Paper

Student Artwork Guide

Memory 1, Separation

Name Class Date

carolyne kardia, Memory 1, Separation (1995), Yeovil District Hospital Nhs Foundation Trust. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
carolyne kardia artsdot.com/en/artists/carolyne-kardia/
Artist’s dates
1951 – ?
Painted
1995
Original size
122 x 122 cm
Held at
Yeovil District Hospital Nhs Foundation Trust artsdot.com/en/museums/yeovil-district-hospital-nhs-foundation-trust-yeovil/

In context

Memory 1, Separation — carolyne kardia

How big is it?

The original measures 122 × 122 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990

Shaded: the lifetime of carolyne kardia (1951–?) ▲ this work, 1995

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/carolyne-kardia-memory-1-separation-AR2CWL-en/

Colours

Measured from the image

    Main colour

    Espresso #3a2d37

    Catalogued palette

    • #3A2D37
    • #938783
    • #C7BEB7
    • #754D4E
    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    carolyne kardia

    The Ethereal Landscapes of Carolyne Kardia

    Born in London in 1951, Carolyne Kardia has established herself as a profound weaver of dreams and landscapes, creating works that exist at the delicate intersection of abstract expressionism and meticulous natural observation. Her artistic journey is one of remarkable transformation, moving from the tactile, structural world of sculpture to the luminous, atmospheric realms of painting. After honing her craft at the prestigious St Martin’s School of Art and later earning an MA in sculpture from the Royal College of Art, Kardia’s early career was defined by sculptural installations that responded to architectural spaces. However, it was in 1987 that a pivotal shift occurred, as she began to embrace color and the two-dimensional plane, allowing her to explore the fluid interplay between inner emotion and external beauty.

    The soul of Kardia’s work is deeply intertwined with her experiences outside the studio. Her years working as an Occupational Therapist within the Yeovil District Hospital NHS Foundation Trust provided a unique lens through which to view the world, infusing her practice with themes of healing, resilience, and quiet contemplation. This background lends a certain weight to her landscapes; they are not merely vistas, but meditations on the cycles of life and the endurance of nature. Her fascination with the natural world is further enriched by the influence of Impressionist masters such as Monet and Sisley, from whom she inherited a devotion to capturing the fleeting, ephemeral qualities of light and atmosphere.

    Technique and Symbolic Language

    To encounter a Kardia painting is to experience a sensory layering of texture and light. She employs a distinctive technique that often involves building up acrylic paints mixed with mediums like resin, creating a surface that mimics the ruggedness of stone or the translucent shimmer of water. This meticulous process allows her to achieve a sense of geological depth, where mountainous vistas and coastal scenes seem to emerge from within the canvas itself. Her palette is as dynamic as her subject matter, ranging from the vibrant energy of Blue Embrace to the explosive, hot colors that challenge the eye and dance across the format.

    Beyond the physical texture, Kardia’s work is rich with a symbolic vocabulary that speaks to the interconnectedness of all existence. Within her expansive compositions, one often finds recurring motifs such as:

    Spirals and Circles: Representing the eternal cycles of renewal and the rhythmic nature of growth.

    Fragmented Forms: Serving as metaphors for memory, transformation, and the breaking down of boundaries.

    Layered Pigments: Creating a sense of luminosity that evokes the profound mystery of the natural world.

    Legacy and Artistic Presence

    Kardia’s ability to convey deep emotional resonance through visually striking compositions has earned her significant acclaim across Europe and North America. Her exhibitions have graced prestigious venues such as the Max Planck Institute in Berlin, the Dorset County Museum, and various public spaces in London, including St Pancras Hospital. Whether she is working with plaster installations or large-scale abstract canvases, her practice remains a continuous dialogue between the physical and the spiritual.

    Today, living and working in Dorset, Kardia continues to push the boundaries of her medium. Her work stands as a testament to the power of art to act as a bridge between the tangible landscape and the intangible human spirit, leaving an indelible mark on contemporary abstract landscape art through her unique ability to capture the very essence of a moment.

    Museum

    Yeovil District Hospital Nhs Foundation Trust

    On show in Yeovil, United Kingdom

    A Sanctuary of Colour and Calm: The Living Gallery of Yeovil

    In the heart of Somerset, where the rolling landscapes meet the vital pulse of community care, lies an unexpected repository of beauty known as the Yeovil District Hospital NHS Foundation Trust collection. Far from the hushed, sterile corridors often associated with medical institutions, this collection breathes life into the clinical environment, transforming a place of healing into a sanctuary of creative expression. It is a profound testament to the idea that art is not merely an ornament for the elite, but a fundamental necessity for the human spirit. Here, the boundaries between a healthcare facility and a curated gallery blur, creating a space where the rhythmic pulse of patient care meets the contemplative stillness of contemporary British art.

    The collection’s soul resides in its thoughtful selection of contemporary works, specifically those by artists such as

    Celia de Serra

    and

    Carolyne Kardia

    . These pieces are not chosen for mere aesthetic prestige, but for their deep-seated therapeutic resonance. Through a delicate interplay of light, texture, and hue, their works foster an atmosphere of serenity and emotional resilience. For the art lover or interior designer, these works represent a masterclass in using color to manipulate mood; they offer a soft, visual respite that can lower stress and invite introspection. The strategic placement of these canvases within the hospital’s halls ensures that beauty is encountered not as a destination, but as an integral part of the daily journey through recovery.

    The history of this artistic endeavor is inextricably linked to the evolution of the Trust itself. As the institution transitioned from the East Somerset NHS Trust into a foundation trust and eventually merged into the larger Somerset NHS Foundation Trust, its commitment to holistic wellbeing remained steadfast. The architecture of the hospital, while primarily driven by the rigorous demands of modern medical functionality, provides an understated and elegant backdrop for these vibrant works. There is no grand, intimidating museum facade here; instead, the art is woven into the very fabric of the building’s utility. This accessibility is perhaps the collection's most radical feature—it is a democratic gallery where patients, staff, and visitors alike are invited to engage with art during the most vulnerable and transformative moments of their lives.

    What truly distinguishes this collection is its role as a bridge between the clinical and the communal. Through collaborations with local organizations like Symphony Healthcare Services and the integration of digital innovations via partnerships with Babylon Health, the hospital has cultivated an ecosystem where art, technology, and care converge. It serves as a reminder to collectors and enthusiasts that the true power of art lies in its ability to provide comfort and connection. In this unique setting, the artwork acts as a silent caregiver, offering a window of peace amidst the complexities of modern medicine, making Yeovil a remarkable beacon of how creativity can illuminate even the most functional of spaces.

    Where to read more

    Find this online

    QR code linking to the download page for Memory 1, Separation

    artsdot.com/en/art/download/carolyne-kardia-memory-1-separation-AR2CWL-en/

    Cite this artwork

    MLA
    kardia, carolyne. Memory 1, Separation. 1995, Yeovil District Hospital Nhs Foundation Trust. https://artsdot.com/en/art/carolyne-kardia-memory-1-separation-AR2CWL-en/
    APA
    kardia, carolyne (1995). Memory 1, Separation [Painting]. Yeovil District Hospital Nhs Foundation Trust. https://artsdot.com/en/art/carolyne-kardia-memory-1-separation-AR2CWL-en/
    Chicago
    carolyne kardia. Memory 1, Separation. 1995. Yeovil District Hospital Nhs Foundation Trust. https://artsdot.com/en/art/carolyne-kardia-memory-1-separation-AR2CWL-en/
    Harvard
    kardia, carolyne (1995) Memory 1, Separation. Yeovil District Hospital Nhs Foundation Trust. Available at: https://artsdot.com/en/art/carolyne-kardia-memory-1-separation-AR2CWL-en/

    Look closely

    Memory 1, Separation — carolyne kardia

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Blue Embrace (1999), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. carolyne kardia was about 44 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.