Paper

Student Artwork Guide

Nottingham Meadows

Name Class Date

Henry Smyth, Nottingham Meadows (1847). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Henry Smyth artsdot.com/en/artists/henry-smyth/
Artist’s dates
1800 – 1873
Painted
1847
Original size
46 x 36 cm
Movement
Realism Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander.

In context

Nottingham Meadows — Henry Smyth

How big is it?

The original measures 46 × 36 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1800
  2. 1810
  3. 1820
  4. 1830
  5. 1840
  6. 1850
  7. 1860
  8. 1870

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 73 at death.

Painted when the artist was 47. The artist lived to 73. 2 of the 8 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Henry Smyth (1800–1873) ▲ this work, 1847 every dated painting, decade by decade

First works: up to 1840 Main working years: 1840–1858 Late works: from 1858

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/henry-smyth-nottingham-meadows-AS828M-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #a9a38e

    Catalogued palette

    • #A9A38E
    • #0A0A03
    • #867B57
    • #42360F

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Henry Smyth over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 5 most looked-at works by Henry Smyth

    1. 1 Pontcysyllte Aqueduct, 1873 42.9%
    2. 2 Vale of Llangollen, 1860 28.6%
    3. 3 Old Windmills on Nottingham Forest, 1830 14.3%
    4. 4 Chesterfield Market Place, Derbyshire, 1858 14.3%
    5. — Nottingham Meadows, 1847 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 8 works by this artist, of which 4 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Henry Smyth

    Henry Smyth: A Visionary Landscape Painter Bridging Romanticism and Modern Physics

    Henry Smyth (1800-1873) stands as an intriguing figure in Victorian art history—a scientist who simultaneously pursued a profound artistic sensibility, producing landscapes that capture the sublime beauty of Wales and Nottinghamshire with remarkable precision. While his scientific endeavors – primarily focused on spectroscopy and nuclear physics – might seem worlds apart from the easel, Smyth’s intellectual curiosity profoundly shaped his artistic vision, resulting in paintings imbued with an understated elegance and a sensitivity to light and atmosphere that distinguish him from many of his contemporaries.

    Early Life & Education: Born in Clinton, New York, Smyth's formative years were marked by a privileged upbringing under the tutelage of Woodrow Wilson at Princeton University. He excelled academically, earning degrees from Lawrenceville School and Princeton itself—a foundation for his later pursuits in both science and art.

    Cambridge Years & Scientific Breakthroughs: Smyth’s journey to Cambridge University cemented his commitment to scientific inquiry. Studying under Ernest Rutherford and collaborating with Pyotr Kapitsa, he revolutionized understanding of atomic structure through groundbreaking spectroscopic research on triatomic molecules like carbon dioxide—a testament to his intellectual rigor.

    The Artistic Impulse: Landscape Painting as Meditation

    Despite the demands of scientific research, Smyth harbored a deep passion for landscape painting. Influenced by Romantic ideals and captivated by the dramatic vistas of Wales – particularly Pontcysyllte Aqueduct—he embarked on a prolific artistic career. His canvases aren’t merely representations of scenery; they are expressions of emotion and contemplation, achieved through meticulous observation and masterful technique. Smyth's approach to color was notable for its subtlety, favoring muted tones that conveyed the mood of the scene rather than striving for flamboyant visual impact.

    Notable Works & Recognition

    Smyth’s artistic output includes celebrated paintings such as “Castell Dinas Bran,” depicting the imposing silhouette of Snowdonia against a brooding sky—a masterful portrayal of atmospheric perspective and tonal gradation. Similarly, “Nottingham Meadows” captures the tranquil beauty of Derbyshire's pastoral landscapes with luminous colors and delicate brushstrokes. His work garnered critical acclaim during his lifetime and continues to resonate with viewers today.

    Legacy & Influence

    Beyond his artistic achievements, Smyth’s intellectual legacy extends into the realm of nuclear physics. He played a pivotal role in shaping the early development of atomic energy, serving on the Manhattan Project and later as ambassador to the IAEA—demonstrating an uncommon blend of scientific rigor and diplomatic engagement. His unwavering belief in international cooperation regarding nuclear weapons earned him the Atoms for Peace Award and cemented his place as a visionary thinker who championed humanist values alongside groundbreaking scientific discoveries. Henry Smyth’s art serves as a poignant reminder that creativity can flourish across disciplines, enriching our understanding of both the natural world and the human spirit.

    Where to read more

    Find this online

    QR code linking to the download page for Nottingham Meadows

    artsdot.com/en/art/download/henry-smyth-nottingham-meadows-AS828M-en/

    Cite this artwork

    MLA
    Smyth, Henry. Nottingham Meadows. 1847, https://artsdot.com/en/art/henry-smyth-nottingham-meadows-AS828M-en/
    APA
    Smyth, Henry (1847). Nottingham Meadows [Painting]. https://artsdot.com/en/art/henry-smyth-nottingham-meadows-AS828M-en/
    Chicago
    Henry Smyth. Nottingham Meadows. 1847. https://artsdot.com/en/art/henry-smyth-nottingham-meadows-AS828M-en/
    Harvard
    Smyth, Henry (1847) Nottingham Meadows. Available at: https://artsdot.com/en/art/henry-smyth-nottingham-meadows-AS828M-en/

    Look closely

    Nottingham Meadows — Henry Smyth

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: rural landscape, cows in field, british countryside. Do you agree? What would you add, or take away?
    4. Look back at Old Windmills on Nottingham Forest (1830), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Realism: Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What is the dominant hue of "Nottingham Meadows" by Henry Smyth?

    "Nottingham Meadows" leans toward a green to violet spectrum tone.

    Can I watch "Nottingham Meadows" as a full-screen slideshow?

    "Nottingham Meadows" by Henry Smyth can be viewed as a slideshow on the artwork's Diaporama page.

    Is a high-resolution download of "Nottingham Meadows" available?

    To get a digital file of "Nottingham Meadows" by Henry Smyth, order a high-resolution digital image download on its Digital Image page.