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Catalogue dossier: DEVELOPMENT SCHEMES. Existing buildings / development as currently intended / development as it should be intended

The full record of DEVELOPMENT SCHEMES. Existing buildings / development as currently intended / development as it should be intended

Name Class Date

Franz Ehrlich, DEVELOPMENT SCHEMES. Existing buildings / development as currently intended / development as it should be intended, Bauhaus Dessau Foundation. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Franz Ehrlich artsdot.com/en/artists/franz-ehrlich/
Artist’s dates
1907 – 1984
Original size
47 x 36 cm
Held at
Bauhaus Dessau Foundation artsdot.com/en/museums/bauhaus-dessau-foundation-dessau-rosslau/
Artistic style
Architectural Drafting
Influences
Bauhaus
Notable elements or techniques
Orthographic projection; Hatching
Subject or theme
Urban Planning

In context

DEVELOPMENT SCHEMES. Existing buildings / development as currently intended / development as it should be intended — Franz Ehrlich

How big is it?

The original measures 47 × 36 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 77 at death.

Shaded: the lifetime of Franz Ehrlich (1907–1984) every dated painting, decade by decade

First works: up to 1952 Main working years: 1952–1970 Late works: from 1970

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/franz-ehrlich-development-schemes-existing-buildings-developm-D4RDMY-en/

Colours

Measured from the image

    Main colour

    Putty #c5bcad

    Catalogued palette

    • #C5BCAD
    • #726F67
    • #A29B8E
    • #3D3D3A

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Franz Ehrlich over the last twelve months — 7 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 75.6%3,100 visits
    2. 2 United States of America 12.2%500 visits
    3. 3 Colombia 2.4%100 visits
    4. 4 Germany 2.4%100 visits
    5. 5 Hong Kong 2.4%100 visits
    6. 6 Japan 2.4%100 visits
    7. 7 Mali 2.4%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Franz Ehrlich

    1. 1 Little house in a forest near Berggiesshübel (Floor plans, views, section and layout plan), 1947 9.3%400 visits
    2. 2 63 - 64 (Painting with violin, New Year, 1964 7.0%300 visits
    3. 3 HKB II - NEW-BUILD 1RST TOP FLOOR (Ministry of the Interior, Berlin, plan view), 1950 4.7%200 visits
    4. 4 LIVING ROOM CABINET 4.7%200 visits
    5. 5 Floor plan Sleeping room (with interior furnishings), 1962 4.7%200 visits
    6. 6 Painting with violin, 1979 4.7%200 visits
    7. 7 Untitled (Leipzig Spring Trade Fair 1949, plan view exhibition stand SANAR), 1949 4.7%200 visits
    8. 8 3 panels 72/51 4.7%200 visits
    9. 9 A.D.W. MAIN BUILDING 2 BASEMENT STOREYS 1RST WORKING DESIGN (Academy of Sciences, floor plan), 1976 2.3%100 visits
    10. 10 A.D.W. MAIN BUILDING GROUND FLOOR 1RST WORKING DESIGN V.2 (Academy of Sciences, floor plan), 1976 2.3%100 visits
    11. 11 A.D.W. MAIN BUILDING 1RST TOP FLOOR 1RST WORKING DESIGN (Academy of Sciences), 1976 2.3%100 visits
    12. 12 BASIC SCHEME FOR ROOM UNITS AND UTILISATION IN THE HV HOUSE (Trading House Berlin), 1974 2.3%100 visits
    13. 13 1 piece filing cabinet (with tubular steel feet and marble tabletop), 1981 2.3%100 visits
    14. 14 800 YRS. DAS BUCH [THE BOOK]. GROUND PLAN AND VIEWS (Exhibit display racks, Leipzig Trade Fair), 1964 2.3%100 visits
    15. 15 SALES COUNTER, 1957 2.3%100 visits
    16. 16 1rst Front door project (Baumann House, Berlin), 1962 2.3%100 visits
    17. 17 110.4% plan fulfilment in Leipzig. Report by Leipzig City Council (Brochure), 1949 2.3%100 visits
    18. 18 800 YRS. WALL 4 + 5. GROUND PLAN AND VIEWS (Exhibit display racks, Leipzig Trade Fair), 1964 2.3%100 visits
    19. 19 Bookshop Hauptstraße / Transversal section (FDGB Bookshop, 1949 2.3%100 visits
    20. — DEVELOPMENT SCHEMES. Existing buildings / development as currently intended / development as it should be intended this painting 0.0%0 visits

    Together these works take 69.8% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 101 works by this artist, of which 32 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    DEVELOPMENT SCHEMES. Existing buildings / development as currently intended / development as it should be intended — Franz Ehrlich

    Franz Ehrlich’s Development Schemes: A Blueprint for Vision

    This meticulously crafted architectural drawing by Franz Ehrlich, dated unknown but originating from the mid-20th century, transcends mere technical documentation; it embodies a profound reflection of modernist ideals and the ambition to reshape urban landscapes. Executed in black ink on paper—a testament to traditional drafting techniques—the artwork presents a striking visual narrative that speaks volumes about its creator’s artistic sensibilities and intellectual engagement with the burgeoning field of architectural planning.

    Subject Matter: The drawing focuses squarely on urban development, depicting detailed plans for constructing new buildings alongside existing structures. It's not simply about construction; it’s about reimagining spaces and integrating them harmoniously into the broader cityscape.

    Style & Technique: Ehrlich adheres to a distinctly architectural drafting style—characterized by orthogonal projection and prioritizing dimensional accuracy over artistic embellishment. The use of hatching patterns subtly conveys depth and shading, lending an illusion of realism to the schematic representation. Precise lines delineate building outlines and structural elements, reflecting the meticulous attention to detail demanded by professional architects.

    Historical Context: Produced during a period marked by significant architectural experimentation—particularly influenced by the Bauhaus movement—the drawing embodies the modernist ethos of functionality, simplicity, and rational design. The Bauhaus’s emphasis on uniting art and craft aimed to liberate architecture from ornamentation and elevate it to a higher level of aesthetic expression.

    Composition & Visual Elements: The image is dominated by three horizontal rows of building designs arranged in a grid format—a deliberate choice that underscores the systematic planning inherent in urban development schemes. A rectangular border frames the artwork, reinforcing its formal character and conveying a sense of seriousness.

    Symbolism & Emotional Impact: Beyond its technical precision, the drawing evokes a powerful feeling of order, control, and optimism—reflecting the belief that architecture could contribute to creating more efficient and aesthetically pleasing environments. It’s a visual manifesto for shaping cities according to enlightened principles.

    Detailed Examination of Drawing Techniques

    Ehrlich's masterful use of hatching is particularly noteworthy. Rather than relying on shading gradients, he employs dense lines to simulate tonal variations within the building facades—a technique that maximizes clarity and minimizes visual distortion. The density of hatching corresponds directly to the perceived level of illumination, creating a convincing illusion of depth without resorting to perspective conventions. This deliberate stylistic choice underscores Ehrlich’s commitment to conveying spatial information accurately while maintaining an understated aesthetic sensibility.

    Exploring Connections to Bauhaus Ideals

    The drawing's stylistic lineage can be traced directly back to the Bauhaus school in Dessau, where Ehrlich honed his artistic skills during a formative period of experimentation and innovation. Like other Bauhaus architects, Ehrlich championed the concept of “Gesamtkunstwerk”—a holistic approach to design that integrates various art forms into a unified aesthetic experience—rejecting the decorative excesses of Victorian architecture. This commitment to functionality and simplicity aligns perfectly with the drawing’s core message: architecture should serve humanity's needs while elevating its visual beauty.

    A Legacy of Precision and Vision

    Franz Ehrlich’s “Development Schemes” remains a compelling exemplar of modernist architectural drafting—a testament to his artistic talent and intellectual curiosity. Its enduring appeal lies not only in its technical accuracy but also in its ability to communicate a powerful vision for shaping urban spaces—a vision rooted in the belief that architecture could contribute meaningfully to improving human life and fostering a more harmonious relationship between art and society.

    Artist and museum

    Artist

    Franz Ehrlich

    Born in Reuth, Germany

    early life and education

    franz ehrlich, a renowned german architect, calligrapher, and graphic designer, was born in 1907. his formative years were marked by an innate inclination towards the arts, which led him to enroll at the bauhaus in dessau from 1927 to 1930. this prestigious institution played a pivotal role in shaping ehrlich's artistic perspective, introducing him to the avant-garde movements of the time.

    artistic career and communist affiliation

    ehrlich's affiliation with the communist party had a profound impact on his life and career. in 1935, he was arrested and imprisoned by the nazi regime, an event that significantly altered the trajectory of his artistic pursuits. despite these challenges, ehrlich continued to contribute to the world of art, leaving behind a legacy that is both inspiring and thought-provoking.

    notable works

    some of ehrlich's most notable works include:

    800 yrs. das buch [the book]. ground plan and views (exhibit display racks, leipzig trade fair), a testament to his innovative approach to design and architecture.

    prof. dr. baumann house execution (foundation plan), showcasing his expertise in architectural planning.

    1933 (photo-sculptural advertising project), a unique blend of photography and sculpture, highlighting his experimental nature.

    museums and collections featuring ehrlich's work

    AllPaintingsStore.com features an extensive collection of ehrlich's works, including those mentioned above. the bauhaus dessau foundation (dessau-roßlau, germany) is also a significant repository of his artistic endeavors.

    legacy and impact

    franz ehrlich's contributions to the world of art are multifaceted, reflecting his broad range of interests and talents. his experiences, both creatively and personally, offer valuable insights into the intersection of art and politics during a pivotal moment in german history.

    view more of ehrlich's works at https://AllPaintingsStore.com/@/franz-ehrlich

    explore the bauhaus dessau foundation and its collection at bauhaus dessau foundation (dessau-roßlau, germany)

    Museum

    Bauhaus Dessau Foundation

    On show in Dessau-Roßlau, Germany

    A Legacy Forged in Experimentation: The Bauhaus Dessau Foundation

    Nestled within the meticulously restored Bauhaus building itself, the Bauhaus Dessau Foundation isn't merely a museum; it’s an immersive experience. Established in 1994 to safeguard and propagate the radical ideas of Walter Gropius’ legendary school, this institution stands as a testament to a pivotal moment in architectural and design history. More than just showcasing finished products, the Foundation delves into the process of creation – the interplay between art, architecture, technology, and social theory that defined the Bauhaus ethos. The building itself, a masterpiece of functionalist design, immediately establishes this atmosphere; its stark lines, expansive glass walls, and carefully considered spatial relationships invite exploration and contemplation. It’s a space designed to stimulate thought, mirroring the very principles championed by the Bauhaus movement.

    The Foundation's core mission is threefold: preservation, research, and education. It diligently maintains the building’s original fabric, ensuring that future generations can appreciate its groundbreaking design. Simultaneously, it conducts rigorous scholarly research into the Bauhaus’ diverse practices – from furniture design and typography to stagecraft and urban planning. And crucially, it offers a dynamic program of exhibitions, workshops, lectures, and performances, fostering dialogue between past and present, tradition and innovation.

    The Collection: Beyond Iconic Objects

    While iconic pieces like Marcel Breuer’s Wassily Chair undoubtedly draw crowds, the Foundation's collection extends far beyond these instantly recognizable symbols. It’s a remarkably comprehensive archive encompassing not just finished objects but also preliminary sketches, drafts, models, and correspondence – offering an unparalleled glimpse into the creative process itself. A particular highlight is the extensive documentation of the “Versuchsstätte” (experimental workshop), where students explored new materials, techniques, and spatial configurations under the guidance of master craftsmen and artists.

    Early Bauhaus Drawings:

    A remarkable collection of preparatory sketches reveals the iterative nature of design at the school – a constant process of refinement and experimentation.

    Furniture Prototypes:

    Witness the evolution of iconic designs, from initial models to fully realized pieces, showcasing the ingenuity and resourcefulness of Bauhaus craftsmen.

    Stagecraft & Lighting Designs:

    Explore the innovative use of light and space in theatrical productions, demonstrating the Bauhaus’ commitment to integrating art and technology.

    Architectural Models:

    Examine meticulously crafted scale models that illustrate Gropius' visionary approach to building design – a synthesis of form and function.

    Crucially, the collection isn’t presented as a static display; it’s integrated into broader exhibitions that contextualize each object within its historical and intellectual framework.

    Architecture as Art: The Bauhaus Building Itself

    The Bauhaus building itself is arguably the most significant artwork within the Foundation's holdings. Designed by Walter Gropius, it represents a radical departure from traditional architectural conventions – a testament to the Bauhaus’ belief in “form follows function.” The building’s open floor plan, expansive glazing, and carefully considered use of natural light create a dynamic and flexible space that fostered collaboration and experimentation.

    Beyond its aesthetic qualities, the building is also a remarkable feat of engineering – incorporating innovative technologies such as a central heating system and a sophisticated lighting design. It’s a living laboratory, constantly evolving through ongoing research and adaptation. The Foundation actively engages in preserving and restoring the building's original features while simultaneously exploring new ways to utilize its unique spatial qualities.

    Exhibitions & Events: A Living Dialogue with the Past

    The Bauhaus Dessau Foundation’s program of exhibitions and events is a cornerstone of its mission. These offerings aren’t merely retrospective displays; they actively engage with contemporary issues, exploring the enduring relevance of the Bauhaus’ ideas in the 21st century. Recent exhibitions have tackled themes such as sustainability, urban design, and digital culture, demonstrating how the Bauhaus’ principles can inform solutions to pressing global challenges.

    “Versuchsstätte Bauhaus. The Collection” (2019-2026):

    This landmark exhibition provides a comprehensive overview of the school's experimental workshop, revealing the diverse range of materials and techniques explored by students and teachers.

    Annual Bauhaus Festival:

    A vibrant celebration of Bauhaus culture, featuring concerts, performances, workshops, and lectures.

    Thematic Exhibitions:

    Regularly scheduled exhibitions explore specific aspects of the Bauhaus’ legacy – from furniture design to typography to stagecraft.

    Furthermore, the Foundation hosts a range of educational programs, including workshops for children and adults, offering hands-on experiences that connect visitors with the principles of Bauhaus design.

    A Unique Destination: More Than Just a Museum

    The Bauhaus Dessau Foundation transcends the traditional museum experience. It’s a dynamic research center, an architectural landmark, and a vibrant cultural hub – all rolled into one. Its commitment to preserving the Bauhaus legacy while simultaneously engaging with contemporary issues makes it a truly unique destination for art lovers, design enthusiasts, and anyone interested in understanding the profound impact of this revolutionary movement. A visit here isn’t simply about seeing objects; it's about experiencing an idea—the belief that art, architecture, and society can be profoundly intertwined.

    Where to read more

    Every fact we hold on DEVELOPMENT SCHEMES. Existing buildings / development as currently intended / development as it should be intended by Franz Ehrlich, on its artwork page

    Find this online

    QR code linking to the download page for DEVELOPMENT SCHEMES. Existing buildings / development as currently intended / development as it should be intended

    artsdot.com/en/art/download/franz-ehrlich-development-schemes-existing-buildings-developm-D4RDMY-en/

    Cite this artwork

    MLA
    Ehrlich, Franz. DEVELOPMENT SCHEMES. Existing buildings / development as currently intended / development as it should be intended. n.d., Bauhaus Dessau Foundation. https://artsdot.com/en/art/franz-ehrlich-development-schemes-existing-buildings-developm-D4RDMY-en/
    APA
    Ehrlich, Franz (n.d.). DEVELOPMENT SCHEMES. Existing buildings / development as currently intended / development as it should be intended [Painting]. Bauhaus Dessau Foundation. https://artsdot.com/en/art/franz-ehrlich-development-schemes-existing-buildings-developm-D4RDMY-en/
    Chicago
    Franz Ehrlich. DEVELOPMENT SCHEMES. Existing buildings / development as currently intended / development as it should be intended. n.d. Bauhaus Dessau Foundation. https://artsdot.com/en/art/franz-ehrlich-development-schemes-existing-buildings-developm-D4RDMY-en/
    Harvard
    Ehrlich, Franz (n.d.) DEVELOPMENT SCHEMES. Existing buildings / development as currently intended / development as it should be intended. Bauhaus Dessau Foundation. Available at: https://artsdot.com/en/art/franz-ehrlich-development-schemes-existing-buildings-developm-D4RDMY-en/

    Look closely

    DEVELOPMENT SCHEMES. Existing buildings / development as currently intended / development as it should be intended — Franz Ehrlich

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: urban planning, blueprint, architecture. Do you agree? What would you add, or take away?
    4. Look back at 3rd FLOOR (Design for a foreign representation of the GDR. Floor plan), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Themes that come back through the work of Franz Ehrlich: bauhaus principles, social responsibility, formal composition. Which of them do you see here?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Which room is "DEVELOPMENT SCHEMES. Existing buildings / development as currently intended / development as it should be intended" by Franz Ehrlich recommended for, given its colors?

    With its neutrals palette, "DEVELOPMENT SCHEMES. Existing buildings / development as currently intended / development as it should be intended" by Franz Ehrlich is recommended for a living room. The colors are part of the reason for this suggestion.

    How big is the original "DEVELOPMENT SCHEMES. Existing buildings / development as currently intended / development as it should be intended"?

    The original "DEVELOPMENT SCHEMES. Existing buildings / development as currently intended / development as it should be intended" by Franz Ehrlich measures 47 x 36 cm.

    How light is "DEVELOPMENT SCHEMES. Existing buildings / development as currently intended / development as it should be intended" overall?

    Overall, "DEVELOPMENT SCHEMES. Existing buildings / development as currently intended / development as it should be intended" is recorded as brilliant. Perceived brightness describes how light or dark the work appears.