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Student Artwork Guide

Self Portrait

Name Class Date

Evan Walters, Self Portrait (1940), Llyfrgell Genedlaethol Cymru / The National Library of Wales. Public domain.

The facts

Artist
Evan Walters artsdot.com/en/artists/evan-walters/
Artist’s dates
1892 – 1951
Painted
1940
Medium
Oil On Canvas
Original size
51 x 60 cm
Movement
Post-Impressionism Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees.
Period
Modern
Held at
Llyfrgell Genedlaethol Cymru / The National Library of Wales artsdot.com/en/museums/llyfrgell-genedlaethol-cymru-the-national-library-of-wales-aberystwyth/
Artistic style
Post-Impressionist
Notable elements
Depth and texture via oil on canvas
Subject or theme
Man in suit gazing out a window

In context

Self Portrait — Evan Walters

How big is it?

The original measures 51 × 60 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950

Shaded: the lifetime of Evan Walters (1892–1951) ▲ this work, 1940

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/evan-walters-self-portrait-AQS5X9-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #c4a492

    Catalogued palette

    • #C4A492
    • #2A2322
    • #66513D
    • #85785F
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Self Portrait — Evan Walters

    A Moment of Quiet Contemplation

    In the quietude of 1940, Evan Walters captured more than just his own likeness; he captured a profound moment of introspection that transcends the boundaries of time. His Self Portrait is an evocative masterwork of oil on canvas, presenting a man poised at the threshold between his internal world and the external reality visible through a window. Dressed in the formal attire of a suit and tie, the subject possesses a dignified presence, yet there is an undeniable vulnerability in his gaze. As he looks outward, his attention is captured by a scene beyond the glass, inviting the viewer to wonder what truth or fleeting beauty has caught his eye. This interplay between the stillness of the interior and the unseen movement outside creates a captivating tension, making the painting a deeply psychological study of curiosity and reflection.

    The technical prowess of Walters is on full display through his masterful use of oil pigments, which lend the piece an extraordinary sense of depth and tactile richness. The artist employs a sophisticated layering technique to render the textures of the subject's clothing and the subtle contours of his facial features, including the meticulously detailed mustache and beard. There is a remarkable luminosity in how the light interacts with the canvas, suggesting a soft, natural illumination that breathes life into the sitter. This command over texture does more than just replicate reality; it imbues the portrait with an emotional weight, where every brushstroke contributes to the atmospheric mood of the composition.

    A Legacy of Welsh Visionary Art

    To understand this portrait, one must look toward the rich cultural tapestry from which Evan Walters emerged. Born in the industrial heartlands of Wales, Walters possessed a unique ability to bridge the grit of working-class life with a refined, poetic sensibility. This Self Portrait serves as a poignant testament to his skill in capturing the essence of human character, a trait also seen in his other notable works such as Portrait of a Young Man. The painting stands as a significant jewel within the collection at the Llyfrgell Genedlaethol Cymru / The National Library of Wales, representing a period where Welsh art was finding its unique voice amidst a changing global landscape.

    For the discerning collector or interior designer, this reproduction offers an unparalleled opportunity to introduce a piece of historical gravity and soulful elegance into a curated space. Whether placed in a study, a library, or a sophisticated living area, the painting acts as a window into the past, sparking conversation and providing a focal point of quiet strength. Owning a high-quality hand-painted reproduction allows for the preservation of this 20th-century masterpiece, ensuring that Walters's ability to capture the human spirit continues to inspire and enchant generations to come.

    Artist and museum

    Artist

    Evan Walters

    The Soul of the Welsh Landscape: The Life and Vision of Evan Walters

    Evan John Walters stands as a singular figure in the tapestry of Welsh art history, a visionary whose brush bridged the gap between industrial grit and profound artistic expression. Born in 1893 in Llanfylech, nestled within a landscape defined by both rural tradition and the burgeoning shadows of industry, Walters possessed an innate sensitivity to the textures of his homeland. His formative years, spent amidst the valleys of Llangyfelach and Mynyddbach, instilled in him a deep-seated connection to Welsh culture and language—a foundation that would later allow him to translate the heavy atmosphere of mining communities into evocative visual narratives.

    His artistic journey was one of both practical discipline and academic refinement. Beginning his training at Morriston Technical School, Walters developed a foundational skill set as a painter and decorator, a craft that granted him a unique, tactile understanding of surface and pigment. This technical grounding was later elevated through rigorous studies at the Swansea School of Ser Art and the Regent Street Polytechnic in London. As he moved toward the Royal Academy Schools, his work began to absorb the broader currents of European modernism, particularly the emotive power of Expressionism, which would eventually infuse his portraits and landscapes with a haunting, psychological depth.

    From Camouflage to Character: A Transformative Career

    The trajectory of Walters's life was irrevocably altered by the tides of global conflict. In 1915, amidst the upheaval of World War I, he emigrated to America, serving in a capacity that demanded an extraordinary mastery of color and perception: as a camouflage painter. This period of meticulous observation—learning to manipulate light, shadow, and shape to deceive the eye—sharpened his ability to translate complex visual information into powerful artistic statements. It was during this era of global movement that his technical precision met a growing interest in the human condition.

    Upon returning to Wales after the war, Walters transitioned into a celebrated portrait artist, renowned for his ability to capture not just a likeness, but the very essence of his subjects. His career was significantly bolstered by the transformative patronage of Winifred Tennant, whose early recognition of his talent provided him with the stability to explore more ambitious themes. Through her commissions, Walters moved beyond simple representation, using the portraiture of the era's influential figures to weave a deeper social commentary into his repertoire.

    A Legacy of Texture and Emotion

    The enduring significance of Evan Walters lies in his ability to find beauty within the industrial struggle. His oeuvre is characterized by a remarkable versatility, ranging from the intimate warmth found in works like Eve to the vibrant, textured vitality of Still Life with Chrysanthemums. Whether he was depicting the heavy, soot-stained atmosphere of a mining village or the delicate play of light on a floral arrangement, his work remained anchored in a profound respect for the subject's inherent character.

    Walters's contributions to 20th-century art are marked by several key elements:

    The Synthesis of Styles: His unique ability to blend classical Royal Academy techniques with the raw, emotive energy of Expressionism.

    Social Documentation: His role in documenting the changing face of Wales, capturing the dignity of the working class and the shifting industrial landscape.

    Technical Mastery: A sophisticated use of color theory and texture, likely influenced by his early experiences in camouflage and decorative arts.

    Today, the works of Evan Walters serve as a vital window into a bygone era of Welsh identity. He remains an artist who did not merely observe the world but felt its weight, leaving behind a legacy that continues to resonate with anyone seeking the intersection of historical truth and poetic beauty.

    Museum

    Llyfrgell Genedlaethol Cymru / The National Library of Wales

    On show in Aberystwyth, United Kingdom

    A Bastion of Welsh Identity: The National Library of Wales

    Nestled in the charming university town of Aberystwyth, overlooking the breathtaking expanse of Cardigan Bay, stands a monument not merely to literature and art, but to the very soul of Wales. The National Library of Wales, or

    Llyfrgell Genedlaethol Cymru

    , is far more than just a repository of books; it is a vibrant, living archive dedicated to preserving and celebrating the rich tapestry of Welsh culture, history, and language. Established by Royal Charter in 1907, this institution was born from a passionate desire to safeguard national identity, fueled by both governmental support and remarkable contributions from the working classes of Wales. It serves as a beacon for scholarship and research, acting as the nation's memory keeper through its legal deposit status, ensuring that every publication produced in Wales finds a home within its hallowed walls.

    Stepping into the Library is akin to embarking on a journey through time, where the architecture itself tells a story of harmony and transition. The building, a completed masterpiece of 1937, reflects a thoughtful blend of classical and modern elements designed by Sidney Greenslade, with later additions by Charles Holden. Its striking facade, featuring contrasting Portland stone on the upper stories and Cornish granite below, creates a visually compelling presence that commands respect. This architectural grandeur is complemented by the meticulously landscaped grounds, which are considered an integral part of its historical landscape, offering a serene setting that invites quiet contemplation and discovery amidst the salt air of the Welsh coast. For the interior designer, the interplay of stone, light, and space within this structure offers a masterclass in dignified, monumental aesthetics.

    For the art enthusiast and collector, the Library’s collections offer an unparalleled window into the Welsh spirit. While the heart of the institution lies in its 6.5 million books and the world-renowned Peniarth Collection of medieval manuscripts, its visual treasures are equally profound. The collection features significant paintings, topographical prints, and portraits that capture the essence of the nation. Art lovers will find particular resonance in the works of Kyffin Williams and Donald McIntyre, whose masterful depictions of the Snowdonia National Park and Cardigan Bay landscapes serve as both aesthetic triumphs and vital visual records of Wales’ evolving environment. These works, characterized by their sensitivity to light and texture, provide a profound connection to the rugged beauty of the Welsh terrain, making them essential touchstones for anyone seeking to understand the atmospheric depth of Celtic landscape art.

    Beyond its permanent holdings, the Library thrives as a dynamic cultural centre, constantly evolving through engaging exhibitions that bridge the gap between the ancient and the contemporary. From exploring the mysteries of Celtic mythology to celebrating the nuances of modern Welsh art history, these curated displays attract visitors from across Europe and beyond. The integration of the National Screen and Sound Archive further enriches this experience, bringing Welsh heritage to life through immersive film and sound recordings. For scholars and curators alike, the Library represents a pinnacle of cultural preservation, offering a unique space where the echoes of the past meet the innovations of the 21st century in a seamless, beautiful dialogue.

    Where to read more

    Find this online

    QR code linking to the download page for Self Portrait

    artsdot.com/en/art/download/evan-walters-self-portrait-AQS5X9-en/

    Cite this artwork

    MLA
    Walters, Evan. Self Portrait. 1940, Llyfrgell Genedlaethol Cymru / The National Library of Wales. https://artsdot.com/en/art/evan-walters-self-portrait-AQS5X9-en/
    APA
    Walters, Evan (1940). Self Portrait [Painting]. Llyfrgell Genedlaethol Cymru / The National Library of Wales. https://artsdot.com/en/art/evan-walters-self-portrait-AQS5X9-en/
    Chicago
    Evan Walters. Self Portrait. 1940. Llyfrgell Genedlaethol Cymru / The National Library of Wales. https://artsdot.com/en/art/evan-walters-self-portrait-AQS5X9-en/
    Harvard
    Walters, Evan (1940) Self Portrait. Llyfrgell Genedlaethol Cymru / The National Library of Wales. Available at: https://artsdot.com/en/art/evan-walters-self-portrait-AQS5X9-en/

    Look closely

    Self Portrait — Evan Walters

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: man, mustache, beard. Do you agree? What would you add, or take away?
    4. Look back at Old Lady Reading (1940), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Post-Impressionism: Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.