Student Artwork Guide
Copyright This work is still under copyright. August Sander died in 1964; copyright lasts 70 years after the artist’s death, so it remains in force until 2034. The image is shown here for classroom reference; rights remain with the rights holder.
In context
Bohemians — August Sander
Shaded: the lifetime of August Sander (1876–1964)
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Measured from the image
Main colour
Rosy Brown #a49f9b
Catalogued palette
Artist and museum
Born in Heredorf, Switzerland
August Sander, born in 1876 in the small Swiss village of Herdorf, wasn’t destined for artistic renown in the conventional sense. His origins lay firmly rooted in the working class—his father a carpenter employed within the demanding world of mining. This upbringing instilled in him a profound respect for labor and an intimate understanding of everyday people, qualities that would become cornerstones of his life's work. Receiving his first camera at the age of sixteen from a supportive uncle sparked a lifelong passion, leading to self-taught mastery of photographic techniques within a makeshift darkroom. Though he initially followed a path of practical training, serving in the German military and apprenticing with photographer Georg Jung, Sander’s vision extended far beyond mere technical proficiency; he sought to capture something essential about the human condition itself. He managed photo studios in Linz, Austria, honing his skills before establishing his own studio in Cologne in 1910—a pivotal moment that would set the stage for his most ambitious undertaking.
Sander’s enduring legacy rests upon a project of staggering ambition: Menschen des 20. Jahrhunderts – "People of the Twentieth Century." Conceived as a monumental photographic study, it aimed to be nothing less than a comprehensive visual record of German society during an era defined by immense social, political, and economic upheaval. Unlike many photographers of his time who prioritized artistic expression or manipulation, Sander embraced objectivity and documentary accuracy with unwavering commitment. He envisioned the project divided into seven distinct categories: The Farmer, The Skilled Tradesman, Woman, Classes and Professions, The Artists, The City, and The Last People—a poignant inclusion encompassing those marginalized by society, such as the homeless and war veterans. His methodology was meticulous; he sought out subjects in their natural environments, incorporating details that revealed their profession or social standing. Utilizing large-format cameras to ensure exceptional clarity and detail, Sander’s direct, frontal compositions emphasized the individuality of each subject while simultaneously suggesting their place within a larger societal framework. This wasn't simply portraiture; it was an attempt at sociological mapping through the lens of photography.
The execution of People of the Twentieth Century spanned decades, from 1911 until Sander’s death in 1964, but its progress was far from seamless. The project became increasingly fraught with challenges as Germany descended into political turmoil. During the Nazi regime, Sander's work—with its implicit egalitarianism and refusal to glorify any particular social group—was deemed incompatible with their ideology. Tragically, his son’s involvement in socialist politics led to persecution and ultimately, his death in a prison camp. The Nazis confiscated and destroyed many of Sander’s photographic plates, representing an immeasurable loss to cultural heritage. Despite these setbacks, Sander persevered, driven by a belief in the importance of documenting his time. His work became closely associated with the Neue Sachlichkeit (New Objectivity) movement, which emphasized realism, clarity, and a rejection of emotionalism and abstraction. While not strictly a social documentary photographer, his project shared common ground with this genre through its focus on depicting everyday life and documenting social conditions. The influence of Sander’s systematic approach to portraiture and unwavering commitment to objectivity resonated deeply with subsequent generations of photographers, particularly those interested in documentary photography and sociological studies.
Despite facing censorship and destruction during his lifetime, August Sander's legacy has grown exponentially since his death. The establishment of the August Sander Archive ensured the preservation and promotion of his work, allowing future generations to appreciate the depth and significance of his vision. Numerous exhibitions and publications have showcased his photographs worldwide, solidifying his reputation as a master of portraiture and documentary photography. People of the Twentieth Century remains an unparalleled visual document of German society, offering profound insights into the lives and experiences of individuals during a period of dramatic change. His commitment to objectivity—a deliberate attempt to present subjects without judgment or embellishment—continues to inspire photographers and scholars alike. Sander’s work is more than just a historical record; it's a powerful testament to the enduring human spirit, a mirror reflecting both the triumphs and tribulations of an era, and a lasting contribution to the art of photography. His portraits are not merely images of individuals but archetypes—representative figures embodying the complexities and contradictions of a nation grappling with modernity.
New Objectivity: Sander’s work is deeply rooted in this movement, prioritizing clarity, realism, and a rejection of emotionalism.
Social Documentary Photography: While distinct, his project shares common ground with social documentary through its focus on everyday life and societal conditions.
Early Portraiture Traditions: He moved away from the romanticized studio portraits of earlier eras, favoring directness and authenticity.
The Rise of Sociology: The growing field of sociology in the early 20th century influenced his desire to categorize and document society systematically.
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Look closely
Bohemians — August Sander
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