serving as a vehicle for exploring complex themes of globalization, memory, and cultural evolution. Visitors may find themselves captivated by the powerful performance pieces of artists like

    lee wen

    , whose work explores the intricacies of ethnicity and freedom, or lost in the evocative photographic narratives of

    nguan han lui

    , which capture the poignant yearning of the modern cityscape. The museum’s programming, including the prestigious Singapore Biennale, ensures that the institution remains at the forefront of international artistic discourse, constantly inviting audiences to contemplate the enduring power of expression.

    What truly distinguishes the Singapore Art Museum is its unwavering dedication to a regional focus with global reach. While many institutions adopt a broad, often detached international perspective, SAM’s core mission remains firmly rooted in showcasing the unique artistic voices and cultural narratives of Southeast Asia. This focused approach allows for a deeper exploration of local contexts, fostering a profound understanding of the complexities of identity within this diverse region. For interior designers seeking inspiration or collectors looking to understand the trajectory of Asian contemporary art, SAM offers an experience that is both intellectually stimulating and emotionally resonant—a truly unique destination where art becomes an integral part of everyday life.

    Where to read more

    Find this online

    QR code linking to the download page for Lizard Tail

    artsdot.com/en/art/download/hiromi-tango-lizard-tail-D7URCL-en/

    Cite this artwork

    MLA
    Tango, Hiromi. Lizard Tail. 2017, Singapore Art Museum. https://artsdot.com/en/art/hiromi-tango-lizard-tail-D7URCL-en/
    APA
    Tango, Hiromi (2017). Lizard Tail [Painting]. Singapore Art Museum. https://artsdot.com/en/art/hiromi-tango-lizard-tail-D7URCL-en/
    Chicago
    Hiromi Tango. Lizard Tail. 2017. Singapore Art Museum. https://artsdot.com/en/art/hiromi-tango-lizard-tail-D7URCL-en/
    Harvard
    Tango, Hiromi (2017) Lizard Tail. Singapore Art Museum. Available at: https://artsdot.com/en/art/hiromi-tango-lizard-tail-D7URCL-en/

    Look closely

    Lizard Tail — Hiromi Tango

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: lizard tail, textile art, soft sculpture. Do you agree? What would you add, or take away?
    4. Hiromi Tango was about 41 when this was made. What in it looks like the work of an artist at that stage?
    5. Themes that come back through the work of Hiromi Tango: textile traditions, imabari cotton legacy, memory and emotion. Which of them do you see here?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.