Paper

Student Artwork Guide

Migration #2

Name Class Date

Caryl Bryer Fallert-Gentry, Migration #2 (1995), The National Quilt Museum. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Caryl Bryer Fallert-Gentry artsdot.com/en/artists/caryl-bryer-fallert-gentry/
Artist’s dates
1951 –
Painted
1995
Medium
Fabric
Period
Contemporary
Held at
The National Quilt Museum artsdot.com/en/museums/the-national-quilt-museum-paducah/
Artistic style
Illusionistic
Influences
Textile Traditions
Notable elements or techniques
Organic seam designs
Subject or theme
Birds

In context

Migration #2 — Caryl Bryer Fallert-Gentry

When was this painted?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 44. 1 of the 3 dated works by this artist in our catalogue came earlier.

▲ this work, 1995 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/caryl-bryer-fallert-gentry-migration-2-D7XFVN-en/

Colours

Measured from the image

    Main colour

    Quinacridone Magenta #975876

    Catalogued palette

    • #975876
    • #CECDA3
    • #328AAC
    • #313044

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Quinacridone Magenta
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Migration #2 — Caryl Bryer Fallert-Gentry

    A Symphony of Flight and Illusion

    In the ethereal realm of Migration #2, Caryl Bryer Fallert-Gentry invites the viewer into a breathtaking experience that transcends the boundaries of traditional textile art. Created in 1995, this masterpiece is far more than a mere depiction of birds in flight; it is an immersive journey through light and motion. The artwork captures a sense of profound wonder, utilizing the medium of quilt art to elevate fabric into a vessel for sophisticated visual storytelling. As one gazes upon the scattered silhouettes of at least thirteen birds traversing a vibrant sky, there is an immediate, palpable sensation of being swept up in a celestial dance. These are not birds of any specific species, but rather creatures of the imagination, designed to evoke the very feeling of soaring alongside a migrating flock.

    The artist’s technical mastery is evident in her ability to manipulate light and texture through the delicate layering of fabrics. Fallert-Gentry employs organic seam designs—patterns that eschew rigid geometric constraints in favor of flowing, natural forms reminiscent of ripples in water or branching limbs. This technique, combined with strategic perforations and hand-dyed cottons, creates a luminous, "inner glow" that mimics the atmospheric subtleties of Impressionism. The way light seems to dance across the surface of the piece suggests a depth that defies conventional perspective, making the colorful background feel as though it is breathing with an internal vitality.

    Symbolism and Emotional Resonance

    Beyond its visual splendor, Migration #2 carries deep symbolic weight, making it a profound choice for collectors seeking art with emotional resonance. The imagery of birds serves as a universal emblem of freedom, aspiration, and spiritual transcendence. Their scattered positions across the canvas represent journeys undertaken both physically and metaphorically, articulating a belief in embracing change and pursuing personal growth. This sense of movement is mirrored in the historical context of the piece; emerging from the mid-1980s quilt art movement, the work stands as a warm, textural reaction against the austere minimalism of previous decades.

    For the interior designer or art enthusiast, this piece offers an unparalleled opportunity to introduce warmth and dynamic energy into a space. The vibrant color palette and the interplay of light and shadow create an eye-catching focal point that can transform a room into a sanctuary of peace and inspiration. Whether viewed as a celebration of Kentucky's rich quilting heritage or as a contemporary exploration of motion, Migration #2 remains a timeless testament to the power of textile art to capture the ephemeral beauty of the natural world.

    Artist and museum

    Artist

    Caryl Bryer Fallert-Gentry

    Born in Paducah, United States of America

    The Weaver of Light and Illusion

    Born in the heart of Paducah, Kentucky, in 1951, Caryl Bryer Fallert-Gentry has spent decades redefining the boundaries of textile art. Her journey began not with a grand vision of international acclaim, but with the humble, rhythmic stitches of her very first quilt, Rail Fence: My First Quilt, completed in 1976. Rooted deeply in the rich quilting heritage of her Kentucky upbringing, she possessed an innate understanding of how fabric could be transformed from mere utility into a medium for profound expression. As her hands moved through cloth, she began to move away from the rigid, geometric constraints of traditional patterns, seeking instead a way to capture the ephemeral qualities of the natural world.

    The true metamorphosis of her artistry arrived in 1983 with the creation of Red Poppies. This piece served as a pivotal milestone, marking her first foray into the use of curved seams—a technique that would become her most enduring signature. By abandoning the straight line, Fallert-Gentry unlocked a new dimension of visual storytelling, allowing her to manipulate the viewer's perception of depth and motion. Through these organic, flowing contours, she began to engineer quilts that do not merely sit upon a wall but seem to breathe with an internal vitality, mimicking the way light dances across a landscape or how shadows shift during a solar eclipse.

    A Symphony of Color and Motion

    To observe a Fallert-Gentry original is to enter a world where color functions as much more than pigment; it is a structural element used to evoke emotion and atmosphere. Her mastery lies in the delicate layering of hues, often achieved through the meticulous process of hand-dyeing or painting fabrics in gradual progressions from light to dark. This technique creates a luminous, "inner glow" that mimics the Impressionist fascination with sunlight. Influenced by the emotive power of Expressionism and the atmospheric subtleties of Impressionism, her work often evokes a sense of mystery, excitement, or quiet joy.

    Her technical prowess is most evident in her ability to create illusions of light and depth through what she calls "scintillating" color use. Her quilts are celebrated for their:

    Organic Curved Seams: Which break the traditional grid to suggest fluid, natural movement.

    Luminous Color Fields: Utilizing gradients that simulate the play of light and shadow.

    Textural Depth: A sophisticated interplay of fabric weight and design that invites tactile contemplation.

    This dedication to craftsmanship has led her work to be recognized not just as textile art, but as fine art, capable of standing alongside the great color-field painters. Indeed, her recent inspirations have even touched upon the abstract depths of artists like Marc Rothko, proving that her vision remains ever-evolving.

    Legacy and International Recognition

    The impact of Caryl Bryer Fallert-Gentry’s career is measured by both the accolades she has received and the global reach of her influence. Her quilt Corona II: Solar Eclipse was famously voted one of the hundred best quilts of the 20th Century, a testament to her lasting significance in the medium. Her achievements are punctuated by prestigious honors, including induction into the Quilters Hall of Fame in 2011 and receiving the Masterpiece Quilt Award from the National Quilting Association. From winning Best of Show at the International Quilt Festival to being named one of the 30 Most Influential Quiltmakers in the World, her reputation for excellence is undisputed.

    Beyond the walls of museums and private collections, which span across North America, Europe, Japan, and Brazil, Fallert-Gentry has dedicated much of her life to the education of others. For thirty years, she traveled extensively, conducting workshops and lectures that shared her secrets of curved seam construction and color theory. Through her studio, Bryerpatch, and her numerous publications, she continues to inspire a new generation of fiber artists to look beyond the traditional and embrace the infinite possibilities of light, line, and cloth.

    Museum

    The National Quilt Museum

    On show in Paducah, United States of America

    A Tapestry of Innovation: Unveiling The National Quilt Museum

    Nestled within the vibrant creative heart of Paducah, Kentucky – a city rightfully designated as a UNESCO Creative City – lies an institution unlike any other: The National Quilt Museum. More than just a repository of stitched fabric, it’s a dynamic celebration of contemporary quilting, a testament to the enduring artistry and boundless imagination woven into this often-overlooked craft. Founded in 1991 by Bill and Meredith Schroeder, visionaries who recognized the profound artistic merit within the quilting tradition, the museum stands as the sole United States space dedicated exclusively to showcasing the evolution of quiltmaking – from its humble roots to its current status as a sophisticated art form. Stepping through its doors is akin to entering a kaleidoscope; a vibrant explosion of color, texture, and design that challenges conventional notions of craft and invites visitors on a journey of discovery. The museum’s very location, adjacent to the Ohio River and within a city brimming with artistic energy, contributes significantly to its unique atmosphere – a confluence of heritage and innovation.

    A Collection Rooted in Contemporary Vision:

    The National Quilt Museum's core strength lies in its commitment to showcasing work created after 1980. This deliberate focus ensures that visitors encounter the cutting edge of quiltmaking, witnessing a remarkable diversity of styles – from meticulously rendered representational scenes that capture the essence of everyday life to bold abstract compositions bursting with geometric precision, intricate surface designs exploring texture and light, and innovative explorations pushing the boundaries of traditional techniques.

    Beyond Preservation:

    Unlike many museums dedicated to historical crafts, The National Quilt Museum isn’t simply a shrine to the past. It actively champions the artists behind these works, providing a vital platform for both established masters and emerging talents to share their unique voices and perspectives. This commitment to supporting contemporary quiltmakers is at the heart of the museum's mission.

    Exhibitions that Spark Dialogue:

    Currently, visitors are captivated by two particularly compelling exhibitions. “Caryl Bryer Fallert-Gentry: A Life in Color” offers a stunning showcase of an artist renowned for her mastery of light and illusion within the quilt medium – her work doesn’t merely depict scenes; it evokes atmosphere, creating a sense of depth and movement that truly captivates the eye. Simultaneously, “Victoria Findlay Wolfe: Option Expedition” provides a fascinating exploration of design principles through the fundamental building blocks of patchwork, demonstrating how seemingly simple shapes can be combined to create complex and visually arresting compositions.

    Paducah: A Creative Crucible

    The museum’s location in Paducah is integral to its identity and appeal. Designated as a UNESCO Creative City, Paducah boasts a thriving artistic community, a legacy rooted in the region's history as a vital transportation hub along the Ohio and Tennessee Rivers. This rich cultural landscape provides a fertile ground for creativity, fostering an environment where art and craft are not merely appreciated but actively celebrated. The city’s historic downtown district, with its beautifully preserved architecture and vibrant atmosphere, serves as the perfect backdrop for the museum's unique collection. The proximity to the Mississippi River further enhances Paducah’s significance as a crossroads of cultures and artistic influences. A short drive takes you to the Lewis & Clark National Historic Trail, adding another layer of historical context to the region’s creative spirit.

    A Legacy of Industry and Innovation:

    Paducah's history is inextricably linked to its role as a major railroad center and industrial hub. The Illinois Central Railroad, which established a massive locomotive repair shop in the city in the early 20th century, profoundly shaped the region’s economy and culture. This legacy of industry continues to inform Paducah’s creative identity, fostering a spirit of innovation and craftsmanship.

    UNESCO Recognition:

    The designation as a UNESCO Creative City underscores Paducah's commitment to supporting arts and cultural initiatives. It’s a testament to the city’s dedication to nurturing creativity and promoting its unique artistic heritage.

    The Museum Experience

    The National Quilt Museum itself is thoughtfully designed to enhance the visitor experience. The building, constructed with a blend of modern materials and traditional architectural elements, provides ample space for displaying the museum's extensive collection and hosting rotating exhibitions. A central gallery houses the permanent collection, while two additional galleries are dedicated to showcasing traveling exhibits and contemporary works. Beyond the visual displays, the museum offers workshops led by expert instructors, providing visitors with the opportunity to learn about quilting techniques and create their own masterpieces. The museum’s commitment to education extends to its youth programs, including the annual School Block Challenge and Quilt Camp – nurturing a new generation of fiber artists and ensuring the continuation of this vibrant tradition.

    Don't miss:

    The opportunity to participate in a quilting workshop.

    A guided tour with one of the museum’s knowledgeable staff members.

    Exploring the gift shop for unique, handcrafted items.

    A National Treasure and Community Hub

    The story of The National Quilt Museum is one of passion, dedication, and a profound belief in the transformative power of art. What began as a dream to elevate quilting beyond its traditional associations has blossomed into a nationally recognized institution – officially designated “The National Quilt Museum of the United States” by the U.S. Congress in 2008. This recognition underscores the museum’s significance not only within the quilting community but also within the broader art world. With approximately 40,000 visitors annually hailing from across the globe, The National Quilt Museum is more than just a museum; it's a testament to the enduring beauty and boundless potential of the quilted form – a vibrant hub for creativity, education, and community engagement in the heart of Kentucky.

    Where to read more

    Find this online

    QR code linking to the download page for Migration #2

    artsdot.com/en/art/download/caryl-bryer-fallert-gentry-migration-2-D7XFVN-en/

    Cite this artwork

    MLA
    Fallert-Gentry, Caryl Bryer. Migration #2. 1995, The National Quilt Museum. https://artsdot.com/en/art/caryl-bryer-fallert-gentry-migration-2-D7XFVN-en/
    APA
    Fallert-Gentry, Caryl Bryer (1995). Migration #2 [Painting]. The National Quilt Museum. https://artsdot.com/en/art/caryl-bryer-fallert-gentry-migration-2-D7XFVN-en/
    Chicago
    Caryl Bryer Fallert-Gentry. Migration #2. 1995. The National Quilt Museum. https://artsdot.com/en/art/caryl-bryer-fallert-gentry-migration-2-D7XFVN-en/
    Harvard
    Fallert-Gentry, Caryl Bryer (1995) Migration #2. The National Quilt Museum. Available at: https://artsdot.com/en/art/caryl-bryer-fallert-gentry-migration-2-D7XFVN-en/

    Look closely

    Migration #2 — Caryl Bryer Fallert-Gentry

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: birds flight, colorful sky, textile art. Do you agree? What would you add, or take away?
    4. Look back at Birds of a Different Color (1999), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Caryl Bryer Fallert-Gentry was about 44 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Migration #2 — Caryl Bryer Fallert-Gentry

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What movement does the artwork 'Migration #2' exemplify?

      • A Minimalism
      • B Quilt art
      • C Impressionism
    2. 2. In which year was 'Migration #2' painted?

      • A 1976
      • B 1983
      • C 1995
    3. 3. What is a signature characteristic of Caryl Bryer Fallert-Gentry's style?

      • A Organic seam designs
      • B Rigid geometric forms
      • C Monochromatic tones
    4. 4. According to the text, what do the birds in the artwork symbolize?

      • A Seasonal changes and weather
      • B Freedom and transformation
      • C The history of Kentucky
    5. 5. Where was the artist Caryl Bryer Fallert-Gentry born?

      • A Oswego, Illinois
      • B Paducah, Kentucky
      • C Port Townsend, Washington

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2C · 3A · 4B · 5B

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Is "Migration #2" by Caryl Bryer Fallert-Gentry a painting, a drawing or a print?

    In the catalog, "Migration #2" by Caryl Bryer Fallert-Gentry is filed as textile. The category helps find similar works.

    What emotion does the Contemporary Textile Art work "Migration #2" convey?

    The calm emotion of "Migration #2" accompanies its Contemporary Textile Art style.

    What luminance does "Migration #2" by Caryl Bryer Fallert-Gentry have?

    The luminance recorded for "Migration #2" by Caryl Bryer Fallert-Gentry is gentle luminance.