Paper

Student Artwork Guide

Evening

Name Class Date

ernest charles walbourn, Evening. Public domain.

The facts

Artist
ernest charles walbourn artsdot.com/en/artists/ernest-charles-walbourn/
Artist’s dates
1872 – 1927

In context

Evening — ernest charles walbourn

When might this have been painted?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920

Shaded: the lifetime of ernest charles walbourn (1872–1927)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • Enjoying The Afternoon artsdot.com/en/art/ernest-charles-walbourn-enjoying-the-afternoon-9DGQZV-en/
  • Loyal Friend - artsdot.com/en/art/ernest-charles-walbourn-loyal-friend-9DGR2W-en/
  • In The Village artsdot.com/en/art/ernest-charles-walbourn-in-the-village-9DGR2Q-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/ernest-charles-walbourn-evening-9GG2JR-en/

Colours

Measured from the image

    Main colour

    Putty #f1eac9

    Catalogued palette

    • #F1EAC9
    • #A88D33
    • #715C1B
    • #CAB372
    Main colour name
    Putty
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    ernest charles walbourn

    Born in Greater London, United Kingdom

    Ernest Charles Walbourn: A Painter of English Pastoral

    Ernest Charles Walbourn, a British landscape painter active primarily in the late 19th and early 20th centuries, possessed a remarkable ability to capture the serene beauty and quiet dignity of rural England. Born in Dalston, Middlesex, on February 16, 1872, into a family with connections to Tasmania, Walbourn’s artistic journey began not as a predetermined path but as a personal pursuit against his father's initial reservations. His early life, marked by a supportive environment and access to art training, laid the foundation for a career dedicated to depicting scenes of idyllic countryside life – a genre deeply rooted in Victorian sensibilities yet imbued with a subtle romanticism.

    Walbourn’s artistic development was significantly shaped by his relocation to Chingford, Essex, in 1895. This move provided him with a studio within the family home and crucial financial support, allowing him to fully dedicate himself to painting. His early exhibitions at the Royal Institute of Oil Painters and subsequently at the Royal Academy established a solid reputation, attracting collectors who appreciated his meticulous detail and evocative use of light and color. He skillfully blended academic techniques with a distinctly personal style, creating works that resonated with a longing for simpler times – a sentiment particularly poignant during an era of rapid industrialization and social change.

    The Influence of Barbizon Realism

    Walbourn’s work is firmly situated within the broader context of Barbizon School painting. Like his contemporaries, including Charles-François Daubigny, he prioritized direct observation of nature and a rejection of overly polished academic styles. However, Walbourn's approach was characterized by an even greater emphasis on capturing atmospheric effects – the subtle shifts in light and shadow that define the English countryside. His paintings are not merely representations of landscapes; they are imbued with a sense of mood and atmosphere, conveying a feeling of tranquility and timelessness.

    The influence of Charles Darwin is also subtly present in Walbourn’s work. His depictions of rural life often portray a harmonious relationship between humanity and nature – a reflection of the Victorian fascination with natural history and the belief in the inherent goodness of the natural world. This connection to the land, combined with his technical skill, resulted in paintings that were both aesthetically pleasing and intellectually engaging.

    Key Works and Artistic Techniques

    Several of Walbourn’s works stand out for their exceptional quality and evocative power. “Backyard,” a particularly compelling example, captures the quiet beauty of a rural setting with remarkable realism and attention to detail. The painting's warm tones and subtle lighting create a sense of intimacy and serenity, inviting the viewer to step into another world. Similarly, his depictions of farm scenes – often featuring young women tending to livestock or gathering flowers – are imbued with a gentle charm and a nostalgic quality.

    Walbourn’s technical skill is evident in his masterful use of color, brushwork, and composition. He employed loose, expressive brushstrokes to capture the textures of foliage, soil, and water, while carefully balancing light and shadow to create depth and atmosphere. His ability to render the subtle nuances of natural light was particularly noteworthy, contributing significantly to the overall mood and impact of his paintings.

    Legacy and Recognition

    Despite facing challenges during his lifetime – including a lack of formal artistic training and the initial disapproval of his father – Ernest Charles Walbourn achieved considerable recognition for his work. His paintings were exhibited at prestigious venues, sold to discerning collectors, and included in the collections of notable museums, such as the Bolton Museum and the Herbert Art Gallery & Museum. His legacy endures through his evocative depictions of English pastoral life, which continue to resonate with viewers today.

    Walbourn’s story serves as a testament to the power of perseverance and the enduring appeal of art that celebrates the beauty and tranquility of the natural world. His paintings offer a glimpse into a bygone era – a time when rural England was viewed with both admiration and nostalgia, and when artists sought to capture its essence on canvas.

    Where to read more

    Find this online

    QR code linking to the download page for Evening

    artsdot.com/en/art/download/ernest-charles-walbourn-evening-9GG2JR-en/

    Cite this artwork

    MLA
    walbourn, ernest charles. Evening. n.d., https://artsdot.com/en/art/ernest-charles-walbourn-evening-9GG2JR-en/
    APA
    walbourn, ernest charles (n.d.). Evening [Painting]. https://artsdot.com/en/art/ernest-charles-walbourn-evening-9GG2JR-en/
    Chicago
    ernest charles walbourn. Evening. n.d. https://artsdot.com/en/art/ernest-charles-walbourn-evening-9GG2JR-en/
    Harvard
    walbourn, ernest charles (n.d.) Evening. Available at: https://artsdot.com/en/art/ernest-charles-walbourn-evening-9GG2JR-en/

    Look closely

    Evening — ernest charles walbourn

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: sunset. Do you agree? What would you add, or take away?
    4. Look back at Enjoying The Afternoon, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.