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Student Artwork Guide

William Wilberforce

Name Class Date

George Hayter, William Wilberforce. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
George Hayter artsdot.com/en/artists/george-hayter/
Artist’s dates
1792 – 1871

In context

William Wilberforce — George Hayter

When might this have been painted?

  1. 1790
  2. 1800
  3. 1810
  4. 1820
  5. 1830
  6. 1840
  7. 1850
  8. 1860
  9. 1870

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 79 at death.

Shaded: the lifetime of George Hayter (1792–1871) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/george-hayter-william-wilberforce-9DH4EC-en/

Colours

Measured from the image

    Main colour

    Black #15120c

    Catalogued palette

    • #15120C
    • #402713
    • #D1A353
    • #91692E

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Black
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by George Hayter over the last twelve months — 7 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 52.2%
    2. 2 Brazil 17.4%
    3. 3 Germany 8.7%
    4. 4 United States of America 8.7%
    5. 5 Canada 4.3%
    6. 6 Hong Kong 4.3%
    7. 7 Singapore 4.3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by George Hayter

    1. 1 The Trial Of Queen Caroline 14.8%
    2. 2 Admiral Henry John Rous 14.8%
    3. 3 The Angels Ministering To Christ 7.4%
    4. 4 The House Of Commons 7.4%
    5. 5 Our Saviour After The Temptation 3.7%
    6. 6 Joseph Interpreting The Dream Of The Chief Baker 3.7%
    7. 7 John James, 5th Earl Of Aberdeen 3.7%
    8. 8 The Town Clerk Of Brecon And His Family 3.7%
    9. 9 Sir Robert Harry Inglis, 2nd Bt 3.7%
    10. 10 Queen Victoria Opening Parliament 3.7%
    11. 11 The First Reformed House Of Commons, 3.7%
    12. 12 John William Montagu 3.7%
    13. 13 Sir John Campbell 3.7%
    14. 14 Lady Stuart de Rothesay and her daughters 3.7%
    15. 15 Duke Of Wellington 3.7%
    16. 16 John Henry Ley 3.7%
    17. 17 Thomas Graham 3.7%
    18. 18 Lord Richard Cavendish 3.7%
    19. 19 Portrait Of A Lady 3.7%
    20. — William Wilberforce this painting 0.0%

    Together these works take 99.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 105 works by this artist, of which 19 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    George Hayter

    Born in St James's, United Kingdom

    Early Life and Education

    Born: December 17, 1792, in St James's, London, England

    Died: January 18, 1871, in London, England

    Parents: Charles Hayter (miniature painter and drawing teacher) and an unknown mother.

    Early Training: Admitted to the Royal Academy Schools early in his life. Studied under Fuseli.

    Naval Service: Briefly served as a midshipman in the Royal Navy in 1808, but left after a disagreement about his art studies.

    Family Life: Married Sarah Milton when he was 15 and she was 28; they had three children. Later formed a relationship with Louisa Cauty, with whom he had two more children. His domestic life was unconventional for the time.

    Artistic Development and Key Works

    Early Style: Initially focused on miniatures and portraits in chalk and crayons.

    Italian Period (1816-1826): Studied in Rome, influenced by Canova's classical style; painted a portrait of Canova. Became a member of the Academy of St. Luke in Rome.

    Significant Works:

    The Trial of Queen Caroline in the House of Lords (1820) – A large-scale work demonstrating his taste for dramatic scenes.

    The Trial of William, Lord Russell (1825) - Celebrated John Russell’s ancestry.

    Moving the Address to the Crown on the Opening of the First Reformed Parliament in the Old House of Commons (1833-1843) – A monumental work depicting a key moment in British history, showcasing nearly 400 portraits. Purchased by the government for the nation in 1854.

    The Coronation of Queen Victoria (1838) - An important royal portrait.

    The Marriage of Queen Victoria (1840) – Another significant royal commission.

    Style: Known for dramatic compositions, large-scale works with numerous figures, and a taste for historical subjects.

    Royal Patronage and Recognition

    Appointment to the Royal Court: Appointed ‘painter of miniatures and portraits’ by Princess Charlotte and Prince Leopold early in his career.

    Principal Painter in Ordinary: Following David Wilkie's death, appointed 'principal painter in ordinary to the queen' in 1841.

    Knighthood: Knighted in 1841 for his services to the crown.

    Foreign Honours: Received the Persian order of the Lion and Sun.

    Influences and Legacy

    Charles Hayter (Father): Early artistic training under his father, a miniature painter.

    Canova: Influenced by Canova's classical style during his time in Rome.

    French Romantic Art: Showed assimilation of the style and exotic subject-matter of contemporary French romantic art.

    Historical Significance: His large historical paintings, particularly The Moving of the Address to the Crown, provide valuable visual records of significant events in British history. He captured a pivotal moment in parliamentary reform.

    Legacy: While not elected to the Royal Academy, Hayter achieved considerable recognition and royal favour during his lifetime. His works are held in major collections including the National Portrait Gallery and the Royal Collection.

    Later Years and Death

    Continued to paint portraits and historical subjects throughout his later years.

    Exhibited at the British Institution until 1859.

    Death: Died on January 18, 1871, in London.

    Where to read more

    • The artist George Hayter artsdot.com/en/artists/george-hayter/
    • Similar works More works to compare artsdot.com/en/art/similar/george-hayter-william-wilberforce-9DH4EC-en/

    Find this online

    QR code linking to the download page for William Wilberforce

    artsdot.com/en/art/download/george-hayter-william-wilberforce-9DH4EC-en/

    Cite this artwork

    MLA
    Hayter, George. William Wilberforce. n.d., https://artsdot.com/en/art/george-hayter-william-wilberforce-9DH4EC-en/
    APA
    Hayter, George (n.d.). William Wilberforce [Painting]. https://artsdot.com/en/art/george-hayter-william-wilberforce-9DH4EC-en/
    Chicago
    George Hayter. William Wilberforce. n.d. https://artsdot.com/en/art/george-hayter-william-wilberforce-9DH4EC-en/
    Harvard
    Hayter, George (n.d.) William Wilberforce. Available at: https://artsdot.com/en/art/george-hayter-william-wilberforce-9DH4EC-en/

    Look closely

    William Wilberforce — George Hayter

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Portrait of Countess Yelizaveta Vorontsova (1832), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Can I use augmented reality to see "William Wilberforce" by George Hayter in my room?

    "William Wilberforce" by George Hayter can be previewed on your own wall with the artwork's AR Preview page, using augmented reality on a compatible device.

    Who is the artist behind "William Wilberforce"?

    "William Wilberforce" is attributed to George Hayter.

    Which color stands out most in "William Wilberforce"?

    black (#15120c) is the leading color of "William Wilberforce" by George Hayter.