Paper

Student Artwork Guide

Multiple Segregated Faces

Name Class Date

charles sekano, Multiple Segregated Faces (2003), University of Pretoria Museums. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
charles sekano artsdot.com/en/artists/charles-sekano/
Artist’s dates
1953 – ?
Painted
2003
Medium
Pastel Sticks of almost pure pigment drawn straight onto paper; the colour is bright but rubs off easily.
Original size
59 x 84 cm
Movement
Contemporary Art
Period
Contemporary
Held at
University of Pretoria Museums artsdot.com/en/museums/university-of-pretoria-museums-tshwane/
Artistic style
Bohemian, multiracial influences
Notable elements or techniques
Separated faces, layered composition
Subject or theme
Identity, race, and politics

In context

Multiple Segregated Faces — charles sekano

How big is it?

The original measures 59 × 84 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000

Shaded: the lifetime of charles sekano (1953–?) ▲ this work, 2003

Colours

Measured from the image

    Main colour

    Rosy Brown #b1ada6

    Catalogued palette

    • #B1ADA6
    • #C09348
    • #455151
    • #963D2D
    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Multiple Segregated Faces — charles sekano

    A Tapestry of Identity: The Fragmented Vision of Charles Sekano

    In the evocative pastel drawing Multiple Segregated Faces, created in 2003, the South African master Charles Sekano invites viewers into a profound meditation on the fractured nature of identity and the complexities of human connection. The artwork presents a mesmerizing assembly of at least thirteen distinct faces, each seemingly detached from a singular body, floating within a shared, rhythmic space. Through a masterful use of composition, Sekano creates a sense of depth where certain features press toward the viewer while others recede into a dreamlike haze. This layering of gazes and expressions does more than just create a visual puzzle; it constructs a psychological landscape that speaks to the many layers of the human experience, making it an irresistible centerpiece for collectors who value art that provokes deep contemplation.

    The technique employed in this piece is nothing short of hypnotic. Utilizing the soft, tactile medium of pastels, Sekano achieves a delicate balance between vibrant color and intimate texture. The artist’s hand is visible in the way colors bleed into one another, creating a sense of movement that mimics the improvisational flow of the jazz music he famously played during his years in Nairobi. This fluidity allows the faces to appear both separate and inextricably linked, much like the notes of a complex melody. For interior designers, the piece offers a sophisticated interplay of tones that can anchor a room, providing a focal point that is simultaneously energetic and serene.

    Historical Resonance and the Soul of Exile

    To truly appreciate Multiple Segregated Faces, one must look through the lens of Sekano’s extraordinary biography. Born in Johannesburg and shaped by the turbulent era of apartheid, Sekano’s life was defined by movement and exile. His time in Kenya served as a transformative period where the vibrant, multiracial bohemian culture of Nairobi's jazz clubs offered a stark, colorful contrast to the oppressive restrictions of his homeland. This duality—the tension between the freedom found in exile and the heavy political realities of South Africa—is woven into the very fabric of this drawing. The "segregated" nature of the faces serves as a poignant metaphor for the social and political divisions he witnessed, yet the way they coexist within the frame suggests a yearning for unity and a celebration of a shared, albeit fragmented, humanity.

    The emotional impact of the work lies in this tension between fragmentation and togetherness. There is a haunting beauty in the way the faces are positioned; some appear lost in reverie, while others confront the viewer with an unmistakable presence. It is a work that captures the essence of "carefree reverie" and "fantasy," yet it remains grounded in the historical weight of the artist's journey. For those seeking to adorn their spaces with art that carries a narrative soul, this reproduction offers a rare opportunity to possess a piece of history—a window into a world where identity is being reconstructed, one face at a time.

    Artist and museum

    Artist

    charles sekano

    Born in Johannesburg, South Africa

    early life and exile

    charles sekano, a south african artist born in 1953 in johannesburg, has led a life marked by exile and artistic expression. at the age of 11, sekano left south africa, eventually settling in kenya for three years. this period significantly influenced his development as a visual artist and jazz musician.

    artistic themes and style

    sekano's work often explores themes of identity, race, and politics in south africa. his drawings, such as multiple segregated faces (2003), showcase his unique blend of bohemian and multiracial influences. the pastel colors and intimate scenes of carefree reverie, fantasy, innocence, and freedom are a testament to his experiences.

    notable works and exhibitions

    multiple segregated faces (2003), a pastel drawing, is one of sekano's most notable works. it showcases his unique style and exploration of themes.

    sekano has exhibited widely in kenya, holland, germany, japan, the us, uk, and south africa, with his works held in private collections and various museums, including university of pretoria museums (pretoria, south africa) and völkerkunde museum (frankfurt, germany).

    his first exhibition in south africa was at the university of pretoria in 2008, after returning to his home country at the age of 50.

    artistic influences and style

    sekano's work is characterized by:

    traditional african forms and color influences

    cubism and the influence of artists like picasso and matisse

    expressive pastel strokes with meticulously conceived compositions

    viewing sekano's work at AllPaintingsStore

    to explore more of charles sekano's artwork, including multiple segregated faces (2003), visit [https://AllPaintingsStore.com/@/charles-sekano](https://AllPaintingsStore.com/@/charles-sekano). for a deeper understanding of his artistic influences and style, see the wikipedia entry on south african art.

    further reading

    for more information on charles sekano's life, work, and exhibitions, explore these links:

    /en/art/show/art-d3c5zh-en/ - AllPaintingsStore's artist profile

    [https://AllPaintingsStore.com/@/charles-sekano](https://AllPaintingsStore.com/@/charles-sekano) - charles sekano's artwork at AllPaintingsStore

    Museum

    University of Pretoria Museums

    On show in Tshwane, South Africa

    A Tapestry of Pretoria’s Heritage: The University of Pretoria Museums

    Nestled within the vibrant, purple-hued embrace of the Jacaranda City, the University of Pretoria Museums stand as a profound testament to South Africa's intellectual and artistic soul. More than mere repositories for silent artifacts, these institutions function as living chronicles, weaving together a complex narrative of a nation’s journey through time. To step into these halls is to embark on an immersive voyage where academic rigor meets the evocative power of storytelling, illuminating a multifaceted past that ranges from ancient indigenous traditions to the transformative echoes of the liberation struggle. The museum serves as a vital bridge between the preservation of heritage and the pulse of contemporary artistic appreciation, offering a sanctuary for those who seek to understand the deep-seated cultural currents that shape South African identity.

    The architectural landscape of the campus itself provides a majestic stage for this collection, dominated by the venerable Old Arts Building and the Merensky Building. The Old Arts Building is a true architectural marvel, a landmark that breathes with the elegance of various eras, from the sweeping grandeur of Victorian design to the streamlined sophistication of Art Deco. Within its soaring ceilings and ornate structural details, one finds a curated dialogue between European influences and African aesthetics. This sense of structural innovation extends into the museum's unique holdings, most notably through the remarkable assemblage featuring works by Jean Prouvé. The visionary French architect’s influence brings a touch of modern functionalism to the collection, where his philosophy of prioritizing aesthetic beauty alongside structural engineering resonates powerfully against the backdrop of historical South African narratives.

    The true heart of the museum lies in its ability to curate moments of profound historical significance through diverse visual media. Collectors and art enthusiasts will find themselves captivated by the meticulous archives that offer unparalleled access to the figures and pivotal movements that have defined the country. A singular highlight that commands reverence is the Golden Rhinoceros of Mapungubwe, a medieval masterpiece of wood overlaid with thin sheets of gold. This delicate yet powerful artifact, discovered by archaeologists from the university, serves as a shimmering symbol of the ancient Kingdom of Mapungubwe and the sophisticated artistry of pre-colonial South Africa. Such treasures are complemented by recent exhibitions that have brought groundbreaking international perspectives to the local context, fostering a global dialogue through collaborations with world-class curators.

    What distinguishes the University of Pretoria Museums is their holistic commitment to the lifecycle of art and history. It is not merely a place for observation, but a center for active scholarly research where advanced analytical techniques are employed to reconstruct lost artistic traditions. For the interior designer or the passionate art lover, the museum offers an endless wellspring of inspiration, blending the textures of historical struggle with the elegance of architectural innovation. By integrating educational programs and postgraduate studies into its very framework, the institution ensures that the stories held within its walls continue to evolve, inspiring new generations of creators to find beauty in the enduring power of heritage.

    Where to read more

    Find this online

    QR code linking to the download page for Multiple Segregated Faces

    artsdot.com/en/art/download/charles-sekano-multiple-segregated-faces-D736ZY-en/

    Cite this artwork

    MLA
    sekano, charles. Multiple Segregated Faces. 2003, University of Pretoria Museums. https://artsdot.com/en/art/charles-sekano-multiple-segregated-faces-D736ZY-en/
    APA
    sekano, charles (2003). Multiple Segregated Faces [Painting]. University of Pretoria Museums. https://artsdot.com/en/art/charles-sekano-multiple-segregated-faces-D736ZY-en/
    Chicago
    charles sekano. Multiple Segregated Faces. 2003. University of Pretoria Museums. https://artsdot.com/en/art/charles-sekano-multiple-segregated-faces-D736ZY-en/
    Harvard
    sekano, charles (2003) Multiple Segregated Faces. University of Pretoria Museums. Available at: https://artsdot.com/en/art/charles-sekano-multiple-segregated-faces-D736ZY-en/

    Look closely

    Multiple Segregated Faces — charles sekano

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: portrait, faces, identity. Do you agree? What would you add, or take away?
    4. charles sekano was about 50 when this was made. What in it looks like the work of an artist at that stage?
    5. Themes that come back through the work of charles sekano: nairobi jazz influences, apartheid political themes, identity and race exploration. Which of them do you see here?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.