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Student Artwork Guide

A Square in Monterain

Name Class Date

Henri Lebasque, A Square in Monterain (1895). Public domain.

The facts

Artist
Henri Lebasque artsdot.com/en/artists/henri-lebasque/
Artist’s dates
1865 – 1937
Painted
1895

In context

A Square in Monterain — Henri Lebasque

When was this painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930

Shaded: the lifetime of Henri Lebasque (1865–1937) ▲ this work, 1895

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/henri-lebasque-a-square-in-monterain-8YDVWA-en/

Colours

Measured from the image

    Main colour

    Sap Green #5b6144

    Catalogued palette

    • #5B6144
    • #CDC093
    • #928E6B
    • #203122
    Main colour name
    Sap Green
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Henri Lebasque

    Born in Champigny-sur-Marne, France

    A Painter of Joy and Light: The Life and Art of Henri Lebasque

    Henri Lebasque, a name perhaps less immediately recognized than some of his Post-Impressionist contemporaries, nevertheless occupies a significant place in the artistic landscape of early 20th-century France. Born in Champigné, Maine-et-Loire, in 1865, Lebasque’s journey toward becoming a celebrated painter was one marked by diligent study, evolving influences, and an unwavering commitment to capturing beauty in everyday life. His early education at the École régionale des beaux-arts d'Angers provided a foundational grounding, but it was his move to Paris in 1886 that truly ignited his artistic development. There, under the tutelage of Léon Bonnat and through assisting Ferdinand Humbert with decorative murals at the Panthéon, he honed his technical skills while immersing himself in the vibrant Parisian art scene. This period proved crucial, bringing him into contact with pivotal figures like Camille Pissarro and Auguste Renoir, whose emphasis on light and color would profoundly shape his aesthetic sensibilities.

    Embracing Intimacy: Influences and Artistic Development

    Lebasque’s artistic trajectory wasn't solely defined by the established masters; it was equally influenced by a younger generation of artists pushing the boundaries of painting. His association with Les Nabis, particularly Édouard Vuillard and Pierre Bonnard, proved transformative. These Intimist painters prioritized domestic scenes and intimate moments, fostering in Lebasque a similar inclination toward capturing the quiet poetry of everyday existence. The Nabis’ emphasis on flattened forms, decorative patterns, and subtle color harmonies resonated deeply with his own artistic inclinations. Simultaneously, exposure to the theories of Georges Seurat and Paul Signac introduced him to the principles of Chromoluminarism – the scientific application of complementary colors to create luminous effects. This knowledge became a cornerstone of his technique, allowing him to imbue his canvases with an extraordinary vibrancy and sense of light. He wasn’t merely replicating what he saw; he was interpreting it through a lens of color and emotion, creating scenes that felt both familiar and dreamlike.

    A Palette of Serenity: Themes and Techniques

    The hallmark of Lebasque's work lies in its serene atmosphere and harmonious palette. He found inspiration in the simple pleasures of life – family portraits, leisurely moments in gardens, landscapes bathed in sunlight. His paintings are not grand historical narratives or dramatic allegories; instead, they offer glimpses into intimate domesticity and the beauty of the natural world. Madame Lebasque and Her Daughters, for example, exemplifies his ability to capture a tender moment with remarkable grace and sensitivity. The figures are rendered with soft brushstrokes and bathed in warm light, creating an atmosphere of peaceful contentment. His technique involved building up layers of thin, translucent paint, allowing the underlying colors to shimmer through, resulting in a luminous quality that is characteristic of his style. He skillfully employed complementary color pairings – blues and oranges, reds and greens – to create visual excitement while maintaining an overall sense of harmony. Works like Rest on the Banks of the Yaudet demonstrate his mastery of landscape painting, capturing the tranquility of nature with a delicate touch.

    Legacy and Recognition: A Lasting Impression

    Throughout his career, Lebasque enjoyed considerable success, participating in prestigious exhibitions such as the Salon d'Automne – which he helped found alongside Henri Matisse – and the Salon des Indépendants. He even received commissions for decorative projects, including work at the Champs-Élysées theatre and on transatlantic liners. His paintings are now held in numerous prominent museum collections, including the Musée d’Orsay in Paris, the Petit Palais in Geneva, and museums in Lille and Nantes, attesting to his enduring artistic significance. While perhaps not as widely celebrated as some of his more avant-garde contemporaries, Henri Lebasque's contribution to Post-Impressionism is undeniable. He offered a unique vision – one that prioritized beauty, harmony, and the quiet joys of everyday life. His paintings continue to resonate with viewers today, offering a welcome respite from the complexities of the modern world and reminding us of the enduring power of art to uplift and inspire.

    Exploring Lebasque’s World Today

    For those seeking to delve deeper into the world of Henri Lebasque, resources abound. Online databases like AllPaintingsStore offer a comprehensive collection of his works, alongside biographical information and insights into his artistic process. Museum websites, such as that of the Musée d'Orsay, provide access to digitized collections and scholarly articles. Furthermore, platforms dedicated to art history, like Wikipedia and Artnet, offer valuable context and analysis of his career. The enduring appeal of Lebasque’s work lies in its ability to transport viewers to a realm of serenity and beauty – a testament to the power of art to transcend time and connect us to something truly timeless.

    Where to read more

    • The artist Henri Lebasque artsdot.com/en/artists/henri-lebasque/
    • Similar works More works to compare artsdot.com/en/art/similar/henri-lebasque-a-square-in-monterain-8YDVWA-en/

    Find this online

    QR code linking to the download page for A Square in Monterain

    artsdot.com/en/art/download/henri-lebasque-a-square-in-monterain-8YDVWA-en/

    Cite this artwork

    MLA
    Lebasque, Henri. A Square in Monterain. 1895, https://artsdot.com/en/art/henri-lebasque-a-square-in-monterain-8YDVWA-en/
    APA
    Lebasque, Henri (1895). A Square in Monterain [Painting]. https://artsdot.com/en/art/henri-lebasque-a-square-in-monterain-8YDVWA-en/
    Chicago
    Henri Lebasque. A Square in Monterain. 1895. https://artsdot.com/en/art/henri-lebasque-a-square-in-monterain-8YDVWA-en/
    Harvard
    Lebasque, Henri (1895) A Square in Monterain. Available at: https://artsdot.com/en/art/henri-lebasque-a-square-in-monterain-8YDVWA-en/

    Look closely

    A Square in Monterain — Henri Lebasque

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Portrait of Basler (1912), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Henri Lebasque was about 30 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.