Student Artwork Guide
Copyright This work is in the public domain. Boris Dmitrievich Grigoriev died in 1939; copyright lasts 70 years after the artist’s death, so it ended in 2009.
In context
Trees — Boris Dmitrievich Grigoriev
Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 53 at death.
Shaded: the lifetime of Boris Dmitrievich Grigoriev (1886–1939) every dated painting, decade by decade
This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?
Pick one work above: name two things it shares with this one, and one thing that's different.
More works to set beside this one: artsdot.com/en/art/similar/boris-dmitrievich-grigoriev-trees-9FTFXV-en/
Measured from the image
Main colour
Driftwood #d5a761
Catalogued palette
These colours inside the artist’s whole palette Find other paintings by colour
The ten leading countries
Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.
Together these works take 49.3% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 293 works by this artist, of which 48 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month
Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.
Artist and museum
Born in Moscow, Russia
Born: July 11, 1886, in Rybinsk, Russia.
His mother, Klara von Lindenberg, was of Swedish descent, influencing his artistic sensibilities.
Grigoriev’s early life was marked by being born out of wedlock, a theme that would later subtly appear in his work.
He studied at the Stroganov Art School from 1903 to 1907 under Dmitri Shcherbinovsky.
Furthered his education at the Imperial Academy of Arts in Saint Petersburg, solidifying his artistic foundation.
Grigoriev’s style evolved through various phases, beginning with Impressionism before embracing avant-garde techniques.
In 1909, he joined the “Studio of Impressionists,” demonstrating his initial leanings towards this movement.
Became a member of the influential World of Art (Mir Iskusstva) movement in 1913, connecting him with leading Russian artists and intellectuals.
Influences: While specific influences are debated, his work shows an affinity for European Impressionists and Post-Impressionists, alongside a distinctly Russian sensibility.
“Rasseïa” (1918): A pivotal album showcasing Grigoriev’s attempt to understand the essence of the Russian people as a natural phenomenon.
Portraits: Notable portraits include those of Vsevolod Meyerhold, Maxim Gorky, and Sergei Rachmaninov, capturing their personalities with depth and sensitivity.
“Faces of Russia” & “Faces of the World” series: These collections demonstrate his interest in portraying diverse individuals and cultures.
Major Paintings: Sunflowers (1917-1919), Village (1918), and Peasants in the Field (1920) exemplify his vibrant color palette and rhythmic compositions.
Themes: Grigoriev frequently explored themes of national identity, social observation, and psychological depth within his work.
Grigoriev played a significant role in the Russian avant-garde movement, contributing to its innovative spirit.
His work reflects the turbulent social and political climate of early 20th-century Russia.
Though not as widely recognized internationally as some contemporaries, his contributions to Russian art are increasingly appreciated.
His paintings can be found in museums such as the Taganrog Art Museum, preserving his legacy for future generations.
Died: 1939. His untimely death cut short a promising career, but his artistic vision continues to inspire.
Grigoriev’s style is characterized by its emotional intensity and expressive use of color.
He employed rhythmic structures and dynamic compositions to convey a sense of movement and energy.
His portraits are notable for their psychological insight and ability to capture the inner lives of his subjects.
Overall: Grigoriev’s work represents a unique blend of Impressionistic techniques, avant-garde experimentation, and distinctly Russian themes.
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Look closely
Trees — Boris Dmitrievich Grigoriev
Answer in your own words. There are no wrong answers here — only answers you can explain.
Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.
The color identity of "Trees" by Boris Dmitrievich Grigoriev: a pastels palette, dominated by driftwood (#d5a761).
"Trees" by Boris Dmitrievich Grigoriev is recorded with a clear color presence saturation and a vivid intensity.
Boris Dmitrievich Grigoriev appears under the alternate names Boris Dmitrievich Grigoriev.
"Trees" is available as a hand-painted oil reproduction on linen canvas. The order can be placed on this page, with a choice of sizes.
The artist behind "Trees" is Boris Dmitrievich Grigoriev. The work is catalogued under Boris Dmitrievich Grigoriev's name.
"Trees" by Boris Dmitrievich Grigoriev is a portrait composition. The proportions are worth checking before choosing a print size.
"Trees" can be examined layer by layer on the artwork's X-Ray page, a viewer inspired by a conservator's light bench with eleven optical readings of the image.
An ochre to sepia hue runs through "Trees" by Boris Dmitrievich Grigoriev.