Paper

Student Artwork Guide

Storm Breaking Up

Name Class Date

elliott dangerfield, Storm Breaking Up (1912). Public domain.

The facts

Artist
elliott dangerfield artsdot.com/en/artists/elliott-dangerfield/
Artist’s dates
1859 – 1932
Painted
1912

In context

Storm Breaking Up — elliott dangerfield

When was this painted?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920
  9. 1930

Shaded: the lifetime of elliott dangerfield (1859–1932) ▲ this work, 1912

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/elliott-dangerfield-storm-breaking-up-8YE378-en/

Colours

Measured from the image

    Main colour

    Bronze #e1af3b

    Catalogued palette

    • #E1AF3B
    • #9A772E
    • #403510
    • #5D531C
    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Bronze
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    elliott dangerfield

    Born in West Virginia, United States of America

    The Soul of the Appalachians: The Life and Legacy of Elliott Dangerfield

    In the quiet, mist-shrouded valleys of West Virginia, a profound artistic vision was forged during the late nineteenth century. Elliott Dangerfield (1859–1932) emerged from this rugged landscape not merely as a chronicler of scenery, but as a poet of light and atmosphere. Born in Fayetteville, his early years were steeped in the natural grandeur of the American wilderness, an environment that would later serve as the primary heartbeat of his creative output. While many of his contemporaries sought the frantic energy of urban expansion, Dangerfield turned his gaze inward toward the enduring tranquility of the Appalachian mountains, finding a spiritual resonance in the subtle shifts of color and the soft, encroaching shadows of the rural landscape.

    Dangerfield’s journey from a provincial upbringing to the prestigious artistic circles of New York City represents a classic narrative of American artistic development. His formal training began under the guidance of Walter Satterlee at the National Academy of Design, where he mastered the foundational principles of tonal realism. This period of rigorous study provided him with the technical vocabulary necessary to translate the complexities of nature onto canvas. However, it was his exposure to the burgeoning American Impressionist movement that truly liberated his brush. By blending the precision of academic training with a more fluid, emotive approach to light, he began to develop a style that felt both grounded in reality and elevated by a dreamlike, nostalgic quality.

    A Mastery of Tonalism and Light

    The true essence of Dangerfield’s work lies in his sophisticated use of tonalism—a movement that sought to evoke mood and emotion through a limited palette and atmospheric effects. Unlike the high-contrast drama of some landscape painters, Dangerfield preferred the nuanced gradations of dusk, dawn, and moonlight. His canvases often feature a delicate interplay of golden light and melancholic shadows, creating a sense of "Appalachian Serenity" that invites the viewer into a state of quiet contemplation. He possessed a remarkable ability to manipulate pigments to achieve a palpable sense of humidity, mist, and warmth, making the air within his paintings feel almost tangible.

    His influences were as profound as the landscapes he painted. Drawing inspiration from luminaries such as Frederic Church and George Inness, Dangerfield embraced the idea that a landscape could serve as a vessel for the human spirit. His technique often utilized subtle impasto textures to catch the light, particularly in works like Moonlit Landscape (1915), where the interplay of silver moonlight and deep earth tones creates a dramatic yet serene nocturnal scene. Whether depicting a sun-drenched field in High Noon or the brooding tension of The Spirit of the Storm, his work remains anchored by a profound respect for the inherent dignity of the natural world.

    Historical Significance and Artistic Enduring Spirit

    Throughout his prolific career, Dangerfield remained a steadfast observer of the American countryside. While he achieved recognition within the competitive New York art scene, his heart never strayed far from the mountains of his youth. This dedication to his roots allowed him to capture a specific era of American life—a period of transition where the wild frontier was beginning to settle into the pastoral beauty of the early twentieth century. His paintings serve as vital historical documents, preserving the light and atmosphere of a landscape that has since been irrevocly changed by time.

    The legacy of Elliott Dangerfield is found in the emotional resonance of his compositions. He did not seek to overwhelm the viewer with grand, sweeping spectacles; instead, he mastered the art of the intimate moment. His contributions to American landscape art are characterized by:

    Atmospheric Precision: An unparalleled ability to render the subtle effects of light, mist, and weather.

    Emotional Depth: The use of tonalism to evoke feelings of nostalgia, peace, and a gentle, beautiful melancholy.

    Regional Devotion: A lifelong commitment to portraying the unique character and spirit of the Appalachian wilderness.

    Today, Dangerfield’s work continues to captivate collectors and historians alike, standing as a testament to the power of observation and the enduring beauty of the American landscape.

    Where to read more

    Find this online

    QR code linking to the download page for Storm Breaking Up

    artsdot.com/en/art/download/elliott-dangerfield-storm-breaking-up-8YE378-en/

    Cite this artwork

    MLA
    dangerfield, elliott. Storm Breaking Up. 1912, https://artsdot.com/en/art/elliott-dangerfield-storm-breaking-up-8YE378-en/
    APA
    dangerfield, elliott (1912). Storm Breaking Up [Painting]. https://artsdot.com/en/art/elliott-dangerfield-storm-breaking-up-8YE378-en/
    Chicago
    elliott dangerfield. Storm Breaking Up. 1912. https://artsdot.com/en/art/elliott-dangerfield-storm-breaking-up-8YE378-en/
    Harvard
    dangerfield, elliott (1912) Storm Breaking Up. Available at: https://artsdot.com/en/art/elliott-dangerfield-storm-breaking-up-8YE378-en/

    Look closely

    Storm Breaking Up — elliott dangerfield

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at The Spirit of the Storm (1912), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. elliott dangerfield was about 53 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.