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Student Artwork Guide

Notre Dame, Paris

Name Class Date

Edwin Deakin, Notre Dame, Paris (1893), Crocker Art Museum. Public domain.

The facts

Artist
Edwin Deakin artsdot.com/en/artists/edwin-deakin/
Artist’s dates
1838 – 1923
Painted
1893
Medium
Acrylic On Canvas
Movement
Realism Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander.
Held at
Crocker Art Museum artsdot.com/en/museums/crocker-art-museum-sacramento/
Artistic style
Realistic
Influences
George Frederic Watts
Notable elements or techniques
Detailed realism, Atmospheric perspective
Subject or theme
Architecture, Parisian Landscape

In context

Notre Dame, Paris — Edwin Deakin

When was this painted?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890
  8. 1900
  9. 1910
  10. 1920

Shaded: the lifetime of Edwin Deakin (1838–1923) ▲ this work, 1893

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/edwin-deakin-notre-dame-paris-8YDJS9-en/

Colours

Measured from the image

    Main colour

    White #dde1ec

    Catalogued palette

    • #DDE1EC
    • #615A51
    • #211F1B
    • #A1928C
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    White
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Notre Dame, Paris — Edwin Deakin

    Notre Dame Cathedral, Paris, 1893 by Edwin Deakin

    Edwin Deakin’s “Notre Dame Cathedral, Paris, 1893” stands as a testament to Victorian Romanticism's fascination with architectural grandeur and its ability to capture the spirit of a bygone era. Completed in 1893, this oil on canvas masterpiece resides at the Crocker Art Museum in Sacramento, California, offering viewers an intimate glimpse into Deakin’s meticulous artistic vision.

    A Vision of Parisian Majesty

    The painting depicts Notre Dame Cathedral bathed in the soft glow of dawn, nestled amidst the tranquil waters of the Seine River. Deakin skillfully renders the cathedral's imposing façade—characterized by soaring Gothic arches and intricate stonework—dominating the composition. Around it spread a panorama of Parisian buildings, subtly hinting at the bustling urban life that pulsed beneath the surface of this serene scene. The artist’s deliberate use of perspective creates depth, drawing the eye upwards towards the cathedral’s lofty heights while simultaneously grounding it in the tangible reality of its surroundings.

    Technique and Impressionistic Touches

    Deakin's artistic style is firmly rooted in Realism, yet infused with subtle Impressionistic influences. He achieved remarkable textural detail through painstaking brushwork—evident in the rough surface of the cathedral stone and the shimmering reflections on the river’s water. Layers of pigment were applied to build up form and luminosity, capturing the ethereal quality of the morning light. This technique allowed Deakin to convey not merely what he saw but also how he felt when observing this iconic Parisian landmark.

    Symbolism and Historical Significance

    “Notre Dame Cathedral, Paris, 1893” transcends mere visual representation; it embodies the Victorian preoccupation with faith, history, and artistic idealism. The cathedral itself served as a symbol of spiritual resilience—a beacon of Gothic architecture that had endured centuries of upheaval. Deakin’s depiction captures this enduring legacy, inviting contemplation on themes of beauty, permanence, and cultural heritage. It reflects the broader Romantic movement's desire to elevate art beyond mere imitation of nature, aiming instead for emotional resonance and intellectual stimulation.

    A Lasting Impression

    Ultimately, Deakin’s painting succeeds in transporting viewers back to 1893 Paris—a moment imbued with both tranquility and anticipation. The soft hues, masterful composition, and meticulous attention to detail combine to create an experience that lingers long after viewing, cementing “Notre Dame Cathedral, Paris, 1893” as a captivating exemplar of Victorian Romantic art and a treasured addition to the Crocker Art Museum’s collection.

    Artist and museum

    Artist

    Edwin Deakin

    Born in Sheffield, United Kingdom

    The Romantic Vision of Edwin Deakin

    Edwin Deakin (1838–1923) stands as a vital chronicler of the American West, an artist whose brush captured the soul of a transforming California. Born in Sheffield, England, Deakin’s journey began far from the sun-drenched valleys of the Pacific coast, yet his artistic sensibilities were perfectly primed to embrace the dramatic landscapes of his adopted home. Trained under the esteemed George Frederic Watts in London, Deakin developed a profound mastery of anatomy and light, skills that would later allow him to render the rugged textures of the California terrain with breathtaking realism. His early education instilled in him a disciplined approach to observation, a quality that remained the cornerstone of his prolific career as he transitioned from the misty landscapes of Britain to the vibrant, golden vistas of the United and American West.

    Upon relocating to San Francisco in 1879, Deakin found himself at the heart of a burgeoning cultural landscape. He did not merely observe this new world; he sought to preserve its vanishing essence through the lens of Romanticism. His work became a bridge between the historical past and the rapidly advancing present. As an educator at Stanford University, he influenced a new generation of painters, imparting his belief in the sanctity of careful observation and artistic rigor. This period of his life was marked by a deep devotion to the architectural heritage of California, particularly the Spanish Missions. Through meticulous oil paintings, Deakin breathed life into structures like Mission San Gabriel Arcángel and Mission Dolores, capturing their spiritual grandeur and weathered beauty with a sensitivity that transcended mere documentation.

    Mastery of Light and Detail

    Deakin’s technical prowess was characterized by an exquisite command of the Romantic style, utilizing oil on canvas to create depth and atmosphere. He was a master of glazing, employing a delicate layering process that allowed light to permeate his works, giving them an inner glow that mirrored the natural radiance of the California sun. This technique was particularly effective in his landscapes, where he could manipulate shadows and highlights to evoke the shifting moods of mountainous terrains and serene, sprawling valleys. Whether depicting the sweeping vistas of the coast or the intimate corners of a domestic setting, Deakin’s hand was always guided by an unwavering commitment to detail.

    His versatility extended beyond the grand scale of landscapes into the intimate realm of still lifes and genre scenes. In works such as Kitchen Corner (1883), Deakin demonstrated his ability to transform everyday domesticity into something profound and evocative. Through meticulous rendering of textures—the sheen of copper, the softness of cloth, the warmth of a hearth—he invited viewers into a nostalgic, idealized version of nineteenth-century life. This ability to find the extraordinary within the ordinary, combined with his monumental architectural studies like Mission San Juan Capistrano, showcases an artist capable of navigating both the epic and the intimate with equal grace.

    A Lasting Legacy of Preservation

    The historical significance of Edwin Deakin lies in his role as a visual custodian of California’s romanticized history. At a time when the frontier was rapidly being tamed by industry and expansion, Deakin’s paintings served as a poignant reminder of the state's unique cultural and architectural roots. His depictions of the Spanish Missions were more than just art; they were acts of preservation, capturing the dignity of a colonial era that was slowly fading into memory. By documenting these landmarks with such reverence, he ensured that the spiritual and aesthetic weight of the Mission period would remain accessible to future generations.

    Today, Deakin’s oeuvre remains a cornerstone for those studying the development of American landscape art and the cultural evolution of the West Coast. His work continues to resonate because it captures more than just scenery; it captures an era's identity. Through his eyes, we see a California defined by:

    Architectural Grandeur: The enduring strength and spiritual presence of the Spanish Missions.

    Atmospheric Beauty: The interplay of light and shadow across diverse and dramatic landscapes.

    Cultural Nostalgia: A romanticized, detailed glimpse into the domestic and social rhythms of the 19th century.

    Edwin Deakin’s legacy is one of profound connection—connecting the traditions of European training with the raw energy of the American frontier, and connecting the fleeting moments of a changing landscape to the permanence of fine art.

    Museum

    Crocker Art Museum

    On show in Sacramento, United States of America

    A Legacy Forged in Gold and Vision

    Nestled in the heart of Sacramento, the Crocker Art Museum stands as a profound testament to the enduring spirit of California, acting as a vibrant tapestry woven from threads of European tradition and an unwavering commitment to a distinctly Californian aesthetic. Founded in 1885 from the personal collection of Judge Edwin B. and Margaret Crocker, the museum’s origins are steeped in the opulence of the Gilded Age. Its journey began within the walls of a magnificent Italianate mansion, where the visionary benefactors sought to cultivate an atmosphere of artistic appreciation for a burgeoning society. This initial spark of generosity propelled the institution far beyond its domestic confines, mirroring the expansive growth and multifaceted spirit of the Golden State itself. The Crockers' discerning taste established a sophisticated dialogue between the grandeur of European masters and a growing reverence for the landscapes and experiences found right here in the West.

    To wander through the Crocker is to embark on a journey through time and geography, where the museum’s true brilliance resides in its comprehensive dedication to Californian art. One might find themselves captivated by the meticulous realism of Charles Christian Nahl’s

    Notre Dame, Paris

    , a masterpiece that transports the viewer to the heart of French grandeur, only to be moved moments later by the atmospheric, soul-stirring renderings of the Sierra Nevada mountains by William Keith. The collection breathes with the evolution of the American West, showcasing everything from the nostalgic pastel landscapes of Wayne Thiebaud to the bold, geometric abstractions of Richard Diebenkorn. For the collector or designer seeking inspiration, the museum offers a masterclass in how regional identity can be rendered through diverse mediums, including photography, sculpture, and exquisite decorative arts.

    A Global Crossroads of Form and Color

    Beyond the borders of California, the Crocker Art Museum serves as a global crossroads, offering an extraordinary international ceramics collection that stands as one of the largest and most significant in the United States. This vast treasury invites quiet contemplation on universal themes of beauty and craftsmanship, featuring delicate artistry from Japan, intricate patterns from Morocco, and vibrant traditions from Mexico. By integrating Asian, African, and Oceanic art into its narrative, the museum transcends geographical boundaries, fostering a deep understanding of the interconnectedness of human creativity. This global vision ensures that every visitor encounters a world where different cultures converse through the silent language of form and color, making it an essential destination for those who appreciate the universal pulse of artistic expression.

    The very architecture of the museum tells a story of dramatic contrast and historical continuity. The original Crocker Art Gallery, a beautifully preserved Italianate mansion, radiates Victorian elegance and anchors the institution in its historical milieu, providing an intimate setting for the treasures of the past. In striking dialogue with this stately edifice is the Teel Family Pavilion, a modern marvel inaugurated in 2010. This contemporary structure, with its expansive galleries and light-filled spaces, allows for ambitious exhibitions that engage with the most pressing trends in modern art expression. It is this seamless interplay between the historic and the innovative—between the gilded past and the avant-garde future—that makes the Crocker Art Museum a vital cultural cornerstone.

    Where to read more

    Find this online

    QR code linking to the download page for Notre Dame, Paris

    artsdot.com/en/art/download/edwin-deakin-notre-dame-paris-8YDJS9-en/

    Cite this artwork

    MLA
    Deakin, Edwin. Notre Dame, Paris. 1893, Crocker Art Museum. https://artsdot.com/en/art/edwin-deakin-notre-dame-paris-8YDJS9-en/
    APA
    Deakin, Edwin (1893). Notre Dame, Paris [Painting]. Crocker Art Museum. https://artsdot.com/en/art/edwin-deakin-notre-dame-paris-8YDJS9-en/
    Chicago
    Edwin Deakin. Notre Dame, Paris. 1893. Crocker Art Museum. https://artsdot.com/en/art/edwin-deakin-notre-dame-paris-8YDJS9-en/
    Harvard
    Deakin, Edwin (1893) Notre Dame, Paris. Crocker Art Museum. Available at: https://artsdot.com/en/art/edwin-deakin-notre-dame-paris-8YDJS9-en/

    Look closely

    Notre Dame, Paris — Edwin Deakin

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: parisian scene, notre dame cathedral, river seine. Do you agree? What would you add, or take away?
    4. Look back at Roses (1912), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Realism: Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Notre Dame, Paris — Edwin Deakin

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary subject matter of Edwin Deakin’s painting ‘Notre Dame Cathedral, Paris’?

      • A A Landscape depicting a Parisian park.
      • B B A portrait of a prominent French citizen.
      • C C The iconic Notre Dame Cathedral against the backdrop of Paris.
    2. 2. In what year was Edwin Deakin’s painting ‘Notre Dame Cathedral, Paris’ created?

      • A A 1850
      • B B 1870
      • C C 1893
    3. 3. What artistic style is predominantly employed by Edwin Deakin in this artwork?

      • A Impressionism
      • B Cubism
      • C Realism
    4. 4. Where is ‘Notre Dame Cathedral, Paris’ currently housed?

      • A The Louvre Museum
      • B The Metropolitan Museum of Art
      • C The Crocker Art Museum
    5. 5. What technique did Edwin Deakin use to achieve a sense of depth and realism in his depiction of Notre Dame Cathedral?

      • A Pointillism
      • B Blending
      • C Linear Perspective

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2C · 3C · 4C · 5C