Paper

Student Artwork Guide

Figure 8

Name Class Date

beatrice kreloff, Figure 8 (1968). Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
beatrice kreloff artsdot.com/en/artists/beatrice-kreloff/
Painted
1968
Original size
127 x 127 cm

In context

Figure 8 — beatrice kreloff

How big is it?

The original measures 127 × 127 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1960

▲ this work, 1968

Compare with

  • Figure 9, 1968 artsdot.com/en/art/beatrice-kreloff-figure-9-ARA9LY-en/
  • Figure 5, 1968 artsdot.com/en/art/beatrice-kreloff-figure-5-ARA9LE-en/
  • Figure 17, 1969 artsdot.com/en/art/beatrice-kreloff-figure-17-ARA9LJ-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/beatrice-kreloff-figure-8-ARA9LL-en/

Colours

Measured from the image

    Main colour

    Steel Blue #3a81b4

    Catalogued palette

    • #3A81B4
    • #D74C2D
    • #A98785
    • #4B4641
    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Steel Blue
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    beatrice kreloff

    Beatrice Kreloff: A Life Woven with Art and Activism

    Beatrice Kreloff (1925-2016) wasn’t merely a painter; she was a force, an embodiment of artistic expression intertwined with profound social engagement. Her life, spanning nearly nine decades, unfolded as a vibrant tapestry woven with threads of personal passion, intellectual curiosity, and unwavering commitment to feminist ideals and progressive causes. Born in New York City, Kreloff's early exposure to the burgeoning art scene laid the foundation for her distinctive approach – one characterized by bold figures, symbolic imagery, and an exploration of human emotion rendered with a strikingly direct and often unsettling honesty.

    Kreloff’s formal artistic training began at the Brooklyn Museum Art School in 1950. This initial period proved formative, exposing her to the techniques of masters like Max Beckmann and Rubin Tam, shaping her understanding of composition and color theory. However, it was during the turbulent years of the 1960s that Kreloff truly found her voice. The rise of second-wave feminism ignited a fervent desire within her to depict women’s experiences – their struggles, vulnerabilities, and resilience – with unprecedented clarity. Her early portraits, often depicting psychiatric patients, were particularly poignant, offering glimpses into marginalized lives rarely seen in mainstream art.

    Art Workshop International: A Collaborative Vision

    A pivotal moment in Kreloff's artistic journey arrived in 1973 when she co-founded Art Workshop International (AWI) with Edith Isaac-Rose in Assisi, Italy. This collective wasn’t simply a studio; it was a deliberate act of resistance against the prevailing patriarchal structures within the art world. AWI provided a space for women artists from diverse backgrounds to collaborate, experiment, and challenge conventional artistic norms. The organization became a haven for radical feminist ideas, fostering a spirit of mutual support and creative exploration. Kreloff’s role as co-director was crucial, not only in shaping the studio's ethos but also in establishing its reputation as a vital center for contemporary art.

    The work produced at AWI reflected this collaborative spirit – a dynamic interplay of painting, drawing, printmaking, and textile arts. Kreloff’s paintings became increasingly expressive, moving beyond representational forms to explore the psychological landscapes of her subjects. Her use of color was particularly striking: vibrant hues juxtaposed with stark contrasts created a sense of tension and drama, mirroring the complexities of human experience.

    Themes of Human Emotion and Symbolic Imagery

    Kreloff’s oeuvre is deeply rooted in an exploration of human emotion – joy, sorrow, anger, vulnerability. Her figures are often rendered with a raw intensity, capturing fleeting moments of feeling with remarkable precision. She frequently employed symbolic imagery to convey deeper meanings, drawing on mythology, folklore, and personal experiences. Recurring motifs—such as birds, masks, and fragmented forms—suggested themes of transformation, identity, and the hidden aspects of the human psyche.

    Her work wasn’t simply decorative; it was a direct engagement with social issues. Kreloff actively participated in feminist activism, supporting reproductive rights, LGBTQ+ equality, and anti-war movements. This commitment to social justice permeated her art, transforming it into a powerful tool for raising awareness and challenging the status quo.

    Legacy and Recognition

    Beatrice Kreloff’s legacy extends far beyond her individual artistic achievements. She was a pioneering figure in the feminist art movement, a dedicated educator, and a passionate advocate for social change. Her work continues to resonate with audiences today, offering a poignant reflection on the human condition and a testament to the transformative power of art.

    Her paintings are held in prominent collections, including the Hirshhorn Museum and Sculpture Garden in Washington D.C., a testament to her enduring influence. Kreloff’s life story—a remarkable blend of artistic creativity and political activism—serves as an inspiration for artists and activists alike, demonstrating that art can be both deeply personal and profoundly impactful.

    Further information about Kreloff's work and life can be found through resources such as the Veteran Feminists of America Project, which documented her contributions to the feminist movement, and online archives detailing her involvement with Art Workshop International.

    Where to read more

    Find this online

    QR code linking to the download page for Figure 8

    artsdot.com/en/art/download/beatrice-kreloff-figure-8-ARA9LL-en/

    Cite this artwork

    MLA
    kreloff, beatrice. Figure 8. 1968, https://artsdot.com/en/art/beatrice-kreloff-figure-8-ARA9LL-en/
    APA
    kreloff, beatrice (1968). Figure 8 [Painting]. https://artsdot.com/en/art/beatrice-kreloff-figure-8-ARA9LL-en/
    Chicago
    beatrice kreloff. Figure 8. 1968. https://artsdot.com/en/art/beatrice-kreloff-figure-8-ARA9LL-en/
    Harvard
    kreloff, beatrice (1968) Figure 8. Available at: https://artsdot.com/en/art/beatrice-kreloff-figure-8-ARA9LL-en/

    Look closely

    Figure 8 — beatrice kreloff

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Figure 9 (1968), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.