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Student Artwork Guide

A Cure For Everything

Name Class Date

Charles Spencelayh, A Cure For Everything. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Charles Spencelayh artsdot.com/en/artists/charles-spencelayh/
Artist’s dates
1865 – 1958

In context

A Cure For Everything — Charles Spencelayh

When might this have been painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930
  9. 1940
  10. 1950

Shaded: the lifetime of Charles Spencelayh (1865–1958)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • A good tonic artsdot.com/en/art/charles-spencelayh-a-good-tonic-9H5TVK-en/
  • His Daily Ration artsdot.com/en/art/charles-spencelayh-his-daily-ration-9DGHKG-en/
  • His Favourite artsdot.com/en/art/charles-spencelayh-his-favourite-9DGHKK-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/charles-spencelayh-a-cure-for-everything-9DGHG7-en/

Colours

Measured from the image

    Main colour

    Black #0d0503

    Catalogued palette

    • #0D0503
    • #C4B6A5
    • #672918
    • #886E56
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Black
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Charles Spencelayh

    Born in County Kent, United Kingdom

    Charles Spencelayh: A Master of Hyperrealist Domesticity

    Charles Spencelayh (1865-1958) was a highly regarded British genre and portrait painter, born on October 27, 1865, in Rochester, Kent. His artistic journey began at the National Art Training School in South Kensington. While initially exhibiting his work in Paris, Spencelayh achieved significant recognition within Great Britain, becoming celebrated for his meticulous depictions of everyday life and intimate portraits.

    Early Life & Artistic Development

    Spencelayh's career spanned several decades, with over 70 paintings exhibited at the Royal Academy between 1892 and 1958. A pivotal moment arrived in 1939 when his work "Why War" earned him the title of 'Painting of the Year,' solidifying his position as a leading figure in British art. His early training instilled a strong foundation in classical techniques, which he later adapted to create his signature hyperrealistic style. He was influenced by the meticulous detail found in 17th-century Dutch genre painting, particularly artists like Pieter de Hooch and Jan Steen, though Spencelayh’s work is distinctly Victorian in its sensibility.

    Key Works & Artistic Style

    Spencelayh's paintings are characterized by their extraordinary attention to detail, capturing the nuances of light, texture, and expression with remarkable precision. His subjects frequently revolved around domestic scenes, portraying moments of quiet contemplation or gentle amusement. Notable works include:

    The Laughing Parson (1935): Demonstrates his ability to capture a moment of jovial interaction.

    His Daily Ration (1946): A poignant depiction of everyday life, showcasing his observational skills.

    Exploration (1931): An impressive still life example highlighting his mastery of form and composition.

    Apples (1951): Showcases his command of color and light in a seemingly simple subject.

    Mrs Spencelayh: A stunning portrait exemplifying his skill in capturing character and dignity.

    The Lacemaker: A testament to his hyperrealistic technique, filled with intricate detail.

    Spencelayh’s style is often described as hyperrealist, though he avoided the overtly photographic quality sometimes associated with that term. Instead, his paintings possess a timeless quality, imbued with a sense of warmth and nostalgia.

    Legacy & Royal Patronage

    Charles Spencelayh enjoyed considerable popularity during his lifetime, notably becoming a favorite artist of Queen Mary, who avidly collected his works. In 1924, he was commissioned to paint a miniature portrait of King George V for the Queen’s Doll Museum. His masterpiece, "The Old Dealer," achieved significant recognition when it sold at Sotheby's for over £345,000 in 2009, demonstrating the enduring value and appeal of his art. His meticulous approach to capturing everyday life resonated with audiences seeking a sense of stability and beauty amidst societal changes.

    Further Exploration & Related Artists

    Explore more about Charles Spencelayh's style on AllPaintingsStore.

    Discover similar artists such as David Woodlock and William Heath Wilson.

    A retrospective exhibition celebrating his life and art was held at the Guildhall Museum, Rochester, from January 31 to June 21, 2015.

    Where to read more

    Find this online

    QR code linking to the download page for A Cure For Everything

    artsdot.com/en/art/download/charles-spencelayh-a-cure-for-everything-9DGHG7-en/

    Cite this artwork

    MLA
    Spencelayh, Charles. A Cure For Everything. n.d., https://artsdot.com/en/art/charles-spencelayh-a-cure-for-everything-9DGHG7-en/
    APA
    Spencelayh, Charles (n.d.). A Cure For Everything [Painting]. https://artsdot.com/en/art/charles-spencelayh-a-cure-for-everything-9DGHG7-en/
    Chicago
    Charles Spencelayh. A Cure For Everything. n.d. https://artsdot.com/en/art/charles-spencelayh-a-cure-for-everything-9DGHG7-en/
    Harvard
    Spencelayh, Charles (n.d.) A Cure For Everything. Available at: https://artsdot.com/en/art/charles-spencelayh-a-cure-for-everything-9DGHG7-en/

    Look closely

    A Cure For Everything — Charles Spencelayh

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at A good tonic, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.