Paper

Student Artwork Guide

Splitting

Name Class Date

Gordon Matta-Clark, Splitting. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Gordon Matta-Clark artsdot.com/en/artists/gordon-matta-clark/
Artist’s dates
1943 – 1978

In context

Splitting — Gordon Matta-Clark

When might this have been painted?

  1. 1940
  2. 1950
  3. 1960
  4. 1970

Shaded: the lifetime of Gordon Matta-Clark (1943–1978)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/gordon-matta-clark-splitting-A25NAV-en/

Colours

Measured from the image

    Main colour

    Putty #e2dbd0

    Catalogued palette

    • #E2DBD0
    • #686258
    • #A49E93
    • #302B26
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Gordon Matta-Clark

    Born in New York City, United States of America

    Early Life and Education (1943-1967)

    Born: Gordon Matta-Clark, April 20, 1943, in Montclair, New Jersey.

    Family Background: His father was a Swiss-born painter and his mother an American. This artistic heritage significantly influenced his later work.

    Education: Attended the Rhode Island School of Design (RISD) from 1962 to 1964, studying painting. He left RISD without graduating.

    Early Influences: Exposure to European modernism and abstract expressionism during his childhood shaped his artistic sensibilities.

    Development of Artistic Practice (1967-1973)

    Move to New York: In 1967, Matta-Clark relocated to New York City, a pivotal moment in his career.

    Early Experiments: Initially involved in performance art and conceptual art circles, exploring themes of space, architecture, and the body.

    "Anarchitecture": The term "anarchitecture," coined by Matta-Clark, describes his approach to architecture—a dismantling or reconfiguring of existing structures rather than a creation from scratch.

    Key Works: Early performance pieces like Stone and a Second Stone (1967) and Undermining the City (1968-1970) established his signature style. Undermining the City involved excavating abandoned buildings in Lower Manhattan, revealing their hidden structures.

    Major Achievements and Artistic Style (1973-1978)

    "You Are the Measure": This series of interventions (1973-1974) involved cutting precise openings into existing buildings, creating new spatial relationships and revealing interior structures.

    Architectural Interventions: Matta-Clark’s work focused on transforming pre-existing architectural spaces through cuts, excavations, and other interventions. He was not an architect in the traditional sense but rather a manipulator of space.

    Influences on Style: His style drew from minimalism, conceptual art, and performance art, combined with a unique understanding of architecture.

    Critical Recognition: Matta-Clark gained increasing recognition for his innovative approach to architecture and his exploration of spatial relationships.

    Legacy and Historical Significance

    Influence on Contemporary Art: His work has profoundly influenced contemporary artists working in fields such as architecture, installation art, and performance art.

    Re-evaluation of Architecture: Matta-Clark challenged conventional notions of architecture by focusing on the manipulation of existing structures rather than the creation of new ones.

    Historical Significance: He is considered a pioneer in conceptual art and an important figure in the development of site-specific art.

    Death: Gordon Matta-Clark died of cancer on August 16, 1978, at the age of 35. His career was tragically cut short but his legacy continues to inspire artists today.

    Where to read more

    Find this online

    QR code linking to the download page for Splitting

    artsdot.com/en/art/download/gordon-matta-clark-splitting-A25NAV-en/

    Cite this artwork

    MLA
    Matta-Clark, Gordon. Splitting. n.d., https://artsdot.com/en/art/gordon-matta-clark-splitting-A25NAV-en/
    APA
    Matta-Clark, Gordon (n.d.). Splitting [Painting]. https://artsdot.com/en/art/gordon-matta-clark-splitting-A25NAV-en/
    Chicago
    Gordon Matta-Clark. Splitting. n.d. https://artsdot.com/en/art/gordon-matta-clark-splitting-A25NAV-en/
    Harvard
    Matta-Clark, Gordon (n.d.) Splitting. Available at: https://artsdot.com/en/art/gordon-matta-clark-splitting-A25NAV-en/

    Look closely

    Splitting — Gordon Matta-Clark

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Les Oh! Tomobiles (1971), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.