Paper

Student Artwork Guide

Bideford, Devon

Name Class Date

David Bomberg, Bideford, Devon (1946), Royal Albert Memorial Museum. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
David Bomberg artsdot.com/en/artists/david-bomberg/
Artist’s dates
1890 – 1957
Painted
1946
Medium
Oil
Original size
65 x 71 cm
Period
Modern
Held at
Royal Albert Memorial Museum artsdot.com/en/museums/royal-albert-memorial-museum-exeter/

In context

Bideford, Devon — David Bomberg

How big is it?

The original measures 65 × 71 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 67 at death.

Painted when the artist was 56. The artist lived to 67. 84 of the 100 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of David Bomberg (1890–1957) ▲ this work, 1946 every dated painting, decade by decade

First works: up to 1920 Main working years: 1920–1942 Late works: from 1942

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/david-bomberg-bideford-devon-AQSFVL-en/

Colours

Measured from the image

    Main colour

    Orange #e7900a

    Catalogued palette

    • #E7900A
    • #B95313
    • #B5AE95
    • #56291E

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Orange
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by David Bomberg over the last twelve months — 5 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 89.1%
    2. 2 United States of America 4.3%
    3. 3 Bulgaria 2.2%
    4. 4 Spain 2.2%
    5. 5 Paraguay 2.2%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by David Bomberg

    1. 1 Mount Saint Hilarion and the Castle Ruins, 1948 6.4%
    2. 2 Alora, Andalucia, 1935 6.4%
    3. 3 Composition, 1919 6.4%
    4. 4 Sappers at Work : Canadian Tunnelling Company, R14, St Eloi, 1919 4.3%
    5. 5 Ronda, Spain, 1957 4.3%
    6. 6 Double Self Portrait (recto), 1937 4.3%
    7. 7 The St John Ophthalmic Hospital, Jerusalem, 1927 4.3%
    8. 8 Canal Bank, France, 1920 4.3%
    9. 9 Kitty, the Artist's Sister, 1929 4.3%
    10. 10 David Bomberg, 1937 4.3%
    11. 11 Ju Jitsu, 1913 2.1%
    12. 12 The Broken Aqueduct, Wadi Kelt near Jericho, 1926 2.1%
    13. 13 Bideford, Devon, 1946 this painting 2.1%
    14. 14 Trendrine, Cornwall, 1947 2.1%
    15. 15 Interior of the Armenian Church, Jerusalem, 1925 2.1%
    16. 16 The Gorge, Ronda, Spain, 1935 2.1%
    17. 17 The Family (Study for Ghetto Theatre II), 1919 2.1%
    18. 18 The Mud Bath, 1914 2.1%
    19. 19 Composition with Figures, 1913 2.1%
    20. 20 The Man (recto), 1937 2.1%

    Together these works take 70.3% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 109 works by this artist, of which 34 were looked at at least once. This painting ranks 13 of them, with 2.1% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Bideford, Devon — David Bomberg

    A Symphony of Light and Shoreline

    In the evocative landscape of Bideford, Devon, painted in 1946, we are invited into a moment of profound stillness where the terrestrial and celestial realms converge. David Bomberg, a master of capturing the raw, rhythmic energy of the natural world, presents us with a sunset that is far more than a mere meteorological event; it is an emotional crescendo. The canvas is dominated by a breathtaking palette of fiery oranges and deep, smoldering reds that bleed into the sky, casting a warm, transformative glow over the coastal scene. As the sun descends toward the horizon, the light dances across the undulating sand dunes in the foreground, creating a sense of movement that breathes life into the stationary earth. This interplay of warmth and shadow establishes a serene yet powerful atmosphere, making the piece an ideal centerpiece for any collection seeking to evoke tranquility and awe.

    The composition is masterfully structured to guide the viewer’s eye through an expansive journey across the Devon coastline. In the foreground, the textured dunes stretch toward the sea, providing a grounded, tactile element that contrasts beautifully with the ethereal quality of the sky. A solitary boat rests upon the distant waters, a tiny but significant silhouette that introduces a sense of scale and human presence within the vastness of nature. This subtle inclusion adds a layer of depth and narrative mystery—one wonders about the journey of this vessel or the quiet solitude of its crew amidst the grandeur of the setting sun. The technique employed here reflects Bomberg’s ability to balance structural form with expressive color, using the blue hues of the ocean to anchor the warmth of the sunset, creating a balanced, harmonious visual experience.

    For the discerning collector or interior designer, this reproduction offers more than just aesthetic beauty; it offers a window into the post-war evolution of British modernism. Having moved through the rigorous geometric experiments of his Cubist youth, Bomberg’s later works, such as this 1946 landscape, demonstrate a profound connection to the expressive potential of light and atmosphere. The painting captures a sense of timelessness, making it a versatile addition to sophisticated interiors, from contemporary minimalist spaces to classic, traditional studies. It serves as a poignant reminder of the enduring power of nature to soothe the spirit, offering a permanent sense of peace and a luminous glow to any room it inhabits.

    Artist and museum

    Artist

    David Bomberg

    Born in Birmingham, United Kingdom

    Early Life and Artistic Training

    Born: Birmingham, United Kingdom (December 5, 1890)

    Died: London, United Kingdom (August 19, 1957)

    One of the 'Whitechapel Boys' – a group of East End artists who emerged in the early 20th century.

    Born to Polish-Jewish immigrant parents, Abraham and Rebecca Bomberg, initially studied at the City and Guilds Technical Art School before training as a lithographer in Birmingham.

    Studied under Walter Sickert at Westminster School of Art (1908-1910), influenced by Sickert's focus on form and urban life. Significant exposure to Paul Cézanne through the 1910 Roger Fry exhibition "Manet and the Post-Impressionists." Attended the Slade School of Art (1911), winning the Tonks Prize for his drawing of fellow student Isaac Rosenberg.

    The Avant-Garde Years: Cubism, Futurism, and Controversy

    At the Slade, Bomberg was part of a remarkable generation including Mark Gertler, Stanley Spencer, C.R.W. Nevinson, and Dora Carrington.

    Influenced by the 1912 London exhibitions of Italian Futurists and Fry's second Post-Impressionist exhibition (Picasso, Matisse, Fauvists, Wyndham Lewis).

    Developed a distinctive style combining Cubism and Futurism – characterized by geometric compositions, limited color palettes, angular figures, and grid-like structures.

    His radical approach led to expulsion from the Slade School of Art in 1913, deemed too audacious for the institution's conventional methods.

    Briefly associated with Bloomsbury Group’s Omega Workshops and exhibited with the Camden Town Group. Showed affinity with Wyndham Lewis’s Vorticist movement but remained independent, refusing full involvement.

    From War to Landscape: A Shift in Style

    Experiences as a private soldier during World War I profoundly impacted his artistic vision, leading to a move away from abstraction.

    The 1920s saw Bomberg adopt a more figurative style, focusing on portraits and landscapes drawn directly from nature. Developed an increasingly expressionist technique, marked by textured impasto and emotional intensity.

    Extensive travels through the Middle East (particularly Palestine) and Europe significantly influenced his later work. His depictions of Jerusalem are particularly notable.

    Later Years and Legacy

    From 1945 to 1953, taught at Borough Polytechnic (now London South Bank University), influencing a generation of artists including Frank Auerbach, Leon Kossoff, Philip Holmes, Cliff Holden, Edna Mann, Dorothy Mead, Gustav Metzger, Dennis Creffield, Cecil Bailey and Miles Richmond.

    Married landscape painter Lilian Holt.

    Despite periods of relative obscurity during his lifetime, Bomberg's work has gained increasing recognition in recent decades as a significant contribution to British modern art.

    David Bomberg House at London South Bank University is named in his honor.

    His legacy lies in his unique synthesis of European avant-garde movements and his later development of a powerful, expressive landscape style that captured the essence of place and human experience.

    Museum

    Royal Albert Memorial Museum

    On show in Exeter, United Kingdom

    A Gothic Jewel in the Heart of Exeter

    Nestled within the historic heart of Exeter, the

    Royal Albert Memorial Museum

    stands as a breathtaking testament to Victorian ambition and an enduring beacon of cultural significance. To approach its imposing facade is to encounter a masterpiece of

    Gothic Revival

    architecture, where the rich, warm hues of local New Red Sandstone create an atmosphere of solemn beauty and scholarly contemplation. Designed by the visionary John Hayward, the building itself serves as a profound dialogue between the past and the present. Its soaring walls, intricate carvings, and delicate rose windows evoke the grandeur of medieval cathedrals, offering a sanctuary for those seeking refuge in art and history.

    This magnificent structure is far more than a mere repository for artifacts; it is a living, breathing monument that whispers tales of Exeter’s evolution. Having once served as the very cradle for the city's university, library, and college of art, the museum carries a legacy of intellectual growth. The architecture itself, characterized by its heavy doors and meticulous craftsmanship, invites visitors into a world where the boundaries between natural history, archaeology, and fine art dissolve into a single, cohesive narrative.

    A Tapestry of Human Achievement and Natural Wonder

    Stepping through its threshold, one enters a meticulously curated world where centuries collide. The museum’s collection is a vast tapestry of human achievement, encompassing over one million objects that span millennia and continents. For the discerning art lover or collector, the galleries offer an exquisite journey through the evolution of British creativity. The halls are graced by the masterful strokes of

    Gilded Age legends

    such as Gainsborough and Reynolds, alongside the evocative works of Joseph Wright of Derby. As one wanders deeper, the narrative shifts seamlessly into the twentieth century, where the bold innovations of Walter Sickert, the sculptural prowess of Barbara Hepworth, and the vibrant abstractions of Patrick Heron invite a more modern, visceral engagement.

    Beyond the fine arts, the museum offers a profound connection to the natural world and the archaeological mysteries of the earth. The collections are as diverse as they are deep, providing an intellectual landscape where a single visit can transport a visitor from the ancient depths of the ocean to the refined elegance of a Victorian drawing room. Notable highlights include:

    The Percy Sladen echinoderm collection

    , which provides a window into the hidden wonders of marine biology.

    Significant

    textile and costume collections

    , offering a delicate glimpse into the sartorial history of eras gone by.

    Fascinating geological finds and archaeological treasures that reveal the deep history of the region.

    A Modern Marvel of Cultural Connection

    What truly distinguishes the Royal Albert Memorial Museum is its unwavering commitment to accessibility and its role as a dynamic cultural hub. Following a transformative £24 million redevelopment, the museum has emerged as a modern marvel that balances historical charm with state-of-the-art exhibition spaces. It remains a place where notable exhibitions—ranging from the romanticism of the past to the cutting-edge sculpture of today—continually ignite curiosity and inspire new generations of designers and thinkers.

    For the interior designer seeking inspiration in form and color, or the art enthusiast searching for a moment of quiet reflection, the museum offers an unparalleled experience. It is a place where Devon's rich heritage intertwines with global artistic excellence, ensuring that every corner turned reveals a new, breathtaking discovery. In this intersection of anthropology, zoology, and fine art, the museum continues to serve as a vital sanctuary for the soul of Exeter.

    Where to read more

    Find this online

    QR code linking to the download page for Bideford, Devon

    artsdot.com/en/art/download/david-bomberg-bideford-devon-AQSFVL-en/

    Cite this artwork

    MLA
    Bomberg, David. Bideford, Devon. 1946, Royal Albert Memorial Museum. https://artsdot.com/en/art/david-bomberg-bideford-devon-AQSFVL-en/
    APA
    Bomberg, David (1946). Bideford, Devon [Painting]. Royal Albert Memorial Museum. https://artsdot.com/en/art/david-bomberg-bideford-devon-AQSFVL-en/
    Chicago
    David Bomberg. Bideford, Devon. 1946. Royal Albert Memorial Museum. https://artsdot.com/en/art/david-bomberg-bideford-devon-AQSFVL-en/
    Harvard
    Bomberg, David (1946) Bideford, Devon. Royal Albert Memorial Museum. Available at: https://artsdot.com/en/art/david-bomberg-bideford-devon-AQSFVL-en/

    Look closely

    Bideford, Devon — David Bomberg

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Composition with Figures (1913), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. David Bomberg was about 56 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What type of artwork is "Bideford, Devon" by David Bomberg?

    "Bideford, Devon" is a wall art piece.

    What is the dominant color of "Bideford, Devon" by David Bomberg?

    The dominant color of "Bideford, Devon" by David Bomberg is orange (#e7900a).

    Is "Bideford, Devon" more bright or more dark overall?

    "Bideford, Devon" is bright overall, and its luminance is gentle luminance.

    What is the creation date of "Bideford, Devon" by David Bomberg?

    "Bideford, Devon" dates from 1946. The date places the work within David Bomberg's career and its era.

    Are there works similar to "Bideford, Devon"?

    Works similar to "Bideford, Devon" are listed on the artwork's Similars page.

    Who sells hand-painted copies of "Bideford, Devon" by David Bomberg?

    You can order a hand-painted reproduction of "Bideford, Devon" by David Bomberg directly on this page: a hand-painted oil reproduction on linen canvas, made to order.

    What technique and size is the original "Bideford, Devon" by David Bomberg?

    The medium of "Bideford, Devon" by David Bomberg is oil, and its recorded dimensions are 65 x 71 cm.

    What is the emotional tone of "Bideford, Devon" by David Bomberg?

    "Bideford, Devon" by David Bomberg conveys a tranquil emotional tone.