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Student Artwork Guide

We are secure

Name Class Date

hariton pushwagner, We are secure. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
hariton pushwagner artsdot.com/en/artists/hariton-pushwagner/
Artist’s dates
1940 – 2018
Movement
Pop Art Art made from advertising, comics and packaging, treating supermarket images as worth a gallery wall.

In context

We are secure — hariton pushwagner

When might this have been painted?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000
  8. 2010

Shaded: the lifetime of hariton pushwagner (1940–2018)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • Pretending artsdot.com/en/art/hariton-pushwagner-pretending-AE3MQG-en/
  • Fokus artsdot.com/en/art/hariton-pushwagner-fokus-AE3MQ4-en/
  • Unknown artsdot.com/en/art/hariton-pushwagner-unknown-AE3MQX-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/hariton-pushwagner-we-are-secure-AE3MQY-en/

Colours

Measured from the image

    Main colour

    Driftwood #947160

    Catalogued palette

    • #947160
    • #EAD0A8
    • #E9CD3C
    • #DB4553
    Palette
    Pastels The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    hariton pushwagner

    Born in Oslo, Norway

    Paul Klee: A Life Painted in Color and Conflict

    The year 1940 marked a pivotal, yet tragically brief, moment in the life of Paul Klee (1879-1940), a Swiss-born German artist whose work resonated with both childlike wonder and profound emotional depth. Born in Bern, Switzerland, into a family of musicians – his father a Kantor (organist) and his mother a piano teacher – Klee’s early life was steeped in artistic sensibility. This foundation, coupled with a restless intellectual curiosity, would profoundly shape the trajectory of his extraordinary career. The decade of 1940 witnessed not only the flourishing of his unique style but also the looming shadow of war, an event that ultimately cut short his life and irrevocably altered the course of his art.

    Klee’s artistic development was a complex tapestry woven from diverse influences. Initially drawn to realism and academic training at the Kunstlerausschule in Munich, he quickly rejected these constraints, seeking a more expressive and personal approach. The impact of Wassily Kandinsky, a key figure in the early development of abstract art, proved particularly significant. Klee’s time teaching alongside Kandinsky at the Bauhaus school in Germany during the 1920s exposed him to revolutionary ideas about color theory and non-objective painting. He embraced these concepts, developing his own distinctive style characterized by playful lines, vibrant colors, and a dreamlike quality. His work frequently incorporated musical notation – he was a passionate musician – reflecting an underlying rhythm and structure beneath the seemingly chaotic surface of his compositions. The influence of Japanese art, particularly woodblock prints, is also evident in Klee’s use of flattened perspectives and simplified forms.

    The events of 1940 were inextricably linked to the escalating tensions of World War II. As Europe descended into conflict, Klee found himself increasingly displaced, moving between Switzerland, France, and ultimately, Munich. The Nazi regime's growing hostility towards modern art and Jewish artists forced him to flee Germany in 1933. This period of exile profoundly impacted his work, shifting from the more overtly playful aspects of his earlier style to a deeper exploration of psychological themes and anxieties. The war years brought further displacement and hardship, culminating in his death in Muraltoa, Switzerland, in June 1940, likely due to Schizophrenia, which he had struggled with throughout his life.

    Key Works from the Turbulent Year

    Despite the turmoil of 1940, Klee continued to produce a remarkable body of work. Ships in the Dark, painted that year, exemplifies this period’s introspective mood. The painting depicts a small boat navigating a dark and uncertain sea, symbolizing both personal struggle and the broader anxieties of wartime Europe. Its muted colors and ambiguous forms evoke a sense of unease and vulnerability. Similarly, Castle and Figures reflects his ongoing fascination with architectural forms and human figures, rendered in a simplified, almost childlike style. The painting’s fragmented composition and distorted perspective create a dreamlike atmosphere, hinting at the instability and disorientation of the era.

    Other notable works from 1940 include Autumn, a vibrant depiction of falling leaves that captures both the beauty and melancholy of the season. The use of bold colors and dynamic brushstrokes conveys a sense of movement and energy, while the simplified forms suggest a deeper symbolic meaning. Zlatyu Boyadzhiev, a portrait of the Bulgarian painter Zlatyu Boyadzhiev, showcases Klee’s ability to capture personality through subtle gestures and expressive lines. The painting is notable for its intimate portrayal of the subject, revealing both his physical presence and inner character.

    The Bauhaus Legacy and Artistic Innovation

    Klee's time at the Bauhaus school was transformative, shaping not only his artistic style but also his pedagogical approach. He believed in fostering a holistic understanding of art, integrating elements of design, color theory, and psychology. His lectures on form and design theory, published posthumously as Schriften zur Form und Gestaltungslehre, remain highly influential among artists and designers today. At the Bauhaus, Klee experimented with various techniques, including watercolor, gouache, and lithography, developing a unique visual language characterized by spontaneity, improvisation, and a playful disregard for traditional conventions.

    His influence extended beyond painting to encompass graphic design, illustration, and stage design. He designed book covers, posters, and theatrical sets, demonstrating his versatility as an artist and his ability to adapt his style to different media. The Bauhaus principles of functionalism and simplicity, combined with Klee’s expressive approach, helped to shape the development of modern art and design in the 20th century.

    A Lasting Impact on Art History

    Paul Klee's work continues to resonate with audiences today due to its emotional honesty, intellectual depth, and artistic innovation. His exploration of themes such as anxiety, isolation, and the human condition remains profoundly relevant in a world grappling with complex challenges. His distinctive style – characterized by playful lines, vibrant colors, and dreamlike imagery – has influenced generations of artists, from Abstract Expressionists to contemporary painters. Klee’s legacy extends beyond his individual works; he represents a pivotal figure in the transition from traditional art to modern abstraction, embodying both the spirit of experimentation and the enduring power of artistic expression.

    Where to read more

    Find this online

    QR code linking to the download page for We are secure

    artsdot.com/en/art/download/hariton-pushwagner-we-are-secure-AE3MQY-en/

    Cite this artwork

    MLA
    pushwagner, hariton. We are secure. n.d., https://artsdot.com/en/art/hariton-pushwagner-we-are-secure-AE3MQY-en/
    APA
    pushwagner, hariton (n.d.). We are secure [Painting]. https://artsdot.com/en/art/hariton-pushwagner-we-are-secure-AE3MQY-en/
    Chicago
    hariton pushwagner. We are secure. n.d. https://artsdot.com/en/art/hariton-pushwagner-we-are-secure-AE3MQY-en/
    Harvard
    pushwagner, hariton (n.d.) We are secure. Available at: https://artsdot.com/en/art/hariton-pushwagner-we-are-secure-AE3MQY-en/

    Look closely

    We are secure — hariton pushwagner

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Pretending, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Pop Art: Art made from advertising, comics and packaging, treating supermarket images as worth a gallery wall. Where can you see that in this work?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.