Paper
Name Class Date

Gilbert Stuart Newton, Commodore Thomas Macdonough (1818). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Gilbert Stuart Newton artsdot.com/en/artists/gilbert-stuart-newton/
Artist’s dates
1795 – 1835
Painted
1818
Original size
100 x 89 cm
Movement
Neoclassicism A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art.

In context

Commodore Thomas Macdonough — Gilbert Stuart Newton

How big is it?

The original measures 100 × 89 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1790
  2. 1800
  3. 1810
  4. 1820
  5. 1830

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 40 at death.

Painted when the artist was 23. The artist lived to 40. 9 of the 30 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Gilbert Stuart Newton (1795–1835) ▲ this work, 1818 every dated painting, decade by decade

First works: up to 1815 Main working years: 1815–1825 Late works: from 1825

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/gilbert-stuart-newton-commodore-thomas-macdonough-D38J3V-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #b9aea0

    Catalogued palette

    • #B9AEA0
    • #241A1D
    • #6C4E3D
    • #978171

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Gilbert Stuart Newton over the last twelve months — 5 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 70.0%
    2. 2 United States of America 15.0%
    3. 3 Belarus 5.0%
    4. 4 Hong Kong 5.0%
    5. 5 Singapore 5.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 17 most looked-at works by Gilbert Stuart Newton

    1. 1 A Dutch Girl ('The Window'), 1829 15.0%
    2. 2 Olivia's Return, 1828 10.0%
    3. 3 Abigail Smith Adams (Mrs. John Adams), 1815 5.0%
    4. 4 The Gentle Student, 1829 5.0%
    5. 5 Mrs. Andrew Sigourney, 1820 5.0%
    6. 6 Henrietta Marchant Liston (Mrs. Robert Liston), 1800 5.0%
    7. 7 George Washington (Vaughan-Sinclair portrait), 1795 5.0%
    8. 8 Sarah Homes Tappan (Mrs. Benjamin Tappan), 1814 5.0%
    9. 9 John Bill Ricketts, 1799 5.0%
    10. 10 Horace Binney, 1800 5.0%
    11. 11 Captain Joseph Anthony, 1794 5.0%
    12. 12 Edward Stow, 1803 5.0%
    13. 13 Commodore Thomas Macdonough, 1818 this painting 5.0%
    14. 14 James DeLancey, 1785 5.0%
    15. 15 Stephen Van Rensselaer III, 1795 5.0%
    16. 16 Henry Rice, 1815 5.0%
    17. 17 George Washington, 1800 5.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 74 works by this artist, of which 17 were looked at at least once. This painting ranks 13 of them, with 5.0% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Gilbert Stuart Newton

    Gilbert Stuart Newton: Life & Legacy

    Early Life and Family Background

    Birth and Origins: Gilbert Stuart Newton was born on September 2, 1795, in Halifax, Nova Scotia. He was the youngest of twelve children.

    Family Connections: His father, Henry Newton, was a customs official, and his mother, Ann, held a significant artistic lineage – she was the daughter of Gilbert Stuart, the renowned American portrait painter.

    Early Years & Return to America: The family initially resided in Boston but returned to Charlestown near Boston in 1803 following his father’s death.

    Artistic Training and Influences

    Initial Path & Uncle's Guidance: Though initially intended for a commercial career, Newton was apprenticed to his uncle, Gilbert Stuart, marking the beginning of his artistic journey.

    European Studies: He traveled to Europe with an elder brother and studied painting in Florence. Later visits to Paris (1817) introduced him to artists like Charles Robert Leslie, Washington Allston, and David Wilkie.

    Royal Academy & Formal Training: Newton continued his education at the Royal Academy in London after a period spent in the Netherlands.

    Artistic Style and Major Themes

    Romantic Sensibilities: Newton’s work is generally categorized within the Romantic movement, characterized by emotional intensity and dramatic narratives.

    Literary & Poetic Inspirations: He became particularly known for paintings inspired by literature and poetry. Subjects drawn from works like Don Quixote and Shakespeare were prominent in his oeuvre.

    Portraiture & Genre Scenes: While he painted portraits, including those of notable figures such as Washington Irving, Newton also excelled in genre scenes depicting moments from literary narratives.

    Key Achievements and Recognition

    Royal Academy Affiliation: Newton was elected an Honorary Academician of the National Academy of Design (1827), an Associate of the Royal Academy (1829), and a full Academician in 1832.

    Exhibitions & Patronage: He regularly exhibited at the Royal Academy from 1818 onwards, gaining recognition and attracting patrons like the Marquis of Lansdowne.

    Public Collections: His works found their way into prominent public collections, including the National Gallery and the South Kensington Museum (now V&A).

    Later Life and Legacy

    Mental Health & Final Years: Shortly after his election to the Royal Academy, Newton began to suffer from mental illness. He was admitted to an asylum at Chelsea where he continued to paint until his death on August 5, 1835.

    Burial Site: He is buried in St Mary’s Church Wimbledon, London.

    Historical Significance: Though overshadowed by his uncle Gilbert Stuart, Newton carved a niche for himself as a skilled and imaginative artist of the Romantic period. His literary-inspired paintings offer insights into the cultural tastes and artistic trends of 19th-century Britain.

    Where to read more

    Find this online

    QR code linking to the download page for Commodore Thomas Macdonough

    artsdot.com/en/art/download/gilbert-stuart-newton-commodore-thomas-macdonough-D38J3V-en/

    Cite this artwork

    MLA
    Newton, Gilbert Stuart. Commodore Thomas Macdonough. 1818, https://artsdot.com/en/art/gilbert-stuart-newton-commodore-thomas-macdonough-D38J3V-en/
    APA
    Newton, Gilbert Stuart (1818). Commodore Thomas Macdonough [Painting]. https://artsdot.com/en/art/gilbert-stuart-newton-commodore-thomas-macdonough-D38J3V-en/
    Chicago
    Gilbert Stuart Newton. Commodore Thomas Macdonough. 1818. https://artsdot.com/en/art/gilbert-stuart-newton-commodore-thomas-macdonough-D38J3V-en/
    Harvard
    Newton, Gilbert Stuart (1818) Commodore Thomas Macdonough. Available at: https://artsdot.com/en/art/gilbert-stuart-newton-commodore-thomas-macdonough-D38J3V-en/

    Look closely

    Commodore Thomas Macdonough — Gilbert Stuart Newton

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: portrait, naval officer, 1818. Do you agree? What would you add, or take away?
    5. Look back at James Monroe (1820), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How do I download the image of "Commodore Thomas Macdonough" by Gilbert Stuart Newton?

    "Commodore Thomas Macdonough" by Gilbert Stuart Newton can be downloaded from the artwork's Download page, as a high-resolution digital image download.

    How does the subject of "Commodore Thomas Macdonough" relate to Gilbert Stuart Newton's usual themes?

    "Commodore Thomas Macdonough" depicts portrait, naval officer, 1818, historical figure, classical art, american history, gilbert stuart newton, formal portrait, while Gilbert Stuart Newton's recorded themes are neoclassical influence, american naval history, status & authority", romantic portraiture, early 19th century, newton's formal style, commemorative portrait", artist's academic work". Comparing the two shows how the work relates to the artist's usual subjects.

    Where can I see a preview of "Commodore Thomas Macdonough"?

    The Preview page of "Commodore Thomas Macdonough" lets you preview the artwork before ordering.