Paper

Student Artwork Guide

Backlighting

Name Class Date

enrique martinez cubells, Backlighting. Public domain.

The facts

Artist
enrique martinez cubells artsdot.com/en/artists/enrique-martinez-cubells/
Artist’s dates
1845 – 1914
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

In context

Backlighting — enrique martinez cubells

When might this have been painted?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910

Shaded: the lifetime of enrique martinez cubells (1845–1914)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • Fishermen From Brittany artsdot.com/en/art/enrique-martinez-cubells-fishermen-from-brittany-9DGQMB-en/
  • Self-portrait artsdot.com/en/art/enrique-martinez-cubells-self-portrait-9DGQN3-en/
  • Caballo artsdot.com/en/art/enrique-martinez-cubells-caballo-9DGQLR-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/enrique-martinez-cubells-backlighting-9DGQLD-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #282226

    Catalogued palette

    • #282226
    • #887663
    • #574641
    • #B2A286
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    enrique martinez cubells

    Born in Madrid, Spain

    Charles Burton Barber: A Painter of Childhood and Canine Companionship

    Charles Burton Barber, a name perhaps less familiar than some of his contemporaries, nevertheless holds a significant place in 19th-century British art. Born in Great Yarmouth, Norfolk, in 1845, Barber’s career blossomed during an era deeply appreciative of sentimental subjects and the burgeoning popularity of animal portraiture. His life coincided with a period of considerable artistic change, moving away from the rigid formality of earlier academic styles towards a more relaxed and emotionally resonant approach to painting. Barber's work is characterized by a remarkable sensitivity to detail, particularly in his depictions of children and their beloved pets – a combination that resonated powerfully with Victorian sensibilities.

    Barber’s early training at the Royal Academy in London provided him with a solid foundation in traditional techniques. He quickly established himself as a skilled draughtsman and painter, earning a silver medal for drawing in 1864 and exhibiting his work from 1866 to 1893. However, it was his specialization in capturing the warmth and affection between children and animals that truly cemented his reputation. He wasn’t merely illustrating a scene; he aimed to convey genuine emotion – the joy of companionship, the trust between human and animal, and the innocence of childhood. This focus on sentimentality, while sometimes criticized as overly saccharine by more discerning critics, proved immensely popular with the public. Queen Victoria herself commissioned numerous portraits from Barber, featuring her grandchildren alongside their canine companions—a testament to his ability to capture the essence of these familial bonds. These royal commissions ensured his work was widely circulated and admired within aristocratic circles.

    Influences and Artistic Style

    Barber’s artistic style can be understood through a confluence of influences. He drew inspiration from earlier Dutch masters, particularly their ability to render light and texture with remarkable precision. The meticulous detail evident in his paintings—the folds of fabric, the gleam of fur, the expressions on faces—demonstrates this influence. Furthermore, Barber’s work reflects the broader trends of Realism and the burgeoning interest in depicting everyday life, albeit filtered through a lens of sentimentality. He was also influenced by the Royal Institute of Oil Painters, where he became a member in 1883, further refining his technique and connecting with other artists dedicated to mastering oil painting. Unlike some of his contemporaries who favored grand historical or mythological subjects, Barber deliberately chose intimate scenes—domestic moments filled with quiet affection—creating a distinct visual language. His use of light was particularly noteworthy; he often employed soft, diffused lighting to create a sense of warmth and intimacy, further enhancing the emotional impact of his paintings.

    Notable Works and Commissions

    Barber’s oeuvre is rich in memorable images. Suspense (1894), depicting a young boy anticipating a moment of excitement with his dog, exemplifies his ability to capture fleeting emotions. Off To School (1883) offers a charming glimpse into the daily routine of childhood, while Queen Victoria with John Brown – Off To School showcases his skill in portraying royal figures alongside their beloved pets. His portrait of Queen Victoria with her grandchildren and dogs is perhaps his most enduring legacy, capturing a quintessential Victorian scene of familial warmth and affection. Beyond these commissioned portraits, Barber produced numerous smaller works—studies of children playing, animals at rest—each imbued with the same meticulous attention to detail and emotional sensitivity. Many of these paintings were reproduced as photogravures, extending their reach and popularity among a wider audience.

    Legacy and Historical Significance

    While Charles Burton Barber’s work may not always be considered groundbreaking in terms of artistic innovation, his enduring appeal lies in his ability to evoke powerful emotions through simple, intimate scenes. He was one of the foremost painters of children and pets during his time, a niche that he expertly filled with remarkable skill and sensitivity. His popularity demonstrated a growing public interest in domestic life and the portrayal of everyday experiences—a shift away from the grand narratives of earlier art history. Although Arthur Elsley eventually surpassed him as the dominant painter of children and animals, Barber’s contributions to the genre remain significant. His paintings are now housed in prominent collections such as the Lady Lever Art Gallery in Port Sunlight and the Manchester Art Gallery, ensuring that his work continues to be appreciated for its charm, detail, and poignant depiction of human-animal companionship. Barber's legacy is a reminder that art doesn’t always need to challenge conventions; sometimes, it simply needs to capture the beauty and tenderness of ordinary moments.

    Where to read more

    Find this online

    QR code linking to the download page for Backlighting

    artsdot.com/en/art/download/enrique-martinez-cubells-backlighting-9DGQLD-en/

    Cite this artwork

    MLA
    cubells, enrique martinez. Backlighting. n.d., https://artsdot.com/en/art/enrique-martinez-cubells-backlighting-9DGQLD-en/
    APA
    cubells, enrique martinez (n.d.). Backlighting [Painting]. https://artsdot.com/en/art/enrique-martinez-cubells-backlighting-9DGQLD-en/
    Chicago
    enrique martinez cubells. Backlighting. n.d. https://artsdot.com/en/art/enrique-martinez-cubells-backlighting-9DGQLD-en/
    Harvard
    cubells, enrique martinez (n.d.) Backlighting. Available at: https://artsdot.com/en/art/enrique-martinez-cubells-backlighting-9DGQLD-en/

    Look closely

    Backlighting — enrique martinez cubells

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 5 — do you agree?)
    4. Our catalogue files this work under: beach, childhood, leisure. Do you agree? What would you add, or take away?
    5. Look back at Fishermen From Brittany, earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.