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Student Artwork Guide

Apples are basic

Name Class Date

Corita Kent, Apples are basic. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Corita Kent artsdot.com/en/artists/corita-kent/
Artist’s dates
1918 – 1986
Movement
Pop Art Art made from advertising, comics and packaging, treating supermarket images as worth a gallery wall.

In context

Apples are basic — Corita Kent

When might this have been painted?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 68 at death.

Shaded: the lifetime of Corita Kent (1918–1986) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • X give a damn artsdot.com/en/art/corita-kent-x-give-a-damn-AE3MFC-en/
  • Original artsdot.com/en/art/corita-kent-original-AE3MEZ-en/
  • For eleanor artsdot.com/en/art/corita-kent-for-eleanor-AE3MEP-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/corita-kent-apples-are-basic-AE3MEJ-en/

Colours

Measured from the image

    Main colour

    White #f7f2e8

    Catalogued palette

    • #F7F2E8
    • #74C742
    • #FA3B54
    • #3A442D

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Pastels The dominant colour family in the image.
    Main colour name
    White
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Corita Kent over the last twelve months — 5 countries in all. Where these figures come from

    The ten leading countries

    1. 1 United States of America 52.9%
    2. 2 China 29.4%
    3. 3 Canada 5.9%
    4. 4 Spain 5.9%
    5. 5 Netherlands 5.9%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 10 most looked-at works by Corita Kent

    1. 1 The juiciest tomato of all serigraph 31.6%
    2. 2 Beatitudes 26.3%
    3. 3 Things go better with 10.5%
    4. 4 Original 5.3%
    5. 5 American flag 5.3%
    6. 6 Come alive; tomorrow, the stars 5.3%
    7. 7 Stop the Bombing 5.3%
    8. 8 As Witness to the Light 5.3%
    9. 9 Hope 5.3%
    10. Apples are basic this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 28 works by this artist, of which 9 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Corita Kent

    Born in Fort Dodge, United States of America

    A Life Illuminated: The Art of Corita Kent

    Born Frances Elizabeth Kent in 1918, the artist known as Corita Kent emerged from a humble upbringing in Fort Dodge, Iowa, to become one of the most vibrant and socially conscious voices in American Pop Art. Her journey was anything but conventional; at eighteen, she entered the Sisters of the Immaculate Heart of Mary, taking the name Sister Mary Corita and dedicating her life to both faith and artistic expression. This unique intersection would define her work for decades, imbuing it with a powerful blend of spiritual devotion and progressive social commentary. Corita’s early education at Immaculate Heart College and later at the University of Southern California provided a foundation in art history, but it was within the walls of the convent that she truly began to forge her artistic path, initially focusing on religious subjects rendered in dense, medieval-influenced imagery. However, this style would soon undergo a radical transformation.

    From Sacred Imagery to Pop Provocations

    The early 1950s marked a turning point as Corita discovered the possibilities of screen printing – or serigraphy – a technique she embraced with remarkable ingenuity. Largely self-taught, she mastered the complexities of layering colors and creating intricate stencils, often employing up to nineteen or twenty-three shades in a single print. This technical prowess coincided with a shift in her artistic focus. Inspired by the burgeoning Pop Art movement and influenced by figures like Charles Eames and Buckminster Fuller, Corita began incorporating elements of popular culture into her work: advertising slogans, song lyrics, imagery from everyday life. These weren’t mere appropriations; she imbued them with new meaning, transforming commercial messages into meditations on faith, justice, and the human condition. Her bold typography, vibrant color palettes, and playful use of language became hallmarks of her style, challenging conventional notions of what religious art could be. The Second Vatican Council played a role in this evolution as well, encouraging greater accessibility and relevance within the Church, a principle Corita wholeheartedly embraced.

    A Voice for Social Justice

    Corita Kent’s art was never simply aesthetically pleasing; it was deeply engaged with the world around her. As the 1960s unfolded, her work became increasingly political, addressing pressing social issues such as the Vietnam War and humanitarian crises with directness and compassion. She didn't shy away from controversy, using her art to advocate for peace, equality, and an end to injustice. This commitment brought her widespread recognition, culminating in a 1967 cover feature in Newsweek magazine – a remarkable achievement for a nun artist. Commissions followed, including designs for the 1964 New York World’s Fair, IBM Christmas displays, and Westinghouse. Perhaps her most iconic contribution to American culture was the “Love” stamp designed for the United States Postal Service in 1985. This simple yet powerful image sold over 700 million copies, spreading a message of unity and hope across the nation. Another monumental work, the "Rainbow Swash" mural painted on a natural gas storage tank in Boston, remains the largest copyrighted artwork in the world – a testament to her ability to transform industrial landscapes into spaces of beauty and inspiration.

    Legacy of Faith, Art, and Activism

    Increasing tensions with church leadership ultimately led Corita to leave the Sisters of the Immaculate Heart in 1968, relocating to Boston where she continued to create art, focusing on watercolor painting alongside her printmaking. Though diagnosed with cancer in 1974, she remained artistically active until her death in 1986. Her final act was a testament to her enduring commitment to the community that had nurtured her: she bequeathed all copyrights and unsold works to the Immaculate Heart College community. Today, Corita Kent is recognized as a pioneer of Pop Art, a visionary who seamlessly blended faith, social justice, and bold design. Her work continues to inspire artists and designers, reminding us of the power of art to challenge, uplift, and transform the world. She demonstrated that art could be both deeply personal and profoundly political, accessible to all while remaining intellectually stimulating. Corita Kent’s legacy is a vibrant reminder that love truly can conquer all.

    Influences and Lasting Impact

    Art Historian Dr. Alois Schardt: Provided intellectual guidance and encouragement during her artistic development.

    Pop Art Movement: Inspired her incorporation of popular imagery and advertising techniques into her work.

    Vatican II: Influenced her desire to make art more accessible and relevant to the public.

    Social Activism: Fueled her commitment to addressing social issues through her art, particularly during the Vietnam War era.

    Where to read more

    Find this online

    QR code linking to the download page for Apples are basic

    artsdot.com/en/art/download/corita-kent-apples-are-basic-AE3MEJ-en/

    Cite this artwork

    MLA
    Kent, Corita. Apples are basic. n.d., https://artsdot.com/en/art/corita-kent-apples-are-basic-AE3MEJ-en/
    APA
    Kent, Corita (n.d.). Apples are basic [Painting]. https://artsdot.com/en/art/corita-kent-apples-are-basic-AE3MEJ-en/
    Chicago
    Corita Kent. Apples are basic. n.d. https://artsdot.com/en/art/corita-kent-apples-are-basic-AE3MEJ-en/
    Harvard
    Kent, Corita (n.d.) Apples are basic. Available at: https://artsdot.com/en/art/corita-kent-apples-are-basic-AE3MEJ-en/

    Look closely

    Apples are basic — Corita Kent

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: apples and fruit, bold typography, pop art design. Do you agree? What would you add, or take away?
    4. Look back at X give a damn, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Pop Art: Art made from advertising, comics and packaging, treating supermarket images as worth a gallery wall. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What is "Apples are basic" about?

    The subjects of "Apples are basic" are apples and fruit, bold typography, pop art design, simple composition, social commentary, color block prints, american serigraph.

    Where can I download "Apples are basic" by Corita Kent?

    "Apples are basic" by Corita Kent can be downloaded from the artwork's Download page, as a high-resolution digital image download.

    Where can I buy a digital image of "Apples are basic" by Corita Kent?

    A digital image of "Apples are basic" by Corita Kent can be purchased on its Digital Image page: a high-resolution digital image download.