Paper

Student Artwork Guide

December 16th 2008

Name Class Date

david a light, December 16th 2008 (2008), Llyfrgell Genedlaethol Cymru / The National Library of Wales. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
david a light artsdot.com/en/artists/david-a-light/
Painted
2008
Original size
48 x 37 cm
Movement
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Held at
Llyfrgell Genedlaethol Cymru / The National Library of Wales artsdot.com/en/museums/llyfrgell-genedlaethol-cymru-the-national-library-of-wales-aberystwyth/

In context

December 16th 2008 — david a light

How big is it?

The original measures 48 × 37 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 2000

▲ this work, 2008

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/david-a-light-december-16th-2008-AQULDW-en/

Colours

Measured from the image

    Main colour

    Driftwood #9d8261

    Catalogued palette

    • #9D8261
    • #EEF0EB
    • #5D4830
    • #2C251A
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    david a light

    David A Light: Capturing the Soul of Pembrokeshire

    David A Light’s art isn't merely a representation of landscapes; it’s an immersion into the very spirit of Southwest Wales, specifically the rugged coastline and evocative valleys of Pembrokeshire. Born and raised amidst this dramatic scenery, Light developed an unparalleled sensitivity to light, texture, and the subtle shifts in mood that define the region. His work transcends simple depiction, aiming instead to evoke a profound emotional response – a feeling of connection to the land, its history, and the enduring rhythms of nature.

    Light’s artistic journey began with a formal training in fine art, but his true education unfolded through years spent observing and absorbing the essence of his surroundings. He wasn't simply painting what he saw; he was translating the experience of being there, capturing not just the visual elements but also the intangible qualities that imbue Pembrokeshire with its unique character. This dedication to authenticity is evident in every brushstroke, a testament to his deep-seated love for his homeland.

    Early Influences and Artistic Development

    Light’s artistic development was profoundly shaped by the landscape itself, but also by a lineage steeped in creativity. His father, Len Light, was a pioneering inventor – most famously responsible for the Easiyo yoghurt maker – demonstrating an inventive spirit that permeated the family. More significantly, however, his grandfather, David Cox the Elder, was a celebrated watercolorist known for his romantic depictions of English rural life. This direct connection to a master landscape painter provided a crucial foundation, instilling in Light a deep appreciation for tonal harmony, atmospheric perspective, and the expressive potential of color.

    Early influences also extended beyond family history. The Romantic movement, with its emphasis on emotion, individualism, and the sublime beauty of nature, resonated deeply with Light’s artistic sensibilities. Artists like Turner and Constable served as models, demonstrating how to capture not just the outward appearance of a scene but also the emotional impact it could have on the viewer. However, Light's work distinguishes itself through its intensely personal vision, rooted firmly in his own experience of Pembrokeshire.

    Technique and Style: A Master of Atmospheric Painting

    Light’s distinctive style is characterized by a masterful command of atmospheric perspective and an intuitive understanding of light. He employs a layered approach to painting, building up tones gradually to create a sense of depth and luminosity. His use of color is particularly noteworthy – he favors muted, earthy hues that evoke the natural palette of Pembrokeshire, punctuated by flashes of vibrant color to draw attention to key elements within the composition.

    A crucial element of his technique involves working en plein air (outdoors), directly from observation. This allows him to capture the fleeting effects of light and weather with remarkable immediacy. His digital paintings are not mere copies of these outdoor sessions; they’re carefully considered interpretations, imbued with a sense of spontaneity and emotional resonance. He often utilizes digital tools to enhance his naturalistic approach, subtly manipulating colors and textures to achieve the desired effect.

    Themes and Historical Significance

    Light's work is fundamentally rooted in themes of place, memory, and the enduring relationship between humanity and nature. His paintings are not simply landscapes; they’re windows into a specific time and place – a reflection on the history, culture, and spirit of Pembrokeshire. He subtly incorporates elements that hint at the region's rich past, from ancient standing stones to medieval ruins, creating a sense of continuity between the present and the distant past.

    Furthermore, Light’s art speaks to a broader historical context – the Romantic ideal of the sublime landscape, the rise of tourism in Victorian Britain, and the ongoing struggle to balance economic development with environmental preservation. His paintings serve as a poignant reminder of the beauty and fragility of the natural world, urging viewers to appreciate its value and protect it for future generations. His work is increasingly recognized within contemporary art circles for its evocative power and its ability to transport the viewer to another time and place.

    Notable Works and Legacy

    Among Light’s most celebrated works are his series depicting Cwm-yr-Eglwys, a dramatic valley in Pembrokeshire, and his evocative portrayals of Newport Beach. These paintings exemplify his mastery of atmospheric perspective and his ability to capture the essence of the region's rugged beauty. His work is exhibited regularly at galleries throughout Wales and beyond, attracting collectors and art enthusiasts alike.

    David A Light’s legacy extends far beyond the canvases he has created. He represents a vital link between traditional landscape painting and contemporary artistic practice, demonstrating how to capture the spirit of a place through a deeply personal and emotionally resonant vision. His work serves as an inspiration to artists seeking to connect with their surroundings and express themselves authentically.

    Museum

    Llyfrgell Genedlaethol Cymru / The National Library of Wales

    On show in Aberystwyth, United Kingdom

    A Bastion of Welsh Identity: The National Library of Wales

    Nestled in the charming university town of Aberystwyth, overlooking the breathtaking expanse of Cardigan Bay, stands a monument not merely to literature and art, but to the very soul of Wales. The National Library of Wales, or

    Llyfrgell Genedlaethol Cymru

    , is far more than just a repository of books; it is a vibrant, living archive dedicated to preserving and celebrating the rich tapestry of Welsh culture, history, and language. Established by Royal Charter in 1907, this institution was born from a passionate desire to safeguard national identity, fueled by both governmental support and remarkable contributions from the working classes of Wales. It serves as a beacon for scholarship and research, acting as the nation's memory keeper through its legal deposit status, ensuring that every publication produced in Wales finds a home within its hallowed walls.

    Stepping into the Library is akin to embarking on a journey through time, where the architecture itself tells a story of harmony and transition. The building, a completed masterpiece of 1937, reflects a thoughtful blend of classical and modern elements designed by Sidney Greenslade, with later additions by Charles Holden. Its striking facade, featuring contrasting Portland stone on the upper stories and Cornish granite below, creates a visually compelling presence that commands respect. This architectural grandeur is complemented by the meticulously landscaped grounds, which are considered an integral part of its historical landscape, offering a serene setting that invites quiet contemplation and discovery amidst the salt air of the Welsh coast. For the interior designer, the interplay of stone, light, and space within this structure offers a masterclass in dignified, monumental aesthetics.

    For the art enthusiast and collector, the Library’s collections offer an unparalleled window into the Welsh spirit. While the heart of the institution lies in its 6.5 million books and the world-renowned Peniarth Collection of medieval manuscripts, its visual treasures are equally profound. The collection features significant paintings, topographical prints, and portraits that capture the essence of the nation. Art lovers will find particular resonance in the works of Kyffin Williams and Donald McIntyre, whose masterful depictions of the Snowdonia National Park and Cardigan Bay landscapes serve as both aesthetic triumphs and vital visual records of Wales’ evolving environment. These works, characterized by their sensitivity to light and texture, provide a profound connection to the rugged beauty of the Welsh terrain, making them essential touchstones for anyone seeking to understand the atmospheric depth of Celtic landscape art.

    Beyond its permanent holdings, the Library thrives as a dynamic cultural centre, constantly evolving through engaging exhibitions that bridge the gap between the ancient and the contemporary. From exploring the mysteries of Celtic mythology to celebrating the nuances of modern Welsh art history, these curated displays attract visitors from across Europe and beyond. The integration of the National Screen and Sound Archive further enriches this experience, bringing Welsh heritage to life through immersive film and sound recordings. For scholars and curators alike, the Library represents a pinnacle of cultural preservation, offering a unique space where the echoes of the past meet the innovations of the 21st century in a seamless, beautiful dialogue.

    Where to read more

    Find this online

    QR code linking to the download page for December 16th 2008

    artsdot.com/en/art/download/david-a-light-december-16th-2008-AQULDW-en/

    Cite this artwork

    MLA
    light, david a. December 16th 2008. 2008, Llyfrgell Genedlaethol Cymru / The National Library of Wales. https://artsdot.com/en/art/david-a-light-december-16th-2008-AQULDW-en/
    APA
    light, david a (2008). December 16th 2008 [Painting]. Llyfrgell Genedlaethol Cymru / The National Library of Wales. https://artsdot.com/en/art/david-a-light-december-16th-2008-AQULDW-en/
    Chicago
    david a light. December 16th 2008. 2008. Llyfrgell Genedlaethol Cymru / The National Library of Wales. https://artsdot.com/en/art/david-a-light-december-16th-2008-AQULDW-en/
    Harvard
    light, david a (2008) December 16th 2008. Llyfrgell Genedlaethol Cymru / The National Library of Wales. Available at: https://artsdot.com/en/art/david-a-light-december-16th-2008-AQULDW-en/

    Look closely

    December 16th 2008 — david a light

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: abstract, texture, foliage. Do you agree? What would you add, or take away?
    4. Look back at November 12th 2008 (2008), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.