Paper

Student Artwork Guide

Jonah

Name Class Date

George Frederic Watts, Jonah (1894), Tate Britain. Public domain.

The facts

Artist
George Frederic Watts artsdot.com/en/artists/george-frederic-watts/
Artist’s dates
1817 – 1904
Painted
1894
Medium
Oil On Canvas
Original size
91 x 155 cm
Movement
Romanticism Art that puts feeling, wildness and the power of nature above calm order and rules.
Held at
Tate Britain artsdot.com/en/museums/tate-britain-london/
Artistic style
Romanticism
Influences
Classical, Victorian
Notable elements
Egyptian relief
Subject or theme
Biblical Narrative

In context

Jonah — George Frederic Watts

How big is it?

The original measures 91 × 155 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1810
  2. 1820
  3. 1830
  4. 1840
  5. 1850
  6. 1860
  7. 1870
  8. 1880
  9. 1890
  10. 1900

Shaded: the lifetime of George Frederic Watts (1817–1904) ▲ this work, 1894

Compare with

  • The Minotaur, 1885 artsdot.com/en/art/george-frederic-watts-the-minotaur-D3UAB8-en/
  • The Minotaur, 1877 artsdot.com/en/art/george-frederic-watts-the-minotaur-8BWQCC-en/
  • Chaos, 1875 artsdot.com/en/art/george-frederic-watts-chaos-D3UBDJ-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/george-frederic-watts-jonah-D3UBDG-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #ab9b79

    Catalogued palette

    • #AB9B79
    • #2E2E20
    • #694D2A
    • #8F6D3E
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Jonah — George Frederic Watts

    A Vision of Faith and Majesty: George Frederic Watts’ “Jonah”

    George Frederic Watts' "Jonah," completed in 1894, is not merely a biblical depiction; it’s a profound meditation on faith, resilience, and the human condition. This monumental oil painting, measuring an impressive 91 x 155 cm, immediately commands attention with its dramatic composition and rich, layered textures. Watts, a leading figure of the Symbolist movement, masterfully blends elements of Egyptian relief – evident in the colossal stone wall dominating the background – with the narrative of the Old Testament story of Jonah’s ordeal in the belly of the great fish. The painting transcends simple illustration, offering instead a complex tapestry of symbolism and emotional resonance.

    The Figure: A Portrait of Inner Strength

    At the heart of “Jonah” stands a solitary female figure, rendered with remarkable anatomical detail and imbued with an almost ecstatic intensity. Her posture is one of profound contemplation, her arms outstretched as if reaching for something beyond earthly grasp. The lighting, originating from above and behind her, casts a halo effect around her head, suggesting a connection to divine power or perhaps the acceptance of a challenging fate. Watts’ skill in capturing human emotion is particularly evident in the figure's face – a subtle blend of sorrow, determination, and an underlying sense of serenity. The drapery, meticulously rendered with visible brushstrokes, adds to the overall impression of strength and dignity.

    Technique and Style: Romantic Symbolism at its Finest

    Watts’ technique is firmly rooted in the traditions of oil painting, yet he employs it with a distinctly Symbolist sensibility. The use of impasto – thick, textured paint application – creates a palpable sense of volume and depth, drawing the viewer into the scene. The color palette, dominated by deep greens and browns punctuated by flashes of gold and ochre in the background relief, evokes a feeling of ancient mystery and spiritual significance. While clearly influenced by Romanticism’s emphasis on emotion and dramatic landscapes, Watts departs from purely representational art, prioritizing symbolic meaning over literal accuracy. The flattened perspective, with its subtle recession into the background, further contributes to the painting's dreamlike quality.

    Symbolic Layers: Echoes of Ancient Egypt and Biblical Narrative

    “Jonah” is rich in layered symbolism. The Egyptian relief motif speaks to themes of eternity, power, and the enduring nature of faith – concepts central to Watts’ worldview. The figure herself has been interpreted as representing various biblical women, including Miriam (a prophetess and leader) or Deborah (a judge and warrior). Her outstretched arms suggest supplication, but also a triumphant assertion of her spirit in the face of adversity. The very act of being swallowed by the fish – a potent image of suffering and isolation – is transformed into an opportunity for spiritual growth and renewal. Watts’ masterful integration of these disparate elements creates a work that invites endless interpretation and contemplation.

    A Legacy of Spiritual Depth

    George Frederic Watts' "Jonah" remains a powerfully evocative masterpiece, showcasing his unique ability to synthesize classical influences with Symbolist ideals. It’s a painting that speaks not just to the biblical story but also to universal themes of faith, resilience, and the search for meaning in life. Reproductions of this work offer an exceptional opportunity to bring this profound vision into any space, inviting viewers to engage with its rich symbolism and emotional depth – a testament to Watts’ enduring legacy as one of Victorian England's most significant artists.

    Artist and museum

    Artist

    George Frederic Watts

    Born in Marylebone, United Kingdom

    early life and education

    george frederic watts, a prominent figure in the symbolist movement, was born on february 23, 1817, in marylebone, london. his early life was marked by delicate health and the loss of his mother at a young age. watts' father, a piano-maker, provided him with a conservative christian education and introduced him to the classics, including the iliad. this classical influence would later become a cornerstone of his artistic style.

    career

    watts began his artistic journey at the age of 10, learning sculpture under william behnes. he later enrolled as a student at the royal academy schools at 18. his first exhibition at the academy in 1837 marked the beginning of his prolific career.

    caractacus, a drawing submitted for a competition to design murals for the new houses of parliament, earned watts a first prize in 1843.

    his subsequent travels to italy (1843-1847) and his association with the british ambassador henry fox influenced his style, as seen in his portrait of lady holland, exhibited in 1848.

    watts' return to britain led to a commission for a fresco in the houses of parliament, which he completed between 1848 and 1853.

    symbolist masterpieces

    watts' most famous works include:

    hope and love and life, intended as part of an epic symbolic cycle called the "house of life."

    the triumph of the red cross knight (from the faerie queene), completed in 1852-53, showcases his mastery of allegorical subjects.

    his portrait of actress ellen terry, painted in 1864, exemplifies his ability to capture the essence of his subjects.

    legacy

    watts' influence on the art world is undeniable. his association with the symbolist movement and his innovative use of color and form have made him a beloved figure in the history of british art. view george frederic watts' artworks on AllPaintingsStore.com

    museums featuring watts' work

    lincoln's inn, featuring his fresco justice, a hemicircle of lawgivers.

    the watts gallery – artists' village in guildford, united kingdom, dedicated to preserving watts' works and other artists.

    discover more about george frederic watts and his contributions to the symbolist movement on AllPaintingsStore.com.

    Museum

    Tate Britain

    On show in London, United Kingdom

    A Journey Through British Artistic Legacy at Tate Britain

    Tate Britain stands as a monumental testament to the enduring spirit of British art, nestled along the tranquil banks of the River Thames in London—a location itself steeped in centuries of creative endeavor. Founded in 1897 by Roland Cockerell and Kenneth Clark, its initial mission was ambitious: to champion the breadth and depth of British painting and sculpture from the medieval period through to the present day, fostering a vital dialogue between artistic movements past and those burgeoning today. More than simply a repository for masterpieces, Tate Britain is an immersive experience meticulously designed to ignite curiosity, spark contemplation, and ultimately deepen appreciation for the rich tapestry of artistic expression woven within the nation’s cultural landscape. The building itself, completed in 1978, is a breathtaking embodiment of Edwardian elegance—a harmonious blend of classical proportions and modern sensibilities. Its soaring atrium, bathed in an abundance of natural light, creates an atmosphere perfectly suited to quiet reflection and the pursuit of artistic understanding. The striking terracotta façade, echoing the principles of Arts and Crafts design, serves as a proud declaration of Britain’s profound artistic heritage.

    A Storied Collection: Echoes Through Time

    The heart of Tate Britain lies within its remarkably comprehensive collection, encompassing over 500 years of British art—a chronological odyssey through innovation, rebellion, and unwavering beauty. Visitors embark on a captivating journey, beginning with the solemn grandeur of medieval illuminated manuscripts, their intricate details whispering tales from the Gospels. The gallery then ascends to monumental sculptures by Henry Moore and Barbara Hepworth, reflecting the dynamism of mid-20th century British art. The collection’s breadth is truly staggering: you'll encounter the dramatic landscapes of J.M.W. Turner, whose masterful use of light and color continues to mesmerize viewers; the poignant portraits of Sir Thomas Lawrence, capturing the elegance of Georgian society; and the vibrant social commentary of William Hogarth, offering a sharp critique of 18th-century life. Notable highlights include John William Waterhouse’s “The Lady of Shalott,” a hauntingly beautiful depiction of Arthurian legend—a work rich in symbolism, representing feminine beauty, isolation, and the tragic consequences of defying societal expectations; and Eva Rothschild's "Boys and Sculpture," an arresting exploration of masculinity and artistic creation through its textured surface, inviting tactile engagement and profound reflection. The gallery’s commitment to showcasing both established masters and emerging talents ensures that Tate Britain remains a vibrant hub for contemporary art discourse.

    Architectural Grandeur: A Space for Inspiration

    Beyond the artwork itself, the building of Tate Britain is an integral part of the visitor experience. Designed by Sir Hugh Casson and constructed in 1978, it’s a remarkable example of Edwardian architecture—a harmonious blend of classical influences and modern design principles. The soaring atrium, flooded with natural light, immediately establishes a sense of spaciousness and tranquility, creating an ideal environment for contemplation and artistic discovery. The terracotta façade, reminiscent of the Arts and Crafts movement, pays homage to Britain’s rich artistic past. A key feature is the Clore Gallery (1987), designed by James Stirling, which houses a significant collection of Turner works and serves as a striking example of Postmodern architecture—a deliberate juxtaposition of materials and styles that adds an element of surprise and delight. The gallery also incorporates a spiral staircase beneath its rotunda, offering stunning views of the Thames River and creating a unique spatial experience. The building’s thoughtful design has been carefully preserved throughout renovations, ensuring that it continues to inspire visitors for generations to come.

    Recent Exhibitions: Catalysts for Dialogue

    Tate Britain consistently attracts audiences with its thoughtfully curated exhibitions, cementing its reputation as a catalyst for critical engagement with art. Recent years have witnessed captivating displays such as “David Hockney: Arrival,” which showcased the prolific artist’s groundbreaking use of iPad technology to capture landscapes and portraits—demonstrating how artistic mediums adapt to technological advancements while retaining their expressive power. “Nigerian Modernism” offered a compelling exploration of the vibrant artistic movement that emerged in Nigeria during the mid-20th century, highlighting the contributions of artists who challenged colonial narratives and embraced experimentation. More recently, exhibitions have delved into the works of Claude Monet, capturing his Impressionistic fascination with fleeting moments and atmospheric effects, exemplified by “The London Harbour,” a delicate study of light reflecting off the Thames. These exhibitions underscore Tate Britain’s commitment to showcasing both established masters and contemporary artists, fostering dialogue and expanding our understanding of British art history.

    Beyond the Walls: A Legacy of Connection

    Tate Britain distinguishes itself not only through its collection but also through its dedication to fostering connections between artists and audiences. Interactive displays encourage visitors to delve deeper into artworks’ histories and contexts—promoting a nuanced understanding of artistic influences and cultural significance. The gallery's riverside setting provides an unparalleled opportunity for contemplation amidst the beauty of London’s urban environment, solidifying its position as a cornerstone of British art appreciation. Furthermore, Tate Britain actively engages with the wider community through educational programs, public lectures, and artist talks, ensuring that the legacy of British art continues to inspire and enrich lives. The gallery's commitment to accessibility is evident in its free admission policy and its efforts to create a welcoming environment for all visitors. With its rich history, stunning architecture, and diverse collection, Tate Britain remains a vital cultural institution—a place where the past comes alive and the future of British art unfolds.

    Where to read more

    Find this online

    QR code linking to the download page for Jonah

    artsdot.com/en/art/download/george-frederic-watts-jonah-D3UBDG-en/

    Cite this artwork

    MLA
    Watts, George Frederic. Jonah. 1894, Tate Britain. https://artsdot.com/en/art/george-frederic-watts-jonah-D3UBDG-en/
    APA
    Watts, George Frederic (1894). Jonah [Painting]. Tate Britain. https://artsdot.com/en/art/george-frederic-watts-jonah-D3UBDG-en/
    Chicago
    George Frederic Watts. Jonah. 1894. Tate Britain. https://artsdot.com/en/art/george-frederic-watts-jonah-D3UBDG-en/
    Harvard
    Watts, George Frederic (1894) Jonah. Tate Britain. Available at: https://artsdot.com/en/art/george-frederic-watts-jonah-D3UBDG-en/

    Look closely

    Jonah — George Frederic Watts

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: ancient egypt, biblical figure, female spirituality. Do you agree? What would you add, or take away?
    5. Look back at The Minotaur (1885), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Jonah — George Frederic Watts

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is George Frederic Watts’ ‘Jonah’ primarily associated with?

      • A Impressionism
      • B Symbolism
      • C Realism
    2. 2. The depiction of the stone wall in 'Jonah' is most likely referencing which ancient culture?

      • A Roman
      • B Egyptian
      • C Greek
    3. 3. What is a key characteristic of George Frederic Watts’ artistic style, evident in ‘Jonah’?

      • A Emphasis on capturing fleeting moments of light
      • B Use of bright, vibrant colors to create visual excitement
      • C Exploration of symbolic and allegorical themes
    4. 4. The lighting in ‘Jonah’ is primarily from which direction?

      • A Directly overhead
      • B Behind the figure, creating a halo effect
      • C From the side, illuminating the background
    5. 5. What does the pose of the female figure in ‘Jonah’ most likely symbolize?

      • A A depiction of everyday life
      • B A plea for divine intervention or spiritual connection
      • C A celebration of human strength and resilience

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2B · 3C · 4B · 5B