Paper

Student Artwork Guide

Double Tongued Knowability

Name Class Date

david leapman, Double Tongued Knowability (1994), Walker Art Gallery. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
david leapman artsdot.com/en/artists/david-leapman/
Painted
1994
Original size
215 x 307 cm
Held at
Walker Art Gallery artsdot.com/en/museums/walker-art-gallery-liverpool/

In context

Double Tongued Knowability — david leapman

How big is it?

The original measures 215 × 307 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1990

▲ this work, 1994

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/david-leapman-double-tongued-knowability-AQT2SZ-en/

Colours

Measured from the image

    Main colour

    Espresso #414747

    Catalogued palette

    • #414747
    • #1D1916
    • #F2E64C
    • #F0482B
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    david leapman

    David Leapman: Bold Colour and Unexpected Materials

    David Leapman is a celebrated English painter who garnered international acclaim for his distinctive artistic vision, culminating in victory at the John Moores Painting Prize in 1995. His journey into art began with formative studies at St Martin’s School of Art, Goldsmiths College and Chelsea College of Art, equipping him with foundational skills that would underpin his subsequent explorations of innovative techniques and materials. Leapman's artistic practice is characterized by a fascination with challenging conventions and embracing experimentation—a trait evident in his use of unconventional substances alongside palettes bursting with vibrant hues.

    Early Influences: Leapman’s artistic sensibilities were shaped by exposure to Abstract Expressionism, particularly the work of Willem de Kooning and Jackson Pollock, whose dynamic brushstrokes and emotive colour choices served as inspiration for his own compositions.

    The John Moores Prize Win (1995): The prestigious John Moores Painting Prize recognized Leapman’s exceptional talent with a commendation for “Double-Tongued Knowability,” an acrylic painting that showcased his mastery of colour and texture. This accolade propelled him onto the international art scene and cemented his reputation as a visionary artist.

    Continued Exhibitions & Recognition: Following his prize victory, Leapman continued to participate in significant exhibitions, including the Jerwood Drawing Prize in 2006, demonstrating his versatility across mediums beyond painting. His artwork has been permanently housed in esteemed institutions such as the Victoria and Albert Museum, the British Government Art Collection and Walker Art Gallery, underscoring its enduring artistic merit.

    Distinctive Artistic Style & Technique

    Leapman’s paintings stand out due to his deliberate incorporation of unusual materials—ranging from resin and wax to found objects—into his canvases. These additions aren't merely decorative; they contribute significantly to the textural depth and expressive qualities of his work, creating surfaces that invite tactile engagement alongside visual contemplation. He employs a bold colour palette, prioritizing saturated hues that convey emotion and dynamism. His brushwork is characterized by energetic movements and layering techniques, resulting in paintings that pulsate with energy and capture fleeting moments of perception.

    Material Exploration: Leapman’s commitment to experimentation extends beyond pigment; he actively seeks out materials that offer unique visual and textural possibilities.

    Colour Harmony & Composition: Careful consideration is given to colour harmony—often employing complementary colours—to heighten emotional impact and guide the viewer's gaze across the canvas.

    Recent Achievements & Institutional Collections

    Leapman’s artistic career has garnered considerable acclaim, culminating in inclusions within prominent museum collections worldwide. Notably, his paintings and drawings reside in the Victoria and Albert Museum, the British Government Art Collection and Walker Art Gallery—testaments to their enduring aesthetic appeal and contribution to the broader canon of contemporary art. Furthermore, he established Contemporary Artist Space (CAS) in Riverside, California, serving as a platform for showcasing emerging artists and fostering dialogue within the artistic community.

    Looking Ahead

    David Leapman continues to pursue his artistic endeavors with unwavering dedication, driven by a desire to push boundaries and explore new avenues of creative expression. His legacy rests on a foundation of innovation, boldness, and an uncompromising commitment to capturing the essence of human experience through captivating visual narratives—a testament to his enduring influence within the realm of contemporary painting.

    Museum

    Walker Art Gallery

    On show in Liverpool, United Kingdom

    A Victorian Sanctuary: The Timeless Allure of the Walker Art Gallery

    Nestled in the vibrant heart of Liverpool, the Walker Art Gallery stands as a majestic testament to the enduring power of artistic vision. Opened in 1877 and named in honor of Sir Richard Walker, a visionary benefactor whose generosity continues to nourish the city’s cultural soul, this grand Victorian institution is far more than a mere repository for canvas and stone. It is an immersive journey through the corridors of time, where the architectural splendor of Evan James Hall’s design prepares the visitor for a profound encounter with beauty. The very air within its walls seems to vibrate with the echoes of Renaissance masters, the romantic whispers of Pre-Raphaelite dreams, and the bold, transformative strokes of British modernism.

    To step inside the Walker is to enter worlds meticulously crafted by artists who sought truth in the most profound forms. The gallery’s international renown is anchored by its exceptional collection of Pre-Raphaelite paintings, arguably one of the finest assemblages in existence. Here, the works of Dante Gabriel Rossetti and John Everett Millais transport the viewer into realms of haunting beauty and intricate symbolism. One might find themselves lost in the lush, detailed landscapes or the psychological depth of figures imbued with a certain ethereal melancholy. These artists, rejecting the rigid academic conventions of their era, sought inspiration in the purity of the early Renaissance, striving for an anatomical accuracy and emotional intensity that feels as vital today as it did in the nineteenth century. This pursuit of authenticity is palpable in every meticulously rendered leaf and every soulful gaze captured on canvas.

    Beyond the romanticism of the Pre-Raphaelites, the gallery offers a breathtaking glimpse into the pivotal innovations of the Renaissance. Masterpieces that redefine perspective and human grace allow visitors to witness the dawn of modern representation. From the delicate, mythological allegories of Botticelli to the divine, misty atmosphere of Leonardo da Vinci’s

    Annunciation

    , these works serve as monuments to human intellect and spiritual curiosity. This dialogue between eras is further enriched by a profound commitment to British artistic identity. The collection chronicles the evolution of a nation through stately portraits that capture the essence of bygone aristocracies and sweeping landscapes that evoke the rugged beauty of the British countryside, reminiscent of the atmospheric genius found in Turner and Constable.

    What truly distinguishes the Walker Art Gallery is its role as a living, breathing cultural hub that remains deeply accessible to all. With free admission, the gallery ensures that world-class art is never a luxury reserved for the few, but a shared heritage available to every dreamer, collector, and enthusiast. This spirit of inclusivity extends into its modern era, where the inclusion of twentieth-century titans like Lucian Freud and David Hockney reflects Liverpool’s cosmopolitan identity as a global port city. Whether one is an interior designer seeking the quiet elegance of Marianne Stokes’

    Polishing Pans

    or a scholar tracing the Cubist roots in David Bomberg’s landscapes, the Walker provides a sanctuary of inspiration. It remains a dynamic space where history is not just preserved, but actively engaged, ensuring that its legacy continues to illuminate the creative spirit for generations to come.

    Where to read more

    • The artist david leapman artsdot.com/en/artists/david-leapman/
    • The museum Walker Art Gallery artsdot.com/en/museums/walker-art-gallery-liverpool/
    • Similar works More works to compare artsdot.com/en/art/similar/david-leapman-double-tongued-knowability-AQT2SZ-en/

    Find this online

    QR code linking to the download page for Double Tongued Knowability

    artsdot.com/en/art/download/david-leapman-double-tongued-knowability-AQT2SZ-en/

    Cite this artwork

    MLA
    leapman, david. Double Tongued Knowability. 1994, Walker Art Gallery. https://artsdot.com/en/art/david-leapman-double-tongued-knowability-AQT2SZ-en/
    APA
    leapman, david (1994). Double Tongued Knowability [Painting]. Walker Art Gallery. https://artsdot.com/en/art/david-leapman-double-tongued-knowability-AQT2SZ-en/
    Chicago
    david leapman. Double Tongued Knowability. 1994. Walker Art Gallery. https://artsdot.com/en/art/david-leapman-double-tongued-knowability-AQT2SZ-en/
    Harvard
    leapman, david (1994) Double Tongued Knowability. Walker Art Gallery. Available at: https://artsdot.com/en/art/david-leapman-double-tongued-knowability-AQT2SZ-en/

    Look closely

    Double Tongued Knowability — david leapman

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Pilot Schemer (1992), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.