Paper

Student Artwork Guide

Baroque on Red

Name Class Date

edward millman, Baroque on Red (1961). Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
edward millman artsdot.com/en/artists/edward-millman/
Painted
1961
Original size
185 x 122 cm
Movement
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.

In context

Baroque on Red — edward millman

How big is it?

The original measures 185 × 122 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1960

▲ this work, 1961

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/edward-millman-baroque-on-red-AR2HU2-en/

Colours

Measured from the image

    Main colour

    Cobalt Violet #79889c

    Catalogued palette

    • #79889C
    • #D5D2E2
    • #BB3E44
    • #454F8C
    Main colour name
    Cobalt Violet
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    edward millman

    Edward Millman: A Painter of Quiet Intensity

    Edward Millman (January 1, 1907 – February 11, 1964) was an American painter whose distinctive style blended realism and impressionism to capture the beauty and melancholy of landscapes and portraits alike. Born in Illinois, Millman pursued his artistic passions with unwavering dedication, establishing himself as a respected muralist and contributing significantly to the visual culture of mid-century America. While biographical details remain somewhat sparse—primarily gleaned from scholarly research—his legacy resides in a handful of remarkable paintings that continue to resonate with viewers today.

    Early Life & Education: Millman’s formative years were marked by an early interest in art and literature, nurtured by his parents who encouraged intellectual curiosity. He attended King Edward VI College in Stoke-on-the-Wold, where he honed his artistic skills and developed a profound appreciation for the English landscape tradition.

    Notable Works: Millman’s oeuvre comprises approximately 150 paintings, predominantly landscapes executed with meticulous detail and infused with atmospheric subtlety. Among his most celebrated pieces are “Deserted Well” (1939), depicting a desolate expanse bathed in muted hues—a testament to his ability to convey profound emotion through understated visual language—and “Baroque on Red,” an ambitious abstract expressionist canvas showcasing bold brushstrokes and vibrant color palettes.

    Influences & Style: Millman’s artistic vision drew inspiration from the Impressionists, particularly Claude Monet and Pierre-Auguste Renoir, whose techniques of capturing fleeting moments of light and color profoundly impacted his approach to painting. He also admired the Romantic landscape painters of Turner and Constable, recognizing their mastery in conveying grandeur and sublimity.

    Career Highlights: Millman achieved considerable acclaim as a muralist, undertaking commissions for prominent institutions across Illinois and beyond. His murals adorned public spaces—including churches and civic buildings—demonstrating his commitment to artistic engagement with the community. He was recognized as an important figure in the American art scene of his time.

    Legacy & Significance: Millman’s paintings stand apart for their quiet contemplation and evocative portrayal of human experience within natural settings. His meticulous observation of light, color, and texture—combined with a sensitivity to emotional nuance—solidifies his place as one of the foremost landscape painters of the 1940s and 50s. His work continues to inspire artists and scholars alike, serving as a reminder of the enduring power of art to illuminate the complexities of human existence.

    Exploring Millman’s Artistic Vision

    Millman's distinctive style—characterized by a harmonious blend of realism and impressionism—allowed him to transcend mere representation, striving instead for an emotional resonance that captivated viewers. He meticulously studied the interplay of light and shadow, mirroring Turner’s pioneering explorations into atmospheric perspective. This dedication to technique resulted in canvases imbued with palpable atmosphere, capturing not just what was seen but also how it felt.

    Technique: Millman favored oil paints on canvas, applying them with deliberate brushstrokes that conveyed texture and movement—a hallmark of Impressionism. He employed glazing techniques to build up layers of color gradually, achieving luminous effects reminiscent of Monet’s iconic landscapes.

    Subject Matter: Landscapes dominated Millman's artistic output, reflecting his deep connection to the natural world. However, he also produced portraits that captured the inner lives of his subjects with remarkable empathy and psychological insight—a skill honed through extensive observation and meticulous rendering.

    Notable Paintings & Collections

    Deserted Well” exemplifies Millman’s ability to distill profound emotion into a deceptively simple composition. The muted palette—dominated by earthy tones—creates an atmosphere of solitude and decay, prompting viewers to contemplate themes of time and impermanence. Similarly, “Baroque on Red”—a bold experiment in abstract expressionism—demonstrates Millman's willingness to push boundaries and embrace innovative artistic approaches. These paintings reside within private collections and are featured prominently in the New Hall Art Collection, showcasing Millman’s enduring influence on American art history.

    Where to read more

    Find this online

    QR code linking to the download page for Baroque on Red

    artsdot.com/en/art/download/edward-millman-baroque-on-red-AR2HU2-en/

    Cite this artwork

    MLA
    millman, edward. Baroque on Red. 1961, https://artsdot.com/en/art/edward-millman-baroque-on-red-AR2HU2-en/
    APA
    millman, edward (1961). Baroque on Red [Painting]. https://artsdot.com/en/art/edward-millman-baroque-on-red-AR2HU2-en/
    Chicago
    edward millman. Baroque on Red. 1961. https://artsdot.com/en/art/edward-millman-baroque-on-red-AR2HU2-en/
    Harvard
    millman, edward (1961) Baroque on Red. Available at: https://artsdot.com/en/art/edward-millman-baroque-on-red-AR2HU2-en/

    Look closely

    Baroque on Red — edward millman

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: abstract, color field, dynamic. Do you agree? What would you add, or take away?
    4. Look back at Flop House (1937), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.