Paper

Student Artwork Guide

Self Portrait

Name Class Date

edward opie, Self Portrait. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
edward opie artsdot.com/en/artists/edward-opie/
Original size
46 x 35 cm

In context

Self Portrait — edward opie

How big is it?

The original measures 46 × 35 cm (height × width), drawn here beside an adult of average height.

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/edward-opie-self-portrait-AS8249-en/

Colours

Measured from the image

    Main colour

    Espresso #675139

    Catalogued palette

    • #675139
    • #302B24
    • #D3B188
    • #AB8461
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    edward opie

    Edward Opie: A Cornish Vision of Light and Life

    Edward Opie (1810–1894) stands as a pivotal figure in 19th-century British art, particularly renowned for his evocative portrayals of Cornish landscapes and meticulously rendered historical portraits. Born into a family steeped in artistic tradition – his great-uncle was the celebrated John Opie, RA – Edward inherited not only a legacy but also an inherent understanding of capturing light and emotion on canvas. His life’s work reflects a deep connection to his native Cornwall, interwoven with a burgeoning interest in broader European artistic trends, most notably the influence of Rembrandt van Rijn.

    Opie's early years were shaped by a pragmatic apprenticeship to his father, a carpenter, a stark contrast to the artistic pursuits encouraged by his influential relative. However, this grounding in craftsmanship instilled a meticulous attention to detail that would later become a hallmark of his style. Recognizing his exceptional talent at just twelve years old, John Opie’s mentor, Dr. John Wolcot, intervened, securing Edward's release from the carpentry shop and establishing him as a pupil within his own household. This crucial period provided Edward with invaluable artistic instruction, fostering his skills in drawing, painting, and ultimately, portraiture.

    The London Years: Apprenticeship and Early Recognition

    In 1826, at the age of sixteen, Edward ventured to London, seeking further refinement under the tutelage of Henry Peronet Briggs, RA. This period was characterized by intense study and diligent copying of masterworks, a technique designed to hone his observational skills and understanding of composition. Despite initial setbacks – including the public failure of one portrait at the Royal Academy in 1834 – Edward persevered, gradually developing his own distinctive style. His arrival in London coincided with a surge of interest in his work, fueled by the influence of John Opie himself, who recognized the potential within his nephew’s talent and championed his early successes.

    Opie quickly established himself as a sought-after portraitist, capturing the likenesses of prominent figures from the British royal family to notable members of society. His ability to imbue his subjects with personality and emotion – often achieved through masterful use of Rembrandt-like lighting—garnered him considerable acclaim. He skillfully blended classical techniques with contemporary sensibilities, creating portraits that were both formally impressive and remarkably engaging.

    Cornish Roots and Artistic Exploration

    Returning to Cornwall in 1836, Edward established a more settled life, marrying Margaret Thomas in St Ives and dedicating himself to capturing the beauty of his native landscape. His Cornish paintings are characterized by a vibrant palette, meticulous detail, and a deep appreciation for the region’s rugged coastline and picturesque villages. He wasn't simply documenting scenery; he was conveying a sense of place—the light, the atmosphere, the spirit of Cornwall itself.

    Beyond landscape painting, Opie continued to pursue portraiture, often depicting local residents and figures associated with Cornish history. His work during this period reflects a growing interest in historical subjects, culminating in significant commissions for theatrical productions and public buildings. He embraced the dramatic lighting techniques favored by Rembrandt, skillfully using chiaroscuro to create depth, mood, and a sense of realism within his compositions.

    Legacy and Influence

    Edward Opie’s career spanned several decades, during which he produced an impressive body of work encompassing portraits, landscapes, and historical scenes. While his style never achieved the widespread popularity of some of his contemporaries, his influence on subsequent generations of British artists is undeniable. His meticulous attention to detail, masterful use of light, and ability to capture the essence of his subjects cemented his place as a significant figure in 19th-century art. His paintings continue to be admired for their beauty, technical skill, and evocative portrayal of Cornish life and history.

    Opie’s legacy extends beyond his individual works; he represents a crucial link between the artistic traditions of John Opie and the broader developments in British painting during the Victorian era. His dedication to capturing light, emotion, and the spirit of his subjects ensures that his art will continue to resonate with audiences for years to come.

    Where to read more

    • The artist edward opie artsdot.com/en/artists/edward-opie/
    • Similar works More works to compare artsdot.com/en/art/similar/edward-opie-self-portrait-AS8249-en/

    Find this online

    QR code linking to the download page for Self Portrait

    artsdot.com/en/art/download/edward-opie-self-portrait-AS8249-en/

    Cite this artwork

    MLA
    opie, edward. Self Portrait. n.d., https://artsdot.com/en/art/edward-opie-self-portrait-AS8249-en/
    APA
    opie, edward (n.d.). Self Portrait [Painting]. https://artsdot.com/en/art/edward-opie-self-portrait-AS8249-en/
    Chicago
    edward opie. Self Portrait. n.d. https://artsdot.com/en/art/edward-opie-self-portrait-AS8249-en/
    Harvard
    opie, edward (n.d.) Self Portrait. Available at: https://artsdot.com/en/art/edward-opie-self-portrait-AS8249-en/

    Look closely

    Self Portrait — edward opie

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Look back at John Dingle, Mayor (1869, 1879 1880), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.