Paper

Student Artwork Guide

Puta

Name Class Date

Glugio Nicandro, Puta (1988), UCLA Chicano Studies Research Center. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Glugio Nicandro artsdot.com/en/artists/glugio-nicandro/
Artist’s dates
1954 –
Painted
1988
Held at
UCLA Chicano Studies Research Center artsdot.com/en/museums/ucla-chicano-studies-research-center-los-angeles/

In context

Puta — Glugio Nicandro

When was this painted?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 34. 4 of the 25 dated works by this artist in our catalogue came earlier.

▲ this work, 1988 every dated painting, decade by decade

First works: up to 1989 Main working years: 1989–2000 Late works: from 2000

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/glugio-nicandro-puta-D8EPF7-en/

Colours

Measured from the image

    Main colour

    Putty #dde0dd

    Catalogued palette

    • #DDE0DD
    • #535559
    • #ADBABE
    • #0F100F

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Glugio Nicandro over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 8 most looked-at works by Glugio Nicandro

    1. 1 Gronk, self-portrait, 1972 14.3%
    2. 2 Doorman with Key, 1990 14.3%
    3. 3 The Man Without Desire, 1988 14.3%
    4. 4 Godzilla, 1969 14.3%
    5. 5 No Punctuation, 1995 14.3%
    6. 6 Slice of Life, 1984 14.3%
    7. 7 Gronk drawing of Tormenta, 2005 14.3%
    8. — Puta, 1988 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 25 works by this artist, of which 7 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Glugio Nicandro

    Born in East Los Angeles, United States of America

    Glugio Nicandro (Gronk): A Visionary of Chicano Art

    Glugio Nicandro, known professionally as Gronk, is a Los Angeles-based painter and performance artist who stands at the forefront of Chicano art—a vibrant movement rooted in Mexican American culture and activism. Born in East Los Angeles in 1954, Gronk’s artistic journey began early, fueled by familial connections to the arts and profoundly shaped by his uncle's own creative endeavors. This formative influence instilled a lifelong passion for visual expression and experimentation.

    Early Influences: Gronk’s artistic sensibilities were nurtured by exposure to diverse cultural influences, including Japanese animation and American pop culture—particularly films like “Blade Runner.” These elements permeate his work, contributing to its distinctive aesthetic.

    Asco Collective Connection: A pivotal moment in Gronk's career arrived through his involvement with the Asco collective, a group of artists who challenged societal norms and utilized performance art as a tool for social commentary during the late 1970s and early 1980s. Collaborations within Asco solidified Gronk’s commitment to artistic activism and broadened his creative horizons.

    Painting Style & Technique: Bold Expressionism

    Gronk's artistic style is characterized by a distinctive approach to painting—bold expressionism—where he employs thick layers of intensely pigmented acrylic paint to generate expansive, emotionally resonant images. He deliberately avoids meticulous detail, prioritizing instead the conveyance of feeling and gesture. This technique aligns with broader trends in abstract art but distinguishes Gronk’s work through its grounding in Chicano cultural heritage. His canvases pulsate with color—often fiery reds, yellows, and blues—creating a visual language that speaks to themes of identity, struggle, and resilience.

    Minimalist Line Art: Gronk frequently utilizes minimalist line art, reminiscent of the work of artists like Oskar Kokoschka and Josef Klee, to capture movement and grace.

    Texture & Depth: He achieves remarkable depth and textural complexity through layering paint—creating surfaces that invite contemplation and conveying a palpable sense of physicality.

    Notable Works & Recognition

    Gronk’s artistic reputation has steadily grown since the 1980s, culminating in significant recognition within the Chicano art community and beyond. His murals adorn public spaces throughout Southern California, serving as powerful statements of cultural pride and social justice. Furthermore, his artwork is held by prestigious institutions such as the Smithsonian American Art Museum, cementing his place as a pivotal figure in contemporary art history. Pieces like “Tormenta” and “Slice of Life” exemplify his artistic vision—capturing both ethereal beauty and poignant introspection.

    Legacy & Continuing Artistic Practice

    Today, Gronk continues to produce compelling artwork that engages with themes of memory, displacement, and the complexities of human experience. His unwavering dedication to experimentation and his commitment to conveying emotion through visual media ensure that his artistic legacy will endure for generations to come. He remains an influential voice within Chicano art—inspiring younger artists to explore bold stylistic choices and to utilize their creativity as a vehicle for social change.

    Museum

    UCLA Chicano Studies Research Center

    On show in Los Angeles, United States of America

    A Sanctuary of Identity and Expression

    Nestled within the sun-drenched expanse of the University of California, Los Angeles, the

    UCLA Chicano Studies Research Center (CSRC)

    serves as much more than a mere academic repository; it is a vibrant, breathing testament to the enduring spirit of Chicano and Latino artistry. To step into its orbit is to enter a space where history is not just studied, but actively felt through the textures of original prints, the rhythm of rare music, and the evocative power of photography. It functions as a dynamic hub where academic research meets community engagement, fostering a unique environment for dialogue and discovery. For those who seek to understand how identity is forged through visual language, this center provides a crucial portal into the evolution of Chicano expression.

    The intellectual prestige of the center is further amplified by its role as an engine of cultural documentation. Through the

    CSRC Press

    , the institution produces award-winning literature that explores the Chicana/o and Latina/o experience across various mediums, including mass media, education, and community-based organization. The esteemed journal,

    Aztlán: A Journal of Chicano Studies

    , stands as a preeminent voice in the field, while the

    “A Ver: Revisioning Art History”

    book series serves as a monumental effort to document the legacies of prominent Latino artists. For curators and designers seeking inspiration, the center’s output provides a deep well of context, transforming art from mere decoration into a profound narrative of resistance, community, and triumph.

    A Treasure Trove of Cultural Heritage

    The heart of this institution beats within its extraordinary archives, a meticulously curated treasure trove that offers a profound window into the lives and contributions of Chicano and Latino populations in the United States. The collection is characterized by its depth and diversity, featuring:

    Special Collections Archive:

    A repository containing over 120 distinct collections that preserve the visual and auditory legacies of the movement.

    Rare Periodicals and Media:

    Access to pioneering works, rare music, and even rare Chicano films on DVD, ranging from early features to experimental video art.

    Visual Narratives:

    A rich tapestry of photography and original prints that capture the social conditions and cultural shifts of the community.

    Through recent digitization efforts, these invaluable narratives have transcended physical boundaries, allowing the rich tapestry of Latino culture to be woven into the global artistic dialogue. The center ensures that these legacies remain accessible to future generations, acting as a vital resource for students, scholars, and community members from around the world alike.

    Where to read more

    Find this online

    QR code linking to the download page for Puta

    artsdot.com/en/art/download/glugio-nicandro-puta-D8EPF7-en/

    Cite this artwork

    MLA
    Nicandro, Glugio. Puta. 1988, UCLA Chicano Studies Research Center. https://artsdot.com/en/art/glugio-nicandro-puta-D8EPF7-en/
    APA
    Nicandro, Glugio (1988). Puta [Painting]. UCLA Chicano Studies Research Center. https://artsdot.com/en/art/glugio-nicandro-puta-D8EPF7-en/
    Chicago
    Glugio Nicandro. Puta. 1988. UCLA Chicano Studies Research Center. https://artsdot.com/en/art/glugio-nicandro-puta-D8EPF7-en/
    Harvard
    Nicandro, Glugio (1988) Puta. UCLA Chicano Studies Research Center. Available at: https://artsdot.com/en/art/glugio-nicandro-puta-D8EPF7-en/

    Look closely

    Puta — Glugio Nicandro

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Look back at Cabin Fever (1984), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Glugio Nicandro was about 34 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is "Puta" by Glugio Nicandro in the public domain?

    "Puta" by Glugio Nicandro is still protected by copyright. This status governs how the image of the work may be reproduced.

    What is the format of "Puta"?

    "Puta" by Glugio Nicandro is a portrait composition. The proportions are worth checking before choosing a print size.

    What are the author and date of "Puta"?

    The author of "Puta" is Glugio Nicandro, and the work is dated 1988.