Paper

Student Artwork Guide

Decoy

Name Class Date

David Leapman, Decoy (1992), British Council Collection. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
David Leapman artsdot.com/en/artists/david-leapman/
Painted
1992
Original size
175 x 215 cm
Held at
British Council Collection artsdot.com/en/museums/british-council-collection-london/

In context

Decoy — David Leapman

How big is it?

The original measures 175 × 215 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1990

▲ this work, 1992 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/david-leapman-decoy-AQT2ST-en/

Colours

Measured from the image

    Main colour

    Brown #e92844

    Catalogued palette

    • #E92844
    • #0E3E7F
    • #D11608
    • #EFB706

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Brown
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Vivid Color How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    David Leapman

    David Leapman: Bold Colour and Unexpected Materials

    David Leapman is a celebrated English painter who garnered international acclaim for his distinctive artistic vision, culminating in victory at the John Moores Painting Prize in 1995. His journey into art began with formative studies at St Martin’s School of Art, Goldsmiths College and Chelsea College of Art, equipping him with foundational skills that would underpin his subsequent explorations of innovative techniques and materials. Leapman's artistic practice is characterized by a fascination with challenging conventions and embracing experimentation—a trait evident in his use of unconventional substances alongside palettes bursting with vibrant hues.

    Early Influences: Leapman’s artistic sensibilities were shaped by exposure to Abstract Expressionism, particularly the work of Willem de Kooning and Jackson Pollock, whose dynamic brushstrokes and emotive colour choices served as inspiration for his own compositions.

    The John Moores Prize Win (1995): The prestigious John Moores Painting Prize recognized Leapman’s exceptional talent with a commendation for “Double-Tongued Knowability,” an acrylic painting that showcased his mastery of colour and texture. This accolade propelled him onto the international art scene and cemented his reputation as a visionary artist.

    Continued Exhibitions & Recognition: Following his prize victory, Leapman continued to participate in significant exhibitions, including the Jerwood Drawing Prize in 2006, demonstrating his versatility across mediums beyond painting. His artwork has been permanently housed in esteemed institutions such as the Victoria and Albert Museum, the British Government Art Collection and Walker Art Gallery, underscoring its enduring artistic merit.

    Distinctive Artistic Style & Technique

    Leapman’s paintings stand out due to his deliberate incorporation of unusual materials—ranging from resin and wax to found objects—into his canvases. These additions aren't merely decorative; they contribute significantly to the textural depth and expressive qualities of his work, creating surfaces that invite tactile engagement alongside visual contemplation. He employs a bold colour palette, prioritizing saturated hues that convey emotion and dynamism. His brushwork is characterized by energetic movements and layering techniques, resulting in paintings that pulsate with energy and capture fleeting moments of perception.

    Material Exploration: Leapman’s commitment to experimentation extends beyond pigment; he actively seeks out materials that offer unique visual and textural possibilities.

    Colour Harmony & Composition: Careful consideration is given to colour harmony—often employing complementary colours—to heighten emotional impact and guide the viewer's gaze across the canvas.

    Recent Achievements & Institutional Collections

    Leapman’s artistic career has garnered considerable acclaim, culminating in inclusions within prominent museum collections worldwide. Notably, his paintings and drawings reside in the Victoria and Albert Museum, the British Government Art Collection and Walker Art Gallery—testaments to their enduring aesthetic appeal and contribution to the broader canon of contemporary art. Furthermore, he established Contemporary Artist Space (CAS) in Riverside, California, serving as a platform for showcasing emerging artists and fostering dialogue within the artistic community.

    Looking Ahead

    David Leapman continues to pursue his artistic endeavors with unwavering dedication, driven by a desire to push boundaries and explore new avenues of creative expression. His legacy rests on a foundation of innovation, boldness, and an uncompromising commitment to capturing the essence of human experience through captivating visual narratives—a testament to his enduring influence within the realm of contemporary painting.

    Museum

    British Council Collection

    On show in London, United Kingdom

    The British Council Collection: A Legacy of Bridging Worlds Through Art

    Nestled within a deceptively unassuming building in central London, the British Council Collection stands as a quietly powerful testament to diplomacy and artistic exchange. More than just a museum, it’s a living archive—a carefully curated assemblage of over 8,500 artworks spanning centuries and continents, each imbued with a story of connection and cultural dialogue. Established in 1938 amidst the anxieties of burgeoning global conflict, its initial purpose was remarkably simple: to foster understanding between nations through the universal language of art. Today, this ‘museum without walls’ continues that mission with an understated elegance, offering visitors a profound journey into British artistic identity while simultaneously celebrating the diverse voices and perspectives it has championed throughout its history.

    The Collection's genesis is inextricably linked to the British Council’s broader mandate – a commitment to promoting cultural relations. Born from a desire to counter ideological divides, it began with a modest collection of paper prints intended for international dissemination. However, this initial seed quickly blossomed into an astonishing panorama encompassing painting, sculpture, printmaking, photography, and even experimental media. Crucially, the Collection’s curators have always prioritized emerging talent, actively seeking out artists at pivotal stages in their careers – a deliberate strategy that has ensured a vibrant and consistently innovative body of work. This commitment to supporting British artistic voices is perhaps the collection's most enduring legacy, safeguarding works by luminaries like Lucian Freud, Barbara Hepworth, David Hockney, and countless others who have shaped the landscape of contemporary art.

    A Tapestry of Movements: From Post-War Experimentation to Contemporary Voices

    Exploring the British Council Collection is akin to tracing a vibrant timeline of British artistic evolution. The narrative begins with the bold experimentation that followed World War II, a period marked by profound social and political upheaval. Artists wrestled with new visual languages – abstract sculpture reshaping our perception of space, vibrant Pop Art challenging societal norms, and figurative works grappling with themes of identity and displacement. This era witnessed the rise of groundbreaking figures like Henry Moore and Barbara Hepworth, whose pioneering sculptures redefined British art’s relationship to form and materiality. Later movements—the dynamism of the 1960s, the conceptual rigor of the 1970s, and the diverse expressions of contemporary artists – are equally well-represented, offering a comprehensive overview of Britain's artistic journey.

    The Collection’s strength lies not just in its breadth but also in its ability to illuminate the intellectual currents that shaped each movement. Examining these artistic currents reveals not merely stylistic trends but profound philosophical debates concerning representation, materiality, and social commentary. The works are imbued with a sense of urgency and engagement, reflecting the complex realities of a nation navigating rapid change and global interconnectedness. Notable examples include Lucian Freud’s unflinching portraits capturing raw emotion, David Hockney's sun-drenched landscapes celebrating Californian light alongside familiar British beauty, and the politically charged works of Gilbert & George, which challenged conventional notions of art and society.

    Beyond the Walls: A Global Network of Engagement

    What truly distinguishes the British Council Collection is its remarkably fluid existence. Unlike traditional museums confined to static walls, it operates as a ‘museum without walls,’ actively engaging with audiences around the world through touring exhibitions, loans to international institutions, and educational programs. This proactive approach—characterized by strategic collaborations and a deep commitment to accessibility—underscores the belief that art possesses the transformative power to cultivate empathy and foster mutual respect among cultures. The Collection’s influence extends far beyond London's cultural landscape, contributing significantly to the global dialogue on contemporary art.

    The collection’s history is interwoven with the British Council’s international mission. Throughout its existence, it has played a vital role in promoting British art abroad, showcasing works at prestigious events such as the Venice Biennale and the São Paulo Art Biennial. This commitment to global engagement continues today, with ongoing collaborations spanning continents and disciplines. The collection's curators actively seek out opportunities to share British artistic talent with diverse audiences, fostering cross-cultural understanding and enriching the global art scene.

    Architecture & Atmosphere: A Space for Dialogue

    The building itself—a former Victorian terrace house in Stratford upon Avon – is as integral to the Collection’s ethos as its artworks. Carefully renovated to provide a welcoming and adaptable space, it reflects the museum's commitment to accessibility and inclusivity. The interior design prioritizes natural light and open spaces, creating an atmosphere conducive to contemplation and dialogue. The layout encourages visitors to engage with the artwork in a relaxed and intuitive manner, fostering a sense of connection between the art, the building, and the audience.

    Currently, the Collection is hosting exhibitions that highlight contemporary British artists addressing pressing social issues – from climate change and migration to identity and belonging. These exhibitions demonstrate that British art remains attuned to the complexities of our time, offering insightful perspectives on the challenges and opportunities facing society today. The British Council Collection isn’t simply a repository of artworks; it's a dynamic platform for artistic expression, cultural exchange, and ongoing dialogue – a testament to the enduring power of art to bridge divides and inspire understanding.

    Where to read more

    Find this online

    QR code linking to the download page for Decoy

    artsdot.com/en/art/download/david-leapman-decoy-AQT2ST-en/

    Cite this artwork

    MLA
    Leapman, David. Decoy. 1992, British Council Collection. https://artsdot.com/en/art/david-leapman-decoy-AQT2ST-en/
    APA
    Leapman, David (1992). Decoy [Painting]. British Council Collection. https://artsdot.com/en/art/david-leapman-decoy-AQT2ST-en/
    Chicago
    David Leapman. Decoy. 1992. British Council Collection. https://artsdot.com/en/art/david-leapman-decoy-AQT2ST-en/
    Harvard
    Leapman, David (1992) Decoy. British Council Collection. Available at: https://artsdot.com/en/art/david-leapman-decoy-AQT2ST-en/

    Look closely

    Decoy — David Leapman

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Pilot Schemer (1992), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What color palette is used in "Decoy" by David Leapman?

    The palette of "Decoy" by David Leapman is described as dark. It is a compact description of the work's colors.

    Where can I see the original "Decoy" by David Leapman?

    The original "Decoy" by David Leapman is held at the British Council Collection, London, United Kingdom. A reproduction allows the work to be displayed at home.

    Does the copyright of "Decoy" by David Leapman allow reproductions?

    The original "Decoy" is at the British Council Collection, and the work is still protected by copyright.