Paper

Student Artwork Guide

Summerstorm

Name Class Date

Cecily Brown, Summerstorm. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Cecily Brown artsdot.com/en/artists/cecily-brown/
Artist’s dates
1969 – ?

In context

Summerstorm — Cecily Brown

When might this have been painted?

  1. 1960

Shaded: the lifetime of Cecily Brown (1969–?)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/cecily-brown-summerstorm-AQRGFK-en/

Colours

Measured from the image

    Main colour

    White #fbf9f6

    Catalogued palette

    • #FBF9F6
    • #5F4B34
    • #C7BBA4
    • #9E8B6D
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    White
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Cecily Brown

    Born in London, United Kingdom

    Early Life and Education

    Born: London, United Kingdom (1969)

    Parents: Novelist Shena Mackay and art critic David Sylvester

    Education:

    B-TEC Diploma in Art and Design from Epsom School of Art (1985–87)

    Drawing and Printmaking classes at Morley College, London (1987–89)

    BA Degree in Fine Arts from the Slade School of Art, London (1989–93)

    Early Career: Worked as a waitress and in an animation studio during her studies.

    Awards: First-prize recipient in the National Competition for British Art Students at Slade.

    Artistic Development and Influences

    Move to New York: Relocated from London in 1995, seeking artistic independence.

    Influences: Brown's style is influenced by a diverse range of artists including:

    Francisco de Goya

    Willem de Kooning

    Francis Bacon

    Joan Mitchell

    Rubens

    Poussin

    Style: Combines figuration and abstraction, expanding the tradition of abstract expressionism. Known for a painting style suggestive of De Kooning and Oskar Kokoschka.

    Process: Often begins without a precise plan, allowing the final painting to reveal itself during the creative process. Embraces surprise and change in her work.

    Themes: Explores sexuality and attraction through semi-figurative and abstract means. The handling of paint becomes a central subject matter.

    Major Works and Recurring Motifs

    Early Recognition: Displayed "Four Letter Heaven" at the Telluride Film Festival (1995), exploring themes of sexuality and pornography.

    Notable Paintings: Titles often drawn from classic Hollywood films and musicals, such as "The Pyjama Game," "The Bedtime Story," and "The Fugitive Kind."

    "Electric Ladyland" Series: Based a series of paintings on a photograph from the 1968 Jimi Hendrix album.

    Site-Specific Installation: Created "Untitled," a permanent installation for the group exhibition "Vertical Paintings" at P.S. 1 (1997).

    Recurring Elements: Expressive figures, nudes, rich colors, luscious paint handling, and animated brushwork are characteristic of her style.

    Critical Reception and Historical Significance

    Contemporary Groupings: Often grouped with leading female contemporary painters including Charline von Heyl, Jacqueline Humphries, Laura Owens, Jutta Koether, Amy Sillman, and Emily Sundblad.

    Process Description: Describes her process as "organic," working on multiple pieces simultaneously, allowing layers to dry between applications.

    Critical Responses: While praised for powerful canvases and bold brushwork, some critics have noted a perceived detachment or lack of character in her work.

    Gendered Perspective: Brown's assertive style has been interpreted as confronting both the tradition of Abstract Expressionism (often associated with masculinity) and gendered assumptions about art.

    Legacy: Cecily Brown is recognized as a significant contemporary painter who revitalized painting through her dynamic, sensual, and intellectually engaging works. Her influence can be seen in subsequent generations of artists exploring figuration and abstraction.

    Where to read more

    Find this online

    QR code linking to the download page for Summerstorm

    artsdot.com/en/art/download/cecily-brown-summerstorm-AQRGFK-en/

    Cite this artwork

    MLA
    Brown, Cecily. Summerstorm. n.d., https://artsdot.com/en/art/cecily-brown-summerstorm-AQRGFK-en/
    APA
    Brown, Cecily (n.d.). Summerstorm [Painting]. https://artsdot.com/en/art/cecily-brown-summerstorm-AQRGFK-en/
    Chicago
    Cecily Brown. Summerstorm. n.d. https://artsdot.com/en/art/cecily-brown-summerstorm-AQRGFK-en/
    Harvard
    Brown, Cecily (n.d.) Summerstorm. Available at: https://artsdot.com/en/art/cecily-brown-summerstorm-AQRGFK-en/

    Look closely

    Summerstorm — Cecily Brown

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Merry Widow, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.