Paper

Student Artwork Guide

Mirror Image

Name Class Date

Ben Levene, Mirror Image. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Ben Levene artsdot.com/en/artists/ben-levene/
Artist’s dates
1938 – 2010
Original size
128 x 138 cm

In context

Mirror Image — Ben Levene

How big is it?

The original measures 128 × 138 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990
  8. 2000
  9. 2010

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 72 at death.

Shaded: the lifetime of Ben Levene (1938–2010) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/ben-levene-mirror-image-ARALY8-en/

Colours

Measured from the image

    Main colour

    Gray #747979

    Catalogued palette

    • #747979
    • #4C4E4B
    • #30302B
    • #C2CBCD

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Gray
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Ben Levene over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 3 most looked-at works by Ben Levene

    1. 1 Green Still Life 66.7%
    2. 2 Mirror Image this painting 16.7%
    3. 3 View towards Titley, Hereford 16.7%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 6 works by this artist, of which 3 were looked at at least once. This painting ranks 2 of them, with 16.7% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Ben Levene

    The Quiet Resonance of Ben Levene

    Born Gerald Philip Levene on December 23, 1938, in the heart of London, the artist known as Ben Levene possessed a sensibility that sought to find profound meaning within the subtle textures of the natural and urban worlds. His journey into the depths of visual expression began at St. Clement Danes School, but it was his scholarship to the prestigious Slade School of Fine Art in 1956 that truly set the stage for a lifetime of mastery. Under the rigorous tutelage of William Coldstream, Levene entered an environment of intense observation, forging lifelong bonds with fellow artists such as Anthony Green and Peter Freeth. This formative period was not merely about learning technique; it was about developing a way of seeing—a meticulous approach to light and form that would become the cornerstone of his enduring legacy.

    While his early explorations flirted with the dreamlike realms of Surrealism and the raw emotion of Expressionism, Levene eventually found his true calling in the landscape. He was drawn to the ability of a landscape to act as a vessel for emotion, capturing not just a location, but the very essence of a place. A transformative chapter in his development occurred during 1961–62, when the Boise scholarship granted him passage to Spain. Immersed in the vibrant, sun-drenched landscapes of Andalusia, Levene’s palette expanded and his brushwork evolved. The intense colors and rugged textures of the Iberian Peninsula encouraged a style defined by layered brushstrokes and delicate tonal variations, allowing him to translate the heat and light of Spain into a uniquely British painterly language.

    A Legacy of Pedagogy and Recognition

    Beyond the easel, Levene was a cornerstone of the British art educational landscape. His commitment to nurturing the next generation of talent was evident through decades of dedicated teaching. Beginning his tenure at the Camberwell School of Art in 1963, he remained a vital presence there until 1989. His influence extended even further into the prestigious halls of the Royal Academy Schools and the City & Guilds of London Art School, where he served as a Visiting Tutor during the 1990s. This period of his life was marked by a dual devotion: the pursuit of his own creative truth and the selfless dissemination of artistic knowledge to his students.

    The art establishment took note of his significant contributions, marking his ascent with prestigious honors. In 1975, he was elected an associate of the Royal Academy, and by 1986, he had achieved the esteemed rank of Royal Academician. His administrative leadership also left a mark on the institution, as he served as the curator of the Royal Academy schools between 1995 and 1998. These accolades were not merely titles but reflections of a career built on technical excellence and an unwavering commitment to the standards of British painting.

    The Poetics of Place and Industry

    Levene’s body of work remains a captivating study in contrasts, moving seamlessly between the pastoral serenity of the countryside and the rhythmic energy of the cityscape. His landscapes, such as the evocative View towards Titley, Hereford, invite viewers into a world of quietude, where mountains, trees, and sky coalesce into a singular, peaceful moment. Yet, he was equally adept at capturing the pulse of modern life. In works like Crisp October, created in 1991, Levene explores the intersection of the natural and the man-made. Through his use of bold colors and dynamic compositions, he depicts urban scenes where water, architecture, and even industrial elements like oil rigs exist in a complex, beautiful tension.

    Today, the significance of Ben Levene’s work is preserved in several esteemed public collections, ensuring that his vision continues to resonate with new generations. His presence can be felt in:

    The Chantrey Bequest

    The Government Art Collection

    The Guildhall Art Gallery, London

    The Southampton Art Gallery, Stott Collection

    The Rochdale Museum, SIV Fund Purchase

    Through his ability to find the extraordinary within the ordinary, Levene left behind a visual testament to the enduring beauty of the world around us, a legacy of light, texture, and profound observation.

    Where to read more

    • The artist Ben Levene artsdot.com/en/artists/ben-levene/
    • Similar works More works to compare artsdot.com/en/art/similar/ben-levene-mirror-image-ARALY8-en/

    Find this online

    QR code linking to the download page for Mirror Image

    artsdot.com/en/art/download/ben-levene-mirror-image-ARALY8-en/

    Cite this artwork

    MLA
    Levene, Ben. Mirror Image. n.d., https://artsdot.com/en/art/ben-levene-mirror-image-ARALY8-en/
    APA
    Levene, Ben (n.d.). Mirror Image [Painting]. https://artsdot.com/en/art/ben-levene-mirror-image-ARALY8-en/
    Chicago
    Ben Levene. Mirror Image. n.d. https://artsdot.com/en/art/ben-levene-mirror-image-ARALY8-en/
    Harvard
    Levene, Ben (n.d.) Mirror Image. Available at: https://artsdot.com/en/art/ben-levene-mirror-image-ARALY8-en/

    Look closely

    Mirror Image — Ben Levene

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at View towards Titley, Hereford, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Toward which tone does "Mirror Image" lean?

    The dominant hue of "Mirror Image" by Ben Levene is green to violet spectrum. The hue is the underlying tone of the palette.

    How saturated is the palette of "Mirror Image"?

    The palette of "Mirror Image" is muted in saturation.

    Where can I download "Mirror Image" by Ben Levene?

    "Mirror Image" by Ben Levene can be downloaded from the artwork's Download page, as a high-resolution digital image download.