Paper

Student Artwork Guide

Work 171

Name Class Date

elbio raúl lozza, Work 171 (1948), Buenos Aires Museum of Modern Art. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
elbio raúl lozza artsdot.com/en/artists/elbio-raul-lozza/
Artist’s dates
1911 – 2008
Painted
1948
Medium
Painting
Original size
99 x 119 cm
Movement
Concrete Art
Period
Modern
Held at
Buenos Aires Museum of Modern Art artsdot.com/en/museums/buenos-aires-museum-of-modern-art-buenos-aires/
Artistic style
Concrete art, geometric abstraction
Notable elements
Colored triangles, geometric shapes
Subject or theme
Geometric composition

In context

Work 171 — elbio raúl lozza

How big is it?

The original measures 99 × 119 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990
  10. 2000

Shaded: the lifetime of elbio raúl lozza (1911–2008) ▲ this work, 1948

Colours

Measured from the image

    Main colour

    Sap Green #4e7f4d

    Catalogued palette

    • #4E7F4D
    • #71110F
    • #215B5E
    • #CB6E01
    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Sap Green
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Work 171 — elbio raúl lozza

    A Symphony of Geometry: Discovering Elbio Raúl Lozza’s Work 171

    In the vast landscape of mid-century abstraction, few works capture the rhythmic precision and vibrant energy of Argentine Concrete Art quite like Work 171. Created in 1948 by the visionary Elbio Raúl Lozza, this masterpiece serves as a window into a period of profound geometric experimentation. The canvas is an orchestrated dance of color and form, where a deep, verdant green background provides a lush stage for a constellation of sharp, intersecting triangles. Each shape—rendered in striking hues of crimson, azure, sun-drenched yellow, and royal purple—seems to vibrate against its neighbor, creating a sense of perpetual motion that draws the viewer into a hypnotic, optical experience.

    The technique employed by Lozza in this piece reflects his mastery over the principles of Madí and Concrete art movements. Rather than relying on representational imagery, the artist utilizes the inherent tension between geometric shapes to build a structural narrative. The way the triangles overlap and orient themselves suggests a complex architectural blueprint, yet it remains fluid and organic. This interplay of sharp angles and bold pigments creates an illusion of depth, making the flat surface of the wood-based medium feel as though it possesses its own internal dimension. For the discerning collector, this work represents a pinnacle of mathematical beauty married to painterly intuition.

    Beyond its formal qualities, Work 171 carries a significant historical weight. Emerging from the intellectual ferment of post-war Argentina, Lozza’s work was part of a larger movement seeking to strip art of its decorative illusions and return it to its fundamental, structural truths. The painting does not merely depict shapes; it celebrates the autonomy of color and line. There is an inherent optimism in this 1948 composition—a belief that through order, clarity, and balance, one can find a universal language that transcends borders and eras.

    For interior designers and lovers of modernism, this artwork offers unparalleled versatility and emotional resonance. Its commanding presence, measuring 99 x 119 cm, makes it an ideal focal point for a sophisticated contemporary space. Whether placed in a minimalist gallery setting or used to add a burst of structured color to a curated residential collection, the piece evokes a sense of intellectual rigor and aesthetic joy. Owning a high-quality reproduction of this Lozza masterpiece allows one to bring the legacy of Argentine abstraction into the modern home, providing a timeless conversation piece that inspires contemplation and admiration.

    Artist and museum

    Artist

    elbio raúl lozza

    Born in Albertí, Argentina

    Louise Bourgeois: A Life Sculpted by Memory and Trauma

    Louise Bourgeois, a name synonymous with visceral emotion and unsettling beauty, was an artist whose entire life seemed to inform her profoundly evocative work. Born in Paris on December 25th, 1911, into a family deeply entrenched in the world of fine art – her parents ran a tapestry restoration workshop – Bourgeois’s early experiences shaped not only her artistic inclinations but also the very fabric of her being. Her childhood was marked by profound loss and instability; abandoned by her father shortly after birth, she spent much of her youth moving between various foster homes and farms in Alsace, France. These formative years, steeped in loneliness and a sense of displacement, became recurring themes in her art – explorations of the family, the body, and the unconscious mind. The trauma of this early life wasn’t simply a backdrop; it was a driving force, an insistent whisper shaping every brushstroke, every sculpted form, every unsettling installation.

    Early Artistic Development & Influences

    Bourgeois's artistic journey began formally in Paris, where she studied at the École des Beaux-Arts, though she found the academic environment stifling. She quickly gravitated towards a more intuitive approach, absorbing influences from a remarkably diverse range of sources. The meticulous detail and rich textures of her family’s tapestry business provided an early foundation, instilling a deep appreciation for craftsmanship and material. However, it was the burgeoning avant-garde movements of the early 20th century that truly ignited her imagination. She encountered the work of artists like Giorgio de Chirico, whose dreamlike landscapes hinted at hidden anxieties, and later, the abstract expressionists – particularly Jackson Pollock – who embraced spontaneity and raw emotion. Crucially, she was deeply impacted by her father’s passion for Sonia Delaunay's geometric abstraction and her pioneering use of color, a style that would subtly inform her own explorations of form and space. The influence of Surrealism is also undeniable, though Bourgeois resisted being neatly categorized within the movement, preferring to forge her own unique path rooted in personal experience.

    The Rise of the Spider and the Cell

    Bourgeois’s artistic language evolved dramatically over a career spanning nearly eight decades. Early works often featured meticulously rendered portraits and still lifes, reflecting a meticulous attention to detail inherited from her family's tapestry work. However, it was in the 1950s that she began to develop the series that would ultimately define her legacy: the “Cell” sculptures and the iconic "Spider" series. These works, often constructed from bronze, fabric, and thread, are imbued with a potent symbolism – the cell representing the claustrophobic confines of childhood trauma, while the spider embodies both protection and predation, reflecting the complex dynamics within the family structure. The spiders, particularly large-scale versions, became recurring motifs, appearing in countless sculptures, paintings, and installations, each one seemingly possessing a distinct personality and narrative. The “Cell” series, with its fragmented forms and unsettling imagery, powerfully conveyed the feeling of being trapped within painful memories.

    Exploring Themes of Family & The Unconscious

    Bourgeois’s work consistently grappled with universal themes – love, loss, sexuality, death, and the enduring power of memory. She frequently revisited her childhood experiences, not in a literal or sentimental way, but through carefully constructed symbols and metaphors. Her installations, particularly those created later in life, became immersive environments that invited viewers to confront their own anxieties and vulnerabilities. The “Accumulations” series, consisting of towering stacks of clothing, hair, and other personal objects, served as a poignant meditation on the accumulation of memories and the weight of the past. Bourgeois’s work is deeply psychological; she sought to excavate the hidden recesses of the unconscious mind, revealing the often-uncomfortable truths that lie beneath the surface of everyday experience.

    Legacy & Recognition

    Louise Bourgeois died on May 31st, 2010, leaving behind a vast and profoundly influential body of work. Initially met with relative obscurity, her art gained increasing recognition in the late 1990s and early 2000s, culminating in a major retrospective at the Guggenheim Museum in New York City in 2008. This exhibition brought Bourgeois’s work to a wider audience, cementing her status as one of the most important artists of the 20th century. Her influence extends far beyond the art world, impacting fields such as psychology and therapy, where her work has been used to explore trauma and emotional healing. Bourgeois's willingness to confront difficult subjects with honesty and vulnerability continues to resonate deeply with viewers today, reminding us of the enduring power of art to illuminate the complexities of human experience. Her legacy is not just one of artistic innovation but also a testament to the transformative potential of confronting one’s past.

    Museum

    Buenos Aires Museum of Modern Art

    On show in Buenos Aires, Argentina

    A Beacon of Argentine Modernity: Exploring MAMBA

    Nestled within the vibrant, historic San Telmo neighborhood of Buenos Aires, the Museo de Arte Moderno de Buenos Aires (MAMBA) is more than just a repository of artistic treasures; it’s a living chronicle of Argentina's evolving identity and its passionate engagement with the 20th and 21st centuries. Founded in 1956 by sculptor Pablo Curatella Manes and critic Rafael Squirru, MAMBA emerged from a profound desire to safeguard and champion the nation’s burgeoning modern artistic voice – a voice that dared to challenge conventions and forge a distinctly Argentine path within the global art landscape. The museum's journey, mirroring the city itself, has been one of continuous adaptation and reinvention, culminating in its current home: a beautifully renovated former tobacconist building, a structure that whispers tales of Buenos Aires’ layered history.

    Stepping through MAMBA’s doors is akin to embarking on a deeply personal journey. The museum's collection, numbering over 6,000 works, isn’t simply an assemblage of paintings and sculptures; it’s a meticulously curated narrative—a vibrant tapestry woven with threads of national belonging, social commentary, and the complexities inherent in modern life. At its core lies Argentine Modernism, a foundational movement that boldly declared a new artistic identity for the country. These early works grapple with themes of national pride intertwined with critical examinations of Argentine society, often reflecting the nation’s turbulent political and social shifts. However, MAMBA doesn't exist in isolation. It masterfully demonstrates how international movements – from the fragmented forms of Cubism to the dreamlike imagery of Surrealism, the expressive brushstrokes of Abstract Expressionism – resonated profoundly within Argentina, influencing local artists while simultaneously being reinterpreted through a uniquely Argentine lens. Visitors will be captivated by masterpieces such as Josef Albers’ explorations of color and form, offering a visual meditation on perception, alongside the powerful social critiques embedded in Antonio Berni's canvases—works that unflinchingly confront the realities of Argentine life. The museum proudly showcases the visionary works of Xul Solar, Raquel Forner, Emilio Pettoruti, and even the pioneering abstract compositions of Wassily Kandinsky, illustrating the breadth and depth of its remarkable holdings.

    San Telmo’s Embrace: Context and Community

    MAMBA's strategic location within San Telmo is not merely a geographical detail; it’s integral to the museum’s very essence. This oldest barrio (neighborhood) of Buenos Aires pulsates with an intoxicating bohemian energy, steeped in history, tradition, and a palpable sense of artistic spirit. Once the heart of immigrant communities and the birthplace of tango, San Telmo's cobblestone streets and antique shops provide a captivating backdrop for artistic exploration. The museum doesn’t simply occupy this space; it actively engages with the local community through a rich program of educational initiatives, hands-on workshops, and engaging events—designed to foster dialogue, inspire creativity, and ensure that art isn’t confined within the walls of a museum but thrives as an integral part of everyday life. This commitment extends far beyond its physical presence, recognizing that true artistic vitality resides in the connection between place and artwork. The neighborhood's own story – a compelling blend of colonial grandeur, working-class struggles, and groundbreaking artistic innovation – mirrors the themes explored within MAMBA’s collection, creating a powerful synergy that elevates both.

    A Unique Perspective: Fostering Dialogue & Innovation

    What truly distinguishes MAMBA is its unwavering dedication to presenting Argentine art within a global context. It's not simply about showcasing national treasures; it’s about strategically positioning them within the broader narrative of modern and contemporary art history, fostering critical dialogue, and challenging conventional perspectives. The museum serves as a vital platform for both established masters and emerging artists, providing invaluable opportunities for experimentation, pushing creative boundaries, and nurturing fresh voices. This commitment to innovation is vividly evident in its dynamic exhibition program—a constantly evolving showcase of cutting-edge works that provoke thought, spark conversation, and ultimately redefine our understanding of art. MAMBA isn’t merely preserving the past; it's actively shaping the future of Argentine art, ensuring its continued relevance and influence on the international stage. It stands as a testament to the transformative power of art—its ability to reflect, challenge, and fundamentally reshape our perception of ourselves and the world around us.

    Notable Artists & Collections

    Beyond the foundational movements, MAMBA’s collection reveals a remarkable diversity of artistic styles and approaches. The influence of Gregorio Vardanega's Chromocinetism is particularly noteworthy, with his vibrant geometric works demonstrating an early embrace of kinetic art principles. The museum also boasts significant holdings by Edgardo Miguel Giménez, whose provocative pop-art pieces often blend historical references with contemporary design elements. Dana Ferrari’s immersive performance installations and video art offer a compelling exploration of identity and spectacle – reflecting the dynamism of Buenos Aires' current artistic scene. The collection continues to evolve, showcasing both established Argentine artists and emerging talents, ensuring that MAMBA remains at the forefront of contemporary art in South America.

    MAMBA’s architectural setting—a beautifully restored former tobacconist building—further enhances its appeal. The space itself is a testament to Buenos Aires' layered history, providing a fitting backdrop for the museum’s collection and exhibitions. A visit to MAMBA is not just an art experience; it’s a journey through the heart of Argentine culture and creativity.

    Where to read more

    Find this online

    QR code linking to the download page for Work 171

    artsdot.com/en/art/download/elbio-raul-lozza-work-171-D685H7-en/

    Cite this artwork

    MLA
    lozza, elbio raúl. Work 171. 1948, Buenos Aires Museum of Modern Art. https://artsdot.com/en/art/elbio-raul-lozza-work-171-D685H7-en/
    APA
    lozza, elbio raúl (1948). Work 171 [Painting]. Buenos Aires Museum of Modern Art. https://artsdot.com/en/art/elbio-raul-lozza-work-171-D685H7-en/
    Chicago
    elbio raúl lozza. Work 171. 1948. Buenos Aires Museum of Modern Art. https://artsdot.com/en/art/elbio-raul-lozza-work-171-D685H7-en/
    Harvard
    lozza, elbio raúl (1948) Work 171. Buenos Aires Museum of Modern Art. Available at: https://artsdot.com/en/art/elbio-raul-lozza-work-171-D685H7-en/

    Look closely

    Work 171 — elbio raúl lozza

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: abstract, geometric, triangles. Do you agree? What would you add, or take away?
    4. elbio raúl lozza was about 37 when this was made. What in it looks like the work of an artist at that stage?
    5. Themes that come back through the work of elbio raúl lozza: concrete art movement, geometric abstraction, argentine modernism. Which of them do you see here?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.