Paper

Student Artwork Guide

Field Guides

Name Class Date

Fred Tomaselli, Field Guides (2003), Art Works for Change. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Fred Tomaselli artsdot.com/en/artists/fred-tomaselli/
Artist’s dates
1956 – ?
Painted
2003
Movement
Contemporary Art
Held at
Art Works for Change artsdot.com/en/museums/art-works-for-change-oakland/

In context

Field Guides — Fred Tomaselli

When was this painted?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000

Shaded: the lifetime of Fred Tomaselli (1956–?) ▲ this work, 2003

Compare with

  • Gyre, 2014 artsdot.com/en/art/fred-tomaselli-gyre-D7KMF6-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/fred-tomaselli-field-guides-D7KMFF-en/

Colours

Measured from the image

    Main colour

    Espresso #3c241c

    Catalogued palette

    • #3C241C
    • #CD916F
    • #030202
    • #924533
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Fred Tomaselli

    Born in Santa Monica, United States of America

    A Surreal Synthesis of Nature and Artifice

    Fred Tomaselli, born in 1956 in the sun-drenched landscape of Santa Monica, California, has emerged as a singular voice in contemporary art, crafting worlds that exist at the shimmering intersection of the natural and the manufactured. His practice is not merely an act of painting, but a meticulous process of assembly, where the boundaries between organic life and artistic convention dissolve into a mesmerizing, hallucinatory whole. Moving through the vibrant, experimental cultural currents of 1980s New York City, Tomaselli developed a vision that seeks to reconcile the visceral reality of biological existence with the layered complexities of human culture. His work does not simply depict nature; it captures a sense of its wild, uncontainable growth, often presenting patterns that spread across his surfaces like a beautiful, spreading virus.

    The heart of Tomaselli’s aesthetic lies in his signature resin technique, a method that allows him to suspend a chaotic yet controlled universe beneath a thick, translucent layer of clear epoxy. This process creates an ethereal, glass-like depth, inviting the viewer to peer into a submerged dimension. Within these crystalline layers, he weaves together an eclectic and often startling array of materials. One might find dried flowers, medicinal herbs, and seeds mingling seamlessly with prescription pills, anatomical fragments, and clippings from popular media. By encasing these disparate elements in resin, he achieves a profound sense of preservation, freezing moments of decay and transformation within a permanent, luminous state that defies the traditional limits of collage.

    The Alchemy of Influence and Imagery

    Tomaselli’s artistic language is deeply rooted in a dialogue with art history, drawing strength from the unexpected juxtapositions found in Surrealism. He finds profound inspiration in the works of René Magritte and Giorgio Morandi, particularly admiring how they utilize stillness and unexpected pairings to evoke deep emotional resonance and psychological tension. From Morandi, he inherits a certain preoccupation with understated landscapes and the quiet beauty of form, yet he expands this restraint into an explosion of color and complex data. His compositions often function as a compendium of observations, where scientific precision meets poetic symbolism, creating a tension between the clinical study of anatomy and the romanticized allure of botanical life.

    This duality is perhaps most evident in his treatment of the human form. Tomaselli frequently incorporates anatomical renderings—limbs, organs, and veins—described with the meticulous detail of a scientific illustration. These biological elements are often juxtaposed against much more decorative or even pop-culture imagery, such as butterflies, birds, and fragments of magazine cutouts. This layering serves to explore the relationship between humanity and the natural world, suggesting that our very bodies are part of a larger, interconnected ecological system. Through this lens, his work becomes an inquiry into utopia and dystopia, examining the fragility of existence and the beautiful, often grotesque, cycle of life and death.

    Legacy and the Art of Seduction

    As his career progressed into the early 2000s, Tomaselli’s reputation grew alongside the increasing complexity of his compositions. His ability to create works that are simultaneously overwhelming and deeply intimate has earned him a place in the most prestigious institutions worldwide, with his pieces finding homes in the permanent collections of the Museum of Modern Art (MoMA), the Tate, and the Smithsonian American Art Museum. His art does not merely demand attention; it seeks to seduce the viewer, drawing them into a space where they can lose themselves in the intricate details of his constructed realities.

    The historical significance of Fred Tomaselli lies in his ability to transcend the labels of contemporary movements. He does not adhere to a radical political agenda, but rather follows his own obsessions—gardening, birdwatching, and the study of natural history—to create something entirely personal and universally resonant. By blending the high art of painting with the low art of collage and the raw reality of organic matter, he has created a new way of seeing. His work remains a powerful testament to the idea that beauty can be found in the most unexpected places: in the decay of a leaf, the chemical structure of a pill, or the complex, swirling patterns of a world where nature and artifice are one and the same.

    Museum

    Art Works for Change

    On show in Oakland, United States of America

    Art Works for Change: A Beacon of Contemporary Social Art

    Oakland, California’s Art Works for Change isn't merely a museum; it’s an intentional space—a crucible where artistic vision intersects with urgent societal concerns. Founded on the belief that art possesses the capacity to catalyze profound change and foster meaningful dialogue, this nonprofit organization distinguishes itself from traditional institutions by prioritizing exhibitions that confront critical global challenges head-on. Its mission is to champion artists who bravely tackle complex issues through their creative endeavors while simultaneously providing visitors with a platform for connection and reflection.

    Focus on Social Impact:

    Unlike conventional art museums, Art Works for Change operates at the forefront of artistic activism. It’s a deliberate choice to position itself within this dynamic intersection—a place where creativity isn't just aesthetically pleasing but actively engaged in promoting awareness and advocating for positive transformation.

    Community Engagement:

    Recognizing that art thrives on interaction, Art Works for Change proactively cultivates connections with the Oakland community. Workshops, discussions, and collaborative projects ensure that its programming remains relevant and accessible to a diverse audience—reflecting the vibrancy of the city itself.

    A Collection Rooted in Bold Vision

    The museum’s collection showcases artists who grapple with pressing issues – human rights violations, gender inequity, environmental degradation, and systemic injustices. Each piece serves as a testament to the power of artistic expression to illuminate uncomfortable truths and inspire action toward solutions. Notable highlights include:

    "Progenic Art: work No. 2" by Alfred Freddy Krupa – This Croatian painting from 2015 exemplifies the museum’s commitment to exploring nuanced perspectives on social realities through a distinctive New Ink Art style.

    "A Group Of Mainly Early Works On Japan And Japanese Art" by Charles James Adams – A meticulously rendered still life featuring antique books, this artwork embodies Impressionistic brushwork and atmospheric perspective—a beautiful example of Bucks County art.

    "Two Works Of Art" by Walter Emerson Baum – Offering a serene glimpse into winter landscapes with muted tones, Baum’s piece exemplifies the museum's dedication to capturing beauty alongside contemplation.

    Celebrating Artistic Pioneers

    Beyond its impressive collection, Art Works for Change honors artists who have shaped the landscape of contemporary art. Featured artists include Elmer Bischoff, Karen Knorr Honfrps, Elizabeth Murray and many more—each bringing a unique voice and perspective to their craft. Their work speaks volumes about artistic exploration and social responsibility.

    Architectural Harmony & Exhibitions That Spark Dialogue

    Situated in Oakland’s vibrant Arts District, Art Works for Change occupies a thoughtfully designed building that prioritizes natural light and openness—creating an environment conducive to contemplation and engagement. The museum regularly hosts exhibitions that delve into complex themes, fostering conversations about pressing social issues and encouraging visitors to consider new viewpoints. Its ongoing commitment to showcasing contemporary artists ensures it remains a vital cultural resource for those seeking inspiration and understanding.

    Why Art Works For Change Stands Apart

    Ultimately, Art Works for Change distinguishes itself through its unwavering dedication to art as activism—a purposeful fusion of creativity and social consciousness. It’s more than just viewing art; it's experiencing it within a context that actively seeks to provoke thought and inspire action. By championing artists who confront societal challenges with boldness and integrity, the museum reaffirms its role as a catalyst for positive change in Oakland and beyond.

    Where to read more

    Find this online

    QR code linking to the download page for Field Guides

    artsdot.com/en/art/download/fred-tomaselli-field-guides-D7KMFF-en/

    Cite this artwork

    MLA
    Tomaselli, Fred. Field Guides. 2003, Art Works for Change. https://artsdot.com/en/art/fred-tomaselli-field-guides-D7KMFF-en/
    APA
    Tomaselli, Fred (2003). Field Guides [Painting]. Art Works for Change. https://artsdot.com/en/art/fred-tomaselli-field-guides-D7KMFF-en/
    Chicago
    Fred Tomaselli. Field Guides. 2003. Art Works for Change. https://artsdot.com/en/art/fred-tomaselli-field-guides-D7KMFF-en/
    Harvard
    Tomaselli, Fred (2003) Field Guides. Art Works for Change. Available at: https://artsdot.com/en/art/fred-tomaselli-field-guides-D7KMFF-en/

    Look closely

    Field Guides — Fred Tomaselli

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: nature, surrealism, collage art. Do you agree? What would you add, or take away?
    4. Look back at Gyre (2014), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Fred Tomaselli was about 47 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.