Paper

Student Artwork Guide

The Nomad

Name Class Date

Filippo Rizzo, The Nomad (1929). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Filippo Rizzo artsdot.com/en/artists/filippo-rizzo/
Artist’s dates
1897 – 1964
Painted
1929
Original size
161 x 99 cm

In context

The Nomad — Filippo Rizzo

How big is it?

The original measures 161 × 99 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 67 at death.

Painted when the artist was 32. The artist lived to 67. 0 of the 2 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Filippo Rizzo (1897–1964) ▲ this work, 1929 every dated painting, decade by decade

Compare with

  • female nude, 1949 artsdot.com/en/art/filippo-rizzo-female-nude-D66TDZ-en/
  • Figure artsdot.com/en/art/filippo-rizzo-figure-D66TFB-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/filippo-rizzo-the-nomad-D66SWW-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #1c1814

    Catalogued palette

    • #1C1814
    • #9A7D5F
    • #416B6D
    • #553A20

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Filippo Rizzo over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 1 most looked-at works by Filippo Rizzo

    1. 1 The Nomad, 1929 this painting 100.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 3 works by this artist, of which 1 were looked at at least once. This painting ranks 1 of them, with 100.0% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    The Nomad — Filippo Rizzo

    Pippo Rizzo, a leading figure of the Futurist movement in Sicily, portrayed his friend Giulio Cesareo on this canvas. He became emblematic of the contemporary man: the bold and deliberately static pose of a man wearing smart clothes stands out in the foreground against the powerful symbol of modern civilization of machines, symbolised by the shining train in the background. The geometric simplification and breakdown of the flat surfaces into wedges and triangles are the main characteristics of this work, giving it an evident Futuristic tone.

    Artist and museum

    Artist

    Filippo Rizzo

    Born in Corleone, Italy

    The Visionary of Sicilian Futurism

    Filippo Rizzo, often affectionately known as Pippo Rizzo, stands as a vital bridge between the traditional landscapes of Sicily and the radical avant-garde movements of the twentieth century. Born in Corleone, Italy, his artistic journey was shaped by a profound connection to both local heritage and international innovation. As a student of the Italian painter Ettore De Maria Bergler, Rizzo first encountered the elegance of the Art Nouveau style, yet his spirit was far too restless to remain anchored in the past. His travels would eventually lead him to the heart of the modern revolution, where he sought to capture the pulse of a changing world through a lens of geometric synthesis and dynamic energy.

    The trajectory of his career was irrevocably altered by his time in Rome, where he personally met the Futurist founder Filippo Tommaso Marinetti and immersed himself in the legendary studio of Giacomo Balla. This exposure to the cutting edge of modernism allowed Rizzo to integrate the principles of Cubism, the Bauhaus, and Art Deco into a unique visual language. He became a leading figure of Sicilian Futurism, a movement that sought to translate the mechanical dynamism of the industrial age into the cultural fabric of his homeland. His work often balanced the primitive and the stylized, utilizing an abstract, geometric approach to break down surfaces into striking wedges and triangles.

    A Multidisciplinary Legacy

    Rizzo’s artistry was never confined to the canvas alone; he was a true proponent of "total art," believing that aesthetic revolution should permeate every facet of human existence. His versatility allowed him to move seamlessly between oil painting, graphic design, and typography. He explored the boundaries of the typographic page through Paroliberismo, demonstrating a refined balance in his poster designs, such as his notable work for the Marinated Exhibition in Rome. Beyond the fine arts, his creative vision extended into the realms of fashion and furniture design, proving that the modern aesthetic could be lived as much as it could be viewed.

    His professional life was marked by both leadership and entrepreneurship. Alongside his wife, Maria, he founded the Casa d'Arte Futurista in Palermo in 1925, creating a fervent sanctuary for intellectual exchange and artistic experimentation. This gallery became a cornerstone for the local intelligentsia, helping to transplant the radical ideas of the Second Futurism into the traditionalist atmosphere of Palermo. His dedication to the next generation was equally profound; he served as a teacher in both Rome and Palermo, eventually rising to the position of dean of an art institute in Rome, where he remained until his retirement.

    Artistic Themes and Global Reach

    The imagery within Rizzo's oeuvre often captures the tension between the individual and the machine. In works such as The Nomad, one can observe the quintessential Futurist tone, where a static, smartly dressed figure stands in stark contrast to the powerful, shining symbol of a train in the background. This juxtaposition of the human element against the relentless march of modern civilization serves as a hallmark of his style. Yet, he was equally capable of profound tenderness and classical beauty, as seen in his 1949 study Female Nude, which showcases a sense of relaxed elegance and harmonious composition.

    Throughout his life, Rizzo’s influence stretched far beyond the borders of Italy. His exhibitions and presence in cities such as Berlin and Buenos Aires reflect an artist whose vision was truly universal. While some may have viewed him through the lens of local significance—at times even referred to as a "Palermitan Picasso"—his ability to synthesize Sicilian folk art with mainstream international movements ensured his place in the broader history of twentieth-century modernism. His legacy remains preserved in prestigious institutions such as La Galleria Nazionale and the Boca Raton Museum of Art, standing as a testament to a life dedicated to the pursuit of beauty through innovation.

    Where to read more

    Find this online

    QR code linking to the download page for The Nomad

    artsdot.com/en/art/download/filippo-rizzo-the-nomad-D66SWW-en/

    Cite this artwork

    MLA
    Rizzo, Filippo. The Nomad. 1929, https://artsdot.com/en/art/filippo-rizzo-the-nomad-D66SWW-en/
    APA
    Rizzo, Filippo (1929). The Nomad [Painting]. https://artsdot.com/en/art/filippo-rizzo-the-nomad-D66SWW-en/
    Chicago
    Filippo Rizzo. The Nomad. 1929. https://artsdot.com/en/art/filippo-rizzo-the-nomad-D66SWW-en/
    Harvard
    Rizzo, Filippo (1929) The Nomad. Available at: https://artsdot.com/en/art/filippo-rizzo-the-nomad-D66SWW-en/

    Look closely

    The Nomad — Filippo Rizzo

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at female nude (1949), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Filippo Rizzo was about 32 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is "The Nomad" by Filippo Rizzo a bright or a dark artwork?

    In terms of perceived brightness, "The Nomad" by Filippo Rizzo is deep_shadow.

    Where can I buy a hand-painted reproduction of "The Nomad" by Filippo Rizzo?

    You can order a hand-painted reproduction of "The Nomad" by Filippo Rizzo directly on its Hand-Painted Reproduction page: a hand-painted oil reproduction on linen canvas, made to order.

    How do I discover artworks close to "The Nomad" by Filippo Rizzo?

    The Similars page of "The Nomad" by Filippo Rizzo presents related artworks.