Paper

Student Artwork Guide

Eastern Chipmunk

Name Class Date

Dwayne Harty, Eastern Chipmunk (1980), Canadian Museum of Nature. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Dwayne Harty artsdot.com/en/artists/dwayne-harty/
Artist’s dates
1957 – ?
Painted
1980
Original size
20 x 26 cm
Movement
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Held at
Canadian Museum of Nature artsdot.com/en/museums/canadian-museum-of-nature-ottawa/

In context

Eastern Chipmunk — Dwayne Harty

How big is it?

The original measures 20 × 26 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1950
  2. 1960
  3. 1970
  4. 1980

Shaded: the lifetime of Dwayne Harty (1957–?) ▲ this work, 1980

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/dwayne-harty-eastern-chipmunk-D7X87C-en/

Colours

Measured from the image

    Main colour

    Gray #959892

    Catalogued palette

    • #959892
    • #F0F2ED
    • #5B5F58
    • #C8CAC4
    Palette
    Pastels The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Dwayne Harty

    Born in Shaunavon, Canada

    The Soul of the North American Wilderness

    Born in the quiet, expansive landscapes of Shaunavon, Saskatchewan, in 1957, Dwayne Harty has dedicated his life to translating the silent majesty of the natural world onto canvas. His journey is one deeply rooted in the observation of life's smallest details and its grandest vistas. Growing up amidst the vast prairies and boreal forests of Canada, Harty developed an early, profound connection to the rhythms of the wild. This formative environment served as his first studio, teaching him the subtle interplay of light across a meadow and the sudden, sharp movement of fauna through the brush. His artistic evolution is not merely a progression of skill, but a lifelong dialogue with the landscapes of Alberta and Saskatchewan, where the horizon seems infinite and every shadow tells a story.

    Harty’s technical mastery is a sophisticated bridge between two seemingly disparate worlds: the meticulous precision of realism and the emotive, atmospheric qualities of impressionism. While his formal training at Concordia University in Montreal provided him with a robust academic foundation and an expanded technical repertoire, his true education came from the patient study of light and texture. This duality allows him to capture the physical truth of a subject—the coarse fur of a mammal or the rugged bark of a tree—while simultaneously enveloping the scene in a sense of fleeting, atmospheric beauty. His work does not simply document nature; it evokes the feeling of standing within it, breathing its crisp air and sensing its profound stillness.

    From Graphite Precision to Painterly Light

    The trajectory of Harty’s career reached a pivotal moment in the early 1980s, marked by a series of breathtaking graphite drawings that would define his early reputation. Focusing on the intimate lives of small creatures, such as squirrels and chipmunks, he utilized layers of graphite pencil with painstaking precision. These works were celebrated for their ability to achieve incredible tonal gradations, mimicking the delicate play of light and shadow with such accuracy that the subjects appeared to pulse with life. This period of intense focus on detail established his hallmark: a commitment to portraying wildlife with an unparalleled sense of immediacy and respect for their inherent dignity.

    As his practice matured, Harty transitioned from the controlled environment of graphite to the more fluid medium of painting, where he could further explore the impressionistic elements of his vision. In these larger works, the artist moves beyond mere anatomical accuracy to capture the essence of the North American landscape. His paintings often feature:

    The interplay of light and shadow: Using tonal depth to create a sense of three-dimensional space and atmosphere.

    Textural richness: A mastery of layering that brings the tactile reality of the wilderness to life.

    Emotional resonance: A way of depicting animals and landscapes that invites the viewer into a moment of quiet contemplation.

    Today, Dwayne Harty stands as a significant figure in contemporary wildlife art. His work has traveled far beyond the Canadian prairies, finding homes in prestigious galleries across North America, from the rugged beauty of Jackson Hole to various acclaimed exhibitions. By blending the scientific eye of a naturalist with the poetic soul of an impressionist, Harty ensures that the fleeting beauty of the North American wilderness is preserved, not just as a visual record, but as a lasting emotional experience.

    Museum

    Canadian Museum of Nature

    On show in Ottawa, Canada

    A Cathedral of Earth and Time

    Nestled in the vibrant heart of Ottawa, the Canadian Museum of Nature stands as much more than a mere repository of specimens; it is a profound architectural and scientific masterpiece that embodies Canada's enduring fascination with the natural world. To step inside its hallowed halls is to enter a cathedral dedicated not to divine figures, but to the unfolding story of our planet. The museum’s primary residence, the Victoria Memorial Museum Building, is a breathtaking Beaux-Arts landmark completed in 1912. Designed by Bertram Macallery, the structure itself serves as a silent narrator of ambition and reverence, with its soaring ceilings, ornate stonework, and expansive windows that evoke the majesty of boreal forests and the tranquil stillness of glacial lakes. For the art lover or interior designer, the building offers a palette of textures and a sense of grandeur that mirrors the very landscapes it seeks to document.

    The history of this institution is a tapestry woven from threads of scientific curiosity and national identity. Its origins trace back to 1856 with the pioneering efforts of the Geological Survey of Canada, initially serving as a humble archive in Montreal for geological formations and archaeological treasures. As the decades progressed, the mission expanded, evolving from a specialized survey into a multidisciplinary guardian of human and natural history. This transformation reached a pivotal milestone in 1927 when it was renamed the National Museum of Canada, signaling a growing desire to define and champion a unique Canadian heritage. Through extensive renovations completed in the early 21st century, the museum has emerged as a modern marvel, seamlessly blending its historical weight with cutting-edge exhibition spaces that invite contemporary engagement.

    A Dialogue Between the Monumental and the Minute

    Within its walls, the collection offers a breathtaking dialogue between the monumental and the minute. Visitors are often first captivated by the colossal presence of prehistoric giants, such as the

    Albertosaurus sarcophagus

    , whose skeletal remains transport the observer back millions of years into a lost era. Yet, the museum’s true magic lies in its ability to balance these titans with the delicate artistry of the natural world. The Canadian Gems Gallery presents a shimmering display of mineralogical beauty, where light dances across crystalline structures, while the Water Gallery explores the fluid, life-giving role of our planet's most vital element. For those drawn to the ephemeral and the fragile, the Arctic Gallery provides an evocative journey through the North, utilizing cultural artifacts and interactive displays to tell a poignant story of survival and adaptation in a changing climate.

    What truly distinguishes the Canadian Museum of Nature is its dual identity as both a world-class exhibition space and a leading center for scientific research. It is a place where the boundaries between art and science blur; the botanical specimens are as much works of natural design as they are biological data points. Scientists working within these walls actively investigate pressing environmental issues, ensuring that the museum remains a living, breathing entity rather than a static monument to the past. For collectors and enthusiasts of natural beauty, the museum serves as an eternal source of inspiration, reminding us that understanding our geological and biological history is the most profound way to safeguard our collective future.

    Where to read more

    Find this online

    QR code linking to the download page for Eastern Chipmunk

    artsdot.com/en/art/download/dwayne-harty-eastern-chipmunk-D7X87C-en/

    Cite this artwork

    MLA
    Harty, Dwayne. Eastern Chipmunk. 1980, Canadian Museum of Nature. https://artsdot.com/en/art/dwayne-harty-eastern-chipmunk-D7X87C-en/
    APA
    Harty, Dwayne (1980). Eastern Chipmunk [Painting]. Canadian Museum of Nature. https://artsdot.com/en/art/dwayne-harty-eastern-chipmunk-D7X87C-en/
    Chicago
    Dwayne Harty. Eastern Chipmunk. 1980. Canadian Museum of Nature. https://artsdot.com/en/art/dwayne-harty-eastern-chipmunk-D7X87C-en/
    Harvard
    Harty, Dwayne (1980) Eastern Chipmunk. Canadian Museum of Nature. Available at: https://artsdot.com/en/art/dwayne-harty-eastern-chipmunk-D7X87C-en/

    Look closely

    Eastern Chipmunk — Dwayne Harty

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: chipmunk, wildlife, nature. Do you agree? What would you add, or take away?
    5. Look back at Hoary Marmot (1980), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.