Paper

Student Artwork Guide

Evening

Name Class Date

Frederick Childe Hassam, Evening (1907). Public domain.

The facts

Artist
Frederick Childe Hassam artsdot.com/en/artists/frederick-childe-hassam/
Artist’s dates
1859 – 1935
Painted
1907
Medium
Oil On Panel
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Period
19th Century
Artistic style
Impressionist
Subject or theme
Sunset over the ocean

In context

Evening — Frederick Childe Hassam

When was this painted?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920
  9. 1930

Shaded: the lifetime of Frederick Childe Hassam (1859–1935) ▲ this work, 1907

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/frederick-childe-hassam-evening-8DP6MZ-en/

Colours

Measured from the image

    Main colour

    Gray #8e8471

    Catalogued palette

    • #8E8471
    • #4F6487
    • #CCB980
    • #C59342
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Evening — Frederick Childe Hassam

    The Painting

    "CITE>Frederick Childe Hassam:CITE>'s Evening" is a beautiful oil on panel painting created in 1907. The artwork captures the serene atmosphere of a sunset over the ocean, with warm colors dominating the sky. Several boats are scattered across the water, some closer to the shore while others are further out in the distance. On the left side of the painting, two people can be seen enjoying the view or engaging in an activity near the water's edge.

    Light and Composition

    The play of light and shadow is a fundamental aspect of this painting. The vibrant sky creates a captivating scene that showcases the beauty of nature during sunset. Light has been a particularly determining factor in various periods and styles, such as Renaissance, Baroque, Impressionism, or Fauvism. The greater emphasis given to the expression of light in painting is called "luminism," a term generally applied to various styles such as Baroque tenebrism and impressionism.

    Artist's Style

    Frederick Childe Hassam was known for his Impressionist style, which emphasized capturing the fleeting effects of natural light. His paintings often featured serene landscapes and cityscapes, showcasing his ability to capture the beauty of everyday life. Other notable works by Hassam include Frederick Childe Hassam:Newport, October Sundown and Frederick Childe Hassam:Houses of Parliament Early Evening.

    Museum Collection

    The South Street Seaport Museum in New York City is dedicated to preserving and promoting the history of the port of New York. The museum was founded in 1967 by Peter Stanford, who recognized the importance of preserving the city's maritime heritage as it underwent significant changes.

    Relevance of Light in Painting

    Light in painting fulfills several objectives, both plastic and aesthetic. It is a fundamental factor in the technical representation of the work, determining the vision of the projected image and affecting values such as color, texture, and volume. Additionally, light has a great aesthetic value, combining with shadow and certain lighting and color effects to determine the composition of the work and the image that the artist wants to project.

    Conclusion

    "CITE>Frederick Childe Hassam:CITE>'s Evening" is a captivating representation of nature, showcasing the beauty of a sunset over the ocean. The play of light and shadow creates a serene atmosphere, highlighting the importance of light in painting. As a masterpiece of Impressionist art, this painting continues to inspire and captivate audiences today.

    Painting by 'Frederick Childe Hassam' | Frederick Childe Hassam:Evening (Oil On Panel,)

    Light in painting

    South Street Seaport Museum (United States)

    Artist and museum

    Artist

    Frederick Childe Hassam

    Born in Boston, United States of America

    A Pioneer of American Impressionism: The Life and Art of Frederick Childe Hassam

    Born in Boston on October 17, 1859, Frederick Childe Hassam emerged as a pivotal figure in the blossoming of American Impressionism. His journey from a childhood inclination towards art to becoming one of the nation’s most celebrated painters is a testament to his dedication and unique vision. Unlike many of his contemporaries who sought extensive formal training in Europe, Hassam largely developed his skills through self-study and practical application, initially working as an illustrator for magazines like Harper's Weekly and Scribner’s Monthly. This early experience honed his observational skills and instilled a sense of narrative within his compositions—qualities that would remain hallmarks of his style. Though he did eventually travel to Europe in 1886, studying briefly in Paris, it was the American landscape and urban life that truly captured his artistic imagination. He wasn’t simply replicating European techniques; he was adapting them to depict a distinctly American experience.

    Capturing Light and Modern Life

    Hassam's art is immediately recognizable for its luminous quality, achieved through a masterful manipulation of light and color. Influenced by Claude Monet and Edgar Degas, he embraced the Impressionist principles of capturing fleeting moments and atmospheric effects. However, Hassam wasn’t merely an imitator; he infused his work with a uniquely American sensibility. He found beauty not only in idyllic landscapes but also in the bustling energy of modern cities like New York and Boston. His paintings often depict scenes of urban life – fashionable ladies strolling along Fifth Avenue, horse-drawn carriages navigating crowded streets, or quiet moments within domestic interiors. These weren’t just depictions of places; they were portraits of a rapidly changing society, capturing the vibrancy and dynamism of late 19th and early 20th century America. Works like The Sonata (1893) exemplify his ability to evoke mood and atmosphere through subtle color harmonies and delicate brushwork, creating an intimate and contemplative experience for the viewer. His coastal scenes, such as Gloucester (1899), demonstrate a similar sensitivity to light and atmosphere, transforming ordinary harbors into shimmering visions of tranquility.

    The Ten American Painters and Artistic Independence

    A significant chapter in Hassam’s career was his involvement with “The Ten American Painters,” a group formed in 1897 as a protest against the conservative policies of the Society of American Artists. This collective, which included artists like John Henry Twachtman, Willard Leroy Metcalf, and Edmund Tarbell, aimed to exhibit independently and promote a more progressive approach to art. Hassam served as the first president of The Ten, solidifying his role as a leader within the American art world. This period marked a commitment to artistic independence and a rejection of academic constraints, allowing him and his colleagues to explore their individual styles without compromise. His participation in these independent exhibitions helped to establish Impressionism as a legitimate and respected movement within the United States.

    Patriotism and Later Years: The Flag Paintings

    With the outbreak of World War I, Hassam’s artistic focus shifted dramatically. Inspired by a surge of patriotic fervor, he embarked on a series of paintings depicting American flags waving along Fifth Avenue in New York City. These “Flag” paintings, created between 1916 and 1919, are perhaps his most iconic works. They aren't simply representations of national symbols; they are powerful expressions of civic pride and wartime solidarity. The vibrant colors and dynamic compositions convey a sense of energy and optimism amidst the turmoil of global conflict. Victory Day, May 1919 is a prime example, capturing the jubilant atmosphere of New York City following the armistice. In his later years, Hassam continued to paint, experimenting with etching and lithography alongside his oil paintings. He remained committed to Impressionist principles throughout his career, constantly refining his technique and exploring new ways to capture the beauty of the world around him.

    Legacy and Enduring Influence

    Frederick Childe Hassam passed away in East Hampton, New York, on August 27, 1935, leaving behind a vast and influential body of work. His legacy extends far beyond his technical mastery; he played a crucial role in establishing American Impressionism as a distinct artistic movement. He demonstrated that American artists could not only embrace European techniques but also adapt them to create something uniquely their own. His paintings continue to resonate with audiences today, offering glimpses into a bygone era and reminding us of the enduring power of art to capture the spirit of a time and place. Hassam’s influence can be seen in the work of countless artists who followed him, solidifying his position as one of the most important figures in American art history. His dedication to capturing light, color, and the essence of modern life ensures that his paintings will continue to inspire and captivate generations to come.

    Where to read more

    Find this online

    QR code linking to the download page for Evening

    artsdot.com/en/art/download/frederick-childe-hassam-evening-8DP6MZ-en/

    Cite this artwork

    MLA
    Hassam, Frederick Childe. Evening. 1907, https://artsdot.com/en/art/frederick-childe-hassam-evening-8DP6MZ-en/
    APA
    Hassam, Frederick Childe (1907). Evening [Painting]. https://artsdot.com/en/art/frederick-childe-hassam-evening-8DP6MZ-en/
    Chicago
    Frederick Childe Hassam. Evening. 1907. https://artsdot.com/en/art/frederick-childe-hassam-evening-8DP6MZ-en/
    Harvard
    Hassam, Frederick Childe (1907) Evening. Available at: https://artsdot.com/en/art/frederick-childe-hassam-evening-8DP6MZ-en/

    Look closely

    Evening — Frederick Childe Hassam

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: sunset, ocean view, boats. Do you agree? What would you add, or take away?
    4. Look back at Sunset at Sea (1911), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Evening — Frederick Childe Hassam

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. In what year was Frederick Childe Hassam's painting 'Evening' created?

      • A 1886
      • B 1907
      • C 1935
    2. 2. What artistic movement is Frederick Childe Hassam most associated with?

      • A Baroque
      • B Fauvism
      • C Impressionism
    3. 3. The painting 'Evening' primarily depicts a scene of:

      • A A bustling city square at night
      • B A sunset over the ocean
      • C A portrait in an indoor setting
    4. 4. What artistic concept, related to the emphasis on light, is fundamental to understanding this painting's atmosphere?

      • A Chiaroscuro
      • B Luminism
      • C Sfumato
    5. 5. Besides the sunset and boats, what elements are visible on the left side of the painting?

      • A A distant lighthouse
      • B Two people near the water's edge
      • C A large sailing ship

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2B · 3A · 4A · 5A